Everyone feels differently about the same thing. For example, taking planes and trains home, everyone will hope that the time is shorter and the process is faster, but an article a few years ago said, "The high-speed rail is fast, so fast that it destroys the sense of form that should be done about going home."
This article has been widely ridiculed on the Internet, such as: think that the high-speed rail is fast, you can walk home, ah, the sense of form is full of a batch...
Others mocked this picture of a concubine:
I went to read this article, it was written by the post-80s writer Zhang Yueran, this article is not new, it was published a few years ago, this year I changed the topic and did not know how to go online.
The attitude towards Xiao Fresh is really completely different now than when I was in college. At that time, we had all kinds of literary and artistic senses, all kinds of small freshness, some of which were true, and some of which were exaggerated. No matter which one it is, for the sense of literature and art and small freshness, everyone basically maintains an appreciation, at least not to the point of blowing. At that time, everyone was struggling to live to the dream.
Nowadays, people are probably awake at the time of waking up from a dream, and they no longer cooperate with Xiao Fresh. It's basically "Is Lao Tzu living very tired?" Mud horses don't want to get cheap and sell well, and the whole emotion of opposing the public comes out, is it okay? ”
To say that this article is a bit of a work, is a little. But people are originally writers, writers don't do it, how else to write? Writers, it is to put small emotions into big emotions, and make some seemingly moving summaries. Some of the words in this article are also quite moving, such as "The old parting has a sense of beauty, which is thought to be related to the texture of sadness." After leaving, the two people each stayed in their own sadness, which was a kind of isolated sadness, which was completely their own business, locked in the body and rushed around, unable to let the other know. ”
It means that there is no such emotion fermentation now, a person into the carriage, what mood, immediately WeChat passed over, this parting wine can not be brewed.
The writer felt that "the train is no longer as heavy and sad as it once was."
Isn't it good to be sad no longer? Writers feel bad.
Writers rely on sensitivity, forbearance and inner struggle to capture people's emotions, and people who write songs and paint may have this trait. It's not that pain makes great works.
We ordinary people, the focus of life is not here, so we do not have the patience to distinguish between small emotions.
As an ordinary person who also writes small things, let's make a round scene between the writer and everyone.
I definitely don't like the hard long-distance, when I was in college, it took a long-distance bus, Hangzhou to Wenzhou to take 12 hours, that time I also came to menstruation, the car stopped in the middle of the road is not such a clean high-speed service station with toilets. A car of strangers, parked in the middle of the night in a place where there is no shop in front of the village, now think about it is really a little panicky. If it were right now, my college student, I wouldn't want her to experience it. Looking back, such a journey can not bring me painful poetry, nor will it praise youth, but only feel that there was no way at that time, pitiful.
But now in better conditions, such as taking the high-speed rail, it is very stable, has air conditioning, and is warm in winter and cool in summer. Sitting on the train and watching the different views pass by the window, I may also enjoy the feeling of spending more time on the train. After all, I usually sit in front of the computer, which is a little different experience, although in fact I am still writing on airplanes and high-speed trains.
Yes, I am also tired of running, and my heart is too big to lick my own little emotions.
The writer's feeling is more delicate, she feels that the current conditions are too good, the platform is so advanced, there is no sense of desolate emptiness. And the emptiness that matches the sense of emptiness: "If I saw someone who was sending off the way to turn around and walk away before the train was far away, I would be inexplicably annoyed and feel that he was not serious enough about this parting." ”
Literature is always precious, and those it narrates and grasps, we can all understand when we calm down.
It's just that our pace is too fast and there's no time to comfort and empathize with ourselves.
"He wasn't serious enough about this parting"? We will not feel it together, but will rush to a conclusion: that is, do not love you, change people! Or: life is like this, looking for everyone is the same.
END.
Author: Lu Jin Radio host/columnist