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A while ago, Fang Jun saw a particularly "scary" news: in order to promote marriage and childbearing, the Japanese actually attacked primary school students!
In Tokyo, Kyoto, and other places, 30 elementary school students were invited to participate in "simulated weddings", and a man and a woman were found to pretend to be husband and wife to perform the sacred process of "making promises, exchanging vows, and kissing each other".
The "wedding" scene is also very romantic and beautiful, and the children are stunned and stunned.
It is not difficult to see that in order to alleviate the "low birthrate" and increase the marriage rate and fertility rate, the Japanese are really starting from dolls
For This kind of "spawning and breeding operation" in Japan, I believe everyone is not surprised.
After all, if you want to talk about countries that like to use TV dramas to promote marriage and fertility, Japan says second, and no one should dare to say first.
It's 70 years old again, and it's the "lottery marriage" bill... How outrageous are you saying that japan's "marriage promotion drama" has to be outrageous?
But even if the "soft culture" is exported like this, the fertility rate still does not rise.
So Japan's Ministry of Health, Labor and Welfare (the department in charge of fertility work) can't sit still.
They ventured to speculate that the Japanese did not have children most likely because of an "unspeakable secret" – infertility.
So the Japanese filmed a short drama called "The Moon Next Door Is Rounder" for "Infertility", which seems to imply that "it is okay not to be ashamed, we can be cured and give birth"
But after watching this drama, Fang Jun was very surprised, because in addition to popular science common sense, it neither promotes nor urges marriage, but there is also the existence of the "Dink family and sexual minority" that contradicts it.
And people with different values and views on marriage and love in the play live in the "courtyard", and the collisions and conflicts that occur are far more exciting and exciting than imagined!
If someone mistakenly thinks it is a "birth drama" and is dissuaded, it is really missing a good drama.
In fact, the reason that initially attracted Fang Jun to watch "The Moon Next Door is Rounder" is not its strange plot, but because of the "Japanese courtyard" in the play-
Four two-storey apartments are enclosed together, and the four families share a large yard and live a collective life.
Closing the door is your own home, but opening the door can be free to walk through the yard.
I believe that this way of living and environment is what many people have longed for - the pattern of being surrounded together, living with girlfriends, brothers, and family members, both independent and intimate.
Although the size of such a house will not be too large, as long as the decoration design is clever enough, it can also be suitable for living, such as the 4 different families in the play.
IGARASHI (Igarashi Nana & Oji)
As the protagonist couple of this drama, Lan Lan and Daqi live in a cozy small house.
To the right of the entrance is the I-shaped kitchen, which is separated from the dining room by a hollowed-out wall in the middle, which can be used as both a passing table and a sideboard. Convenience also allows the two spaces to be closely linked.
The dining room looks out onto the living room
Walking along the open dining room, there is the small living room of the house. The super high ceiling makes the lighting here very good.
The lounge area is composed of only a Japanese heating table + a few throw pillows, but there is a sense of home everywhere.
The master bedroom is located at the back of the living room. The interior is also very simple, with a large bed, floor lamps, vanity mirrors, and partitions on the wall.
Since there are no children, lanlan and the big instrument's home, the spatial planning is very concise and clear.
And the reason why there are no children, not because they do not want to have children, but because they can not give birth, the specific "hidden feelings" we first press the table.
KOMIYAMA (Komiyayama family of four)
Of the four families, the Komiyayama family was the only one to have children and had a second child. The living environment of a family of four pays more attention to practicality and comfort.
The home adopts the LDK integrated design, reducing the existence of partition walls, making each space more open and closely connected, and it is also convenient for full-time mothers to see young children at all times.
Next to the large floor-to-ceiling window on the right side of the living room, there is an afternoon tea leisure area, where Mrs. Komiyayama often takes pictures of food and posts them on ins to create the image of her exquisite life.
It seems that this family is happy and warm, but if you continue to look at it, you will find that in fact, all this is an "illusion".
HIROSE (Hirose Shige)
Hirose shigeru is an architectural designer with a restrained and stable personality and a bit of perfectionism, so his home's decoration style is aesthetically online everywhere.
Since it is a single person living alone, the size of the house is also the smallest of the 4 families, so the layout of the interior space is more compact, but not congested.
The entrance is a sunken living room, which brings a stronger sense of depth to the small space, coupled with sufficient lighting, visually expands the area of the room naturally, making it more spacious and bright.
The relaxation area consists of only a set of two-seat sofas + a herringbone splicing table + carpet + a small side table, and various log materials create a warm and comfortable atmosphere.
Since they do not cook frequently on weekdays, the kitchen and dining room pay more attention to the functions of storage, display and display.
Solid wood floors, sideboards, island tables, dining tables and chairs, shelves, very high value.
If you don't say that it is a professional designer, after watching the decoration of his home, many netizens directly called: "I really like it!" Want to stay! ”
KAWAMURA (Kawamura & Chihiro of the Dink clan)
Kawamura and Chihiro are a couple ready to get married, this house is their newlywed house, and since both are engaged in fashion-related industries, the decoration style is dominated by modern industrial style.
On the left side of the entrance, the open kitchen, dining room and living room are arranged in turn, without any hard partitions, which is more spacious and atmospheric.
The whole house is paved with solid wooden floors and dark gray soft decoration, and the overall style is very high-grade.
The leisure area of the living room is placed with a long sofa + transparent oval coffee table, the right locker is designed to be empty in the middle, the top is installed with a light strip, and the middle is placed with art paintings, and the petty bourgeoisie has a sense of design.
Looking at it, the 4 buildings in the play are built one-by-one, and the decoration has its own characteristics, which is also in line with the characteristics and habits of the owners.
Like different decoration styles, the four families also have different views on marriage and children. In these cozy or stylish houses, there are also many secrets hidden.
Although on the surface, it seems that everyone is living a decent life, in fact, every family has a difficult scripture. This also makes their "courtyard" life, and there have been many contradictions and conflicts.
For example, Mrs. Komiyayama, a full-time housewife, is probably the most controversial character in "Next Door".
Snobbery, homophobia, good face, incomprehensible, hoping that women will become phoenixes... All kinds of unpopular personalities have made netizens crusade against it. Most importantly, she likes to point fingers and judge other people's life choices.
For example, when the owners of the house met for the first time to discuss how to design the public yard, Mrs. Komiyayama said that she hoped to create a space for children to play.
She also said: "After a woman still has children, she is considered a real woman." ”
Such black-and-white remarks naturally attracted the displeasure of the Dinkist Chihiro Sugisaki.
She asked rhetorically, "Isn't it illegal not to have a child?" According to you, it's as if a woman doesn't have children as if she has no value. ”
The contradiction between a full-time housewife and a Dinkist exploded in an instant.
In fact, this is because Mrs. Komiyama is very dissatisfied with her life as a full-time housewife.
She is jealous of the Dink couple who are engaged in the fashion industry and can go in and out of all kinds of high society, and at the same time, she has to use "I have children is better than you" to try to win over each other.
While this side is fiercely arguing about "birth or not to be born", the protagonist on the other side, Igarashi Nana, and her husband, Igarashi Daiji, are quietly wondering, "Why can't I be born?" ”
Yes, the protagonist is a young couple aged 35+ who can't conceive a baby.
She was pregnant for a full year and 3 months, but she could not wait for the arrival of a new life, which made Nai Nai begin to wonder whether she and her husband were "infertile".
In fact, in Japan, this topic is more sensitive and difficult to talk about.
For example, when Daiji learned that Nai Nai had made an appointment for infertility diagnosis, he would subconsciously be embarrassed, nervous, and resistant, repeatedly emphasizing "I have no problem."
"Dare not face it, subconsciously avoid, refuse treatment", which is a real psychological feeling in the "infertility" group.
Although there are more and more Dinkists today, there are indeed some people who "want to have children but can't give birth" in reality, and everyone does not have to wear colored glasses to look at "infertility".
And in cases like Nai Nai and Daiki, it is not necessary to want to treat but be ashamed to face it. In order to have children, these efforts are not shameful.
As the play says, "To this day, there are still many people who have a strong prejudice against treating infertility. It is ignorance that brings about these unwarranted prejudices and discrimination. ”
In order to combat this ignorance, the play promotes a lot of pregnancy preparation knowledge, so as to help those couples with "hidden diseases" but difficult to open their mouths to complete the dream of childbirth.
This is actually to encourage those who are embarrassed to go to the hospital, "It doesn't matter, we tell you what to do." ”
Seeing this, you will definitely ask: "This is diss dink again, and it is also the treatment of infertility, how is it not a marriage promotion drama?" ”
But in fact, if you look closely, you will find that it is really not.
For example, when Chihiro was angry at Mrs. Komiyayama, she said such a sentence.
"Whether a woman is born or not is a right, not an obligation."
It is not difficult to see that for the matter of childbirth, the concept that the crew wants to convey is that having children is not the only achievement of a woman's life.
People who like children, under the premise of legality, have a few of them is your freedom, and no one will interfere. But the person who doesn't like children, not wanting to have children is also her freedom, you can disagree, but please respect.
Society is inherently diverse, and everyone's choices vary from person to person.
There is no need to force everyone to follow the same route, respect and understanding is the greatest goodwill.
In addition, the topic of infertility has not caused any contradictions between the two generations in the play.
Nai Nai's mother-in-law finally sincerely apologized, also because she felt that she had inadvertently mentioned that she wanted a grandchild, which brought unnecessary psychological burdens to her daughter-in-law.
Watching her daughter-in-law in order to have a child, it was treatment and test tube, she felt very uncomfortable, saying that "whether you can conceive a child or not, it doesn't matter."
Compared with those TV dramas that let her son kick her off when she learned that her daughter-in-law could not conceive a child, Fang Jun felt that this was the value that an excellent TV work should convey.
You see, in fact, this drama is not to "force marriage and give birth", but to constantly emphasize that life is diverse, and everyone has the right to choose the life they want.
You can be bold and courageous to do things according to your own wishes, but you should also respect others and understand differences.
If everyone's first reaction when they encounter different values from their own is not to refute, domesticate, or stubbornly judge and blame each other, perhaps many unnecessary disputes and conflicts can be avoided in life.
I hope that in the new year, more people can have an inclusive heart, to understand and accept people who are different from themselves, and to have less discrimination and prejudice.
Let those minorities also be brave enough to be themselves, and everyone can live as they want.
The source of the pictures and materials in this article: "The Moon Next Door Is Round"