The routine of the movie is something that we love and hate. Too much, it becomes a cliché, no, it really can't work.
In this issue, we continue to take stock of the routines in the movie.
<h1 class="pgc-h-arrow-right" data-track="1" > irresistible girl Next Door</h1>
Singing and dancing youth
In the movie, when the male protagonist and the other two female characters fall in love, he will definitely choose the girl who is ordinary but kind-hearted, usually living next door, and will never choose another hot,rich, powerful, but snake-hearted beauty. You can see movies such as "Cocktail" and "Teen Wolf". (Jeff Cross, Marblehead, Massachusetts)
For example, in "Song and Dance Youth", the female number two is a rich woman with a good family, exquisite drama performance, exquisite appearance and quite scheming, and she is quite active with the male protagonist. But the male protagonist is interested in a seemingly unremarkable girl-type female protagonist next door. Many movies are also such a model, sometimes as a tool of the female second, think it is really miserable, empty charm!
<h1 class="pgc-h-arrow-right" data-track="9" > hand in hand to escape the law Hand-in-Hand Rule </h1>
In so many Hollywood action films, it seems that female characters can never escape the crisis alone, and a strong man must take her hand before she can run after him. The tradition is so strong that it often comes in illogical forms: in the movie "The Queen of the Forest," for example, a savage woman who wrestles with wild beasts every day as a baby waits for another male character to pull her away from danger— and the man is a TV anchor who has just escaped an air crash. (Roger Ebert)
Busan trip
Not only European and American films, but also in most disaster films, this "man's power" is also unconsciously reflected. For example, in the movie "Busan Trip", the running escape, the male protagonist pulling his underage little daughter can be understood, the fat uncle pulling his pregnant wife can also be understood, and the high school boy pulling his high school student girlfriend to run, it is indeed a routine.
<h1 class="pgc-h-arrow-right" data-track="13" > gentleman villain </h1>
In a tight and vast evil organization, the charismatic gentleman with the purest accent, the most elegant words, and the most noble dress must be the biggest villain. （G. W. Rawls, Washington)
V-Kills
Dressed as a beast, the description should be the villain. Villains usually don't see it at a glance and write bad words on their faces, but have a strong contrasting charm. It is also this kind of gentleman who looks most like a good person, and often ends up being found to be an evildoer, which highlights the tension of the film's story.
<h1 class="pgc-h-arrow-right" data-track="19" > Hollywood Strip Club </h1>
The carnival dance club in the film is simply the conscience of the industry, and the employees are not only the fiery beauties of Playboy magazine, but also all of them have special skills: dancing in an iron cage, with dazzling sexy costumes and props, accompanied by various theme music related to the movie... But in real life, you can't find a dream club with such a high standard. The real carnival is this: the dancers are not Playboy models, they wear cheap N-shirts, lazily scratch their heads on the same Internet pop CD, and they also dislike the small tip given by the guests. (Dawson Rambo, Pelham Manor Village, New York)
The most famous dancer in reality, Vantis
The scenes of such carnival in the film are naturally more beautiful and artistic. But in practice, not every dancer has the charm of Vantis. But who cares, as long as the movie can give us two hours of visual impact is enough.
In the next issue, we continue to take stock of the classic movie memes in the book!