Introduction of Professor Han Tianyong
Born in June 1957 in Shenyang, Liaoning Province, he is a professor and doctoral supervisor at the School of Chinese Painting and Calligraphy Art at the China Academy of Art, the leader of the research department of Chinese ancient calligraphy creation, and a scholar of Japanese cultural studies. In 1984, he received a bachelor's degree in foreign Chinese and dialects from Liaoning University, a master's degree in Chinese painting from Zhejiang Academy of Fine Arts in 1992, under the tutelage of Professors Sha Menghai and Liu Jiang, and in 2001, he received a doctorate in literature from the Chinese Academy of Calligraphy of Capital Normal University under the tutelage of Professor Ouyang Zhongshi. He is currently the director of the Research Center for Ancient Calligraphy Creation of the China Academy of Art, the executive vice president and secretary general of the Zhejiang Oracle Bone Literature Society, the librarian of the Zhejiang Provincial Museum of Culture and History, the communication review expert of the Master's and Doctoral Dissertations of the Degree and Graduate Education Development Center of the Ministry of Education, the Distinguished Professor of Gifu Women's University in Japan, the member of the Chinese Calligraphers Association, and the member of the Xiling Printing Society.
His published works include: "Japanese Seal Engraving Art", "Buddhist Scripture Writing", "Three Strokes and Three Traces", "Zen Inkblot", "Wu Changshuo Seal Engraving", "Integration of Interpretations of Seal Engravings of Famous Masters of Past Dynasties", and the doctoral dissertation "Research on Chinese and Japanese Zen Inkblots" won the 2008 National Social Science "Eleventh Five-Year Plan" Project Art Fund Award.
The winter solstice day means the good news that spring is coming, and it is the day that everyone is looking forward to! On the afternoon of December 22, the public lecture on calligraphy held by Professor Han Tianyong of the China Academy of Fine Arts, a famous calligrapher, also brought a warm spring feeling to everyone at the Painting Jiangnan Research and Sketching Art Base. Everyone was encouraged and welcomed. Professor Han combined his many years of teaching experience in Japan and Wang Xizhi's calligraphy in Japan, and through the comparison of the spread and evolution of Chinese calligraphy in various periods in Japan, the whole lecture image was vivid, in-depth and simple, and the finishing touch was very enlightening to shaoxing to further promote the development of calligraphy. The lecture was well received, and everyone benefited a lot, and all hoped that Professor Han would have the opportunity to come to Shaoxing to give a lecture.
On December 22, the winter solstice day, Painting Jiangnan had the honor to spend it with all the teachers and classmates. Professor Han Tianyong of the Calligraphy Department of the China Academy of Fine Arts came from Hangzhou a day in advance and made meticulous preparations.
On December 21, the "Yong's Calligraphy Exhibition and New Book Publishing Conference" was held in Hangzhou. As soon as Professor Han Tianyong finished the activity, he left for Shaoxing and arrived at the painting of Jiangnan.
12.22 At 2:30 p.m., Professor Han gave a lecture on time, and the host, Atuge, introduced Professor Han's experience and works in art teaching.
Professor Han Tianyong gave the class, everyone listened carefully to the lecture, and finally interacted with the on-site students.