Author: LIAR/Anitama Cover Source: Garo > -DIVINE FLAME-" in the theatrical version of "Tooth Wolf <"
The 2014 animation "Yan Zhiyin", a late-night special drama "Tooth Wolf < GARO >", supervised by Yu Miyako, gave birth to a new "Tooth Wolf" series based on the medieval European worldview, from the shaping of the world view, the shape of the characters, the excellent animation script to the gorgeous battle scenes, which was unanimously praised by fans of the "Tooth Wolf" series and audiences who had never touched the series. In 2015, the planning of the "Tooth Wolf" series broke through the 10th anniversary mark, and the feature works were also continuously launched one after another. As part of the 10th anniversary, a new theatrical version of the anime "Tooth Wolf < GARO > - DIVINE FLAME-" depicting the "Seal of Fire" four years later was also released in Japan not long ago.
Previously in Anime! Anime!, as well as GIGAZINE's Creative Producer, who also commented on the game. Former MAPPA President Masao Maruyama conducted a related interview with Yasuko Kobayashi of the script, where Anitama conducted excerpts (you can click on the link to see the original text) to share the charm of this excellent theatrical version of the anime that has been sharpened for ten years through text interviews with readers and friends.
Maruyama talks about his own has always been very low-key, sometimes you only see his name but do not come forward, "DIVINE FLAME" is a cross-era work for himself, "Tooth Wolf < GARO>" series of the original Yu Miyako is also a special existence for himself. During the MADHOUSE period, Masao Maruyama worked with the late Monster DesignErusawa Yasushi, and mentioned the person Yumiya Yukita many times from Uzumaki's mouth, and Maruyama also wondered when he would be able to work with him. Maruyama participated in this work as a "creative producer", and his job was to invite Yumiya Kenta through the Tohoku Shinsha side to join the intellectual property of "Tooth Wolf".
Tooth Wolf series 10th anniversary logo
However, for this work, which has been developed for 10 years, it is the first time to participate, and even Masao Maruyama, who has been engaged in animation production since the ancient "Astro Boy" in the early days, is a little uneasy. Maruyama likes the animation of the very juvenile direction, and the works he has taken over from the earlier "Tomorrow's Father" to the "First God Fist" to the current hit "Tide and Tiger", the works of the teenager Xiang can be said to account for more than half of his life, even if he is now a "bad old man", he still looks forward to the works of the teenager. Speaking of juvenile works, Maruyama said that his favorite is the "Golden Skull Man" he watched when he was a child, although he was adapted into an anime, he also wanted to make his own "Golden Skull Man", but many projects could not be formed, until the emergence of "Tooth Wolf"... It's just that "Tooth Wolf" is a late-night special film, mainly aimed at adults, but it is such a late-night transformation hero project that lasted for 10 years, even If Maruyama, who likes teenagers, has to bow to the Rain Palace. It is also this belief that gives Maruyama the idea of adding bricks and tiles to this series, "Do it!" In a sense, the animated version of Tooth Wolf is the most desired work maruyama's 50-year animation career.
But it is not easy to really do, "Tooth Wolf" was originally designed for close-up and designed as a transformation series of works, pure hand-drawn animation, one is that the armor of the tooth wolf is too complicated to draw, the other is to lose the style of "Tooth Wolf" itself, so it was decided to use 3DCG to cross this gap, and then with the supervision of Hayashi Yuichiro's joining, it can be described as a tiger adding wings. Originally, Maruyama invited the late superintendent Ashida Toyo, and as a good friend who had worked together for many years, Maruyama hoped that The Ashida Supervisor would take over this burden, but unfortunately, The Ashida Supervisor died early, and the burden had already embarked on the journey before he could pick up anyone. With Studio Live's Nishimura Supervisor and President Hiroshi Shinji, Maruyama remembered that when asked Ashida Supervisor "Please ask young people if you cooperate next time", When Ashida Supervisor recommended two candidates, Yasuhiro Aoki and Yuichiro Hayashi. Yuichiro Hayashi has painted the original painting for "F-zero Falcon Legend" produced by Nintendo, likes "Transformers", and often plays with Transformers toys in private, is particularly obsessed with the history of medieval Europe, likes crusaders and also likes horror things, which coincides with the animated version of the Tooth Wolf worldview to be done this time, "Well, it's up to you."
Lai-on (CV: Daisuke Namikawa)
Yumiya also hopes that the animation can be completely different from the TV series, the stage can be free, not limited to Japan, as long as you don't forget that the armor in the play is summoned, and the object of battle is "Hora (Fear Beast)". In the "Tooth Wolf < GARO >" series filmed under the team led by Yu Miya, the heir to the Golden Knight Tooth Wolf Armor, whether it is Tsunashima Steel Tooth, Tsunashima Thunder Tooth or Dojo Flowing Tooth, even if the time and place are changing, but in the final analysis, it is all about the story of "Blood", and the OP of "JOJO's Wonderful Adventure" just explains that it is "Blood Fate" (and it just so happens that the script of this animation is Yasuko Kobayashi and the series composition of "JOJO"). After reading various materials about the history of torture, hunting witches, etc., Kobayashi proposed to use the "medieval European style" as the stage for this animation.
The second poster of the theatrical version
Speaking of "The Fate of Blood", regarding the theatrical version of "DIVINE FLAME", I believe that friends who have watched the TV series "The Seal of Fire" will be surprised by the figure of Herman on the poster. "Family affection" as a major theme of "The Seal of Fire", Herman is a popular role in the work, STAFF also favor him, it can be said that without him, this story is not established, and the natural theater version can not be less of his role. Even when the theatrical version was decided, the appearance of Herman was already fixed before the other characters were determined.
Herman (CV: Horikio Horiuchi)
So the question is, everyone who has watched the ending of "The Seal of Fire" knows that Herman has been sacrificed, so what is the situation of this Herman?! Maruyama laughed and said that if it was his own words, it would probably be just a twin brother who looked exactly like Herman in appearance and personality. Therefore, the appearance of Herman in the theatrical version was completely left to the script Yasuko Kobayashi to play, and Kobayashi's setting was also very good, which made him very satisfied.
Because to write this article to check the relevant information after being spoiled by the face of the author will not tell you the truth in this, want to know that you also hope that friends with conditions to the cinema or wait until the theater version of the BD sale after the sale to see for themselves, but also hope that friends who have seen the theater version can maintain good quality not in the comments for spoilers, thank you for cooperation.
Robert (CV: Miya Tomita)
At the beginning of the production decision of the theatrical version, in addition to Herman being an internal character, another character with a "blood fate" was Robert, the child born to Herman and Jimena at the end of the TV finale. The TV series is Ryan's growth story, then the theatrical version is Ryan's growth story, and Robert, who has not yet grown up after Ryan's growth, has become the key to the theatrical version.
Emma (CV: Park Lu-mi)
Another high-profile character in the play is the new character Sarah in the theatrical version, and Sarah's appearance also alleviates Emma's awkward atmosphere as a red point. Sarah's voice actress Komiya Yuki as an actor has also starred in "Special Team Go Busters" written by Yasuko Kobayashi, and this time Komiyashi's appearance is also recommended by Yasuko Kobayashi, as a voice actor Kobayashi praised her evaluation, "If you only listen to the voice, you can never hear that this is the voice of the yarn", and she is also very much looking forward to her future development.
Sarah (CV: Yuki Komiya)
As a major selling point of the "Tooth Wolf < GARO >" series, the fight scene in the play is even more indispensable, and as the 10th anniversary commemorative theatrical version, it is even more embarrassing to be on this stage without excellent play! Kobayashi said that his instructions on the script were very simple, such as "Ryan started fighting" and "Emma was attacked", at most the necessary details would be written about the location of the hit, the weapon used, etc. In this aspect of the battle screen, as in the special shooting drama, it is completely entrusted to the person who is good at this aspect, and the person responsible for the special shooting is mainly the action supervision and the cooperation of the actors, and the animation must rely on the cooperation of the storyboard, performance, painting supervision, original painting, animation painting, photography and other processes. As the first theatrical version of the anime supervised by MAPPA and Yuichiro Hayashi, the drawing aspect is completely inferior, and the combat aspect is not lost to CG at all. People who have seen the 18th episode "Phantom Flame - SCAR FLAME-" in "The Seal of Yan", which is supervised by Park Sex-hou in charge of the storyboarding, performance and painting, should still remember the battle in this episode, and this episode of Ryan and Alfonso's wonderful and fierce fight scene is even more shouted as "Shen Hui". And the quality of this theatrical version is known as the super enhanced version of episode 18, just from the PV and this luxurious original picture lineup is enough to make people salivate!
Finally, I wish "DIVINE FLAME" a high box office, and let's look forward to the release of BD!
The third poster of the theatrical version
Theatrical version of "Tooth Wolf< GARO > – DIVINE FLAME-" PV3:
<h5>＜MAIN STAFF＞</h5>
Supervision: Yuichiro Hayashi
Screenplay: Yasuko Kobayashi
Character Design Collaboration: Hiroyuki Takei
Animated character design: Toshiyuki Sugano
Mine- Ying-chen: Kudo Buto
Color scheme: Chikako Kamata
Photography Supervisor: Yusuke Tamaki
CG Supervisor: Lu Chuanli
Collection: Kiyoshi Hirose
Music: MONACA
Sound effects: Hirosumo Kurahashi
Sound Supervisor: Soichiro Kubo
Theme Song: JAM Project "Blade – The Divine Flame-"
Producer: MAPPA/Tohoku Shinsha
Rationing/Production: Tohoku Shinsha
>> the official website of the theatrical version of "Tooth Wolf< GARO > - DIVINE FLAME-"
Director: Yuichiro Hayashi, Park Ji-hyun
Chief Painting Supervisor: Toshiyuki Sugano
Fumihye Choi, Masayuki Kato, Park Xiao-hyun
TaoYuanSa: Satoru Nakamura, Shuji Maruyama, Shinya Kitamura, Noriko Ito, Daisuke Shinnuma
Tomohiro Kawahara, Takayuki Sano
<h5>Original (Syōto-otoku):</h5>
Koya Aoi, Rie Aoki, Masanobu Aoyama, Hisashi Akai, Manabu Akita, Toru Akiba, Hiroya Iijima, Hisae Ikezu, Hiroki Itai, Keiko Ito, Naoaki Ito, Toshio Inose, Kazuaki Imoto, Yuki Iwai, Masahiro Iwasaki, Chika Ohashi, Ohira Shinya, Ayumu Ogata, Tadami Okumura, Hiroyuki Okuno, Mayumi Oda, Mitsushi Kasano, Masayuki Kato, Hitoshi Kamata, Toshiyuki Kanno, Tomoyuki Kitamura, Shinya Kitamura, Mitsuteru Kubo, Masahiko Kubo, Mikine Kuwahara, SNIPES, Naoyuki Konno, Fumihide Choi, Yasuhiro Saiki, Tetsuto Saito, Takayuki Sano, Kyoko Sugiyama, Yasuhiro Seo, Takaaki Sekizaki, Yosuke Toyama, Yosuke Takada, Saki Takahashi, Naoki Takeda, Hiroki Tanaka, Yoshiaki Tsuhata, Chuji Nakajima, Satoru Nakamura, Hisayuki Southeast, Daisuke Shinnuma, Rie Nishimura, Park Atsushi, Hashimoto Takashi, Satoshi Hashimoto, Yuichiro Hayashi, Takashi Hyodo, Manrio Rumidera, Hideaki Matsuoka, Sawako Yamamoto, Sue Yoshida, Eri Watanabe, Yapico Animation
<h5>＜MAIN CAST＞</h5>
Ryan Lewis: Lang Chuan Dae
Alfonso SanVarianti: Nomura Katsuhito
Emma Gusman: Park Lumi
Herman Lewis: Hiroshi Horiuchi
Dario Mondoah/Obsidian Knight No: Sage Hagiwara
Sarah: The little palace has a yarn
Robert Louis: Mimi Tomita
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Original: m.anitama.cn/article/11e4636a4a390fd7?utm_source=toutiao