【Introduction to Art】
Gou Maosen, Zi Liangyu, Zhai No. Qiu Pu Tang. Shaanxi Liquan people. He is currently a researcher of the China Spring and Autumn Ceremony Calligraphy and Painting Institute, a member of the Shaanxi Young Calligraphers Association, a member of the Shaanxi Zhongwu Calligraphy and Painting Institute, a researcher of the Shaanxi Zhonghe Calligraphy and Painting Academy Research Institute, a member of the Xianyang Yanglian Family Association, a member of the Xianyang Young Calligraphers Association, and the vice president of the Liquan Branch of the Calligraphy and Painting Committee of the Silk Road International Exchange Promotion Association.
In the past years, his great-grandfather lived in Taiwan, and he had a lot of personal relations with Zhang Daqian and Yu Youren's famous families, and the family hid his works, so he heard about it and was deeply influenced. At the same time, he was also a young child who was trained in the court, calligraphy and painting, and Chinese painting especially liked flowers and birds, and he went to Beijing to immerse himself in learning the essence of Chinese calligraphy and painting.
【Author's Sentiments】
Under the big locust tree/evergreen
When I was young, I didn't have any concepts, and although the trees in the county town were not as numerous as on the mountains, in the county seat, only because I knew about the two older locust trees. Locust trees are relatively not uncommon, the neighboring Yongshou is the Chinese locust township, in my hometown of Liquan, the most impressive is the old door of the big locust tree.
When I was very young, I used to walk on this street under the trees, a moment of shade, a moment of light, a moment of darkness, a moment of sunshine, looking up to see that the dense shade of the trees covered the sun, and then I saw the cold, and whenever I slept at home at noon, I got up and ran to my grandmother's house.
Before entering the door, my great-grandmother walked toward the street with a dragon's head crutch, and I hurried to the courtyard to take a folded and difficult to fold chair behind me, and when my great-grandmother looked back at me, I had already placed the chair in the position where she usually sat, because at this time, after lunch, my great-grandmother would be cold at the door, and by the shade of the large locust tree, from time to time the ground was full of shadow flowers, and I could not catch it.
Whenever my great-grandmother saw me coming to the house, I bought some hemp candy that I often bought and ate with me at the shop on the left and right, and now that I think about it, I can no longer eat that taste, nor do I see boredom, if I drink my great-grandmother's original brown sugar tea, it is even more interesting, when the sun passes, there is a little wind blowing, and slowly I don't see the light, and I go to the bedroom with the old man.
The locust tree is still there, there is no gradual change, more than twenty years, I have worked, but my great-grandmother is gone! The locust tree is still evergreen, but the years are changing! The most precious thing is a happy and unforgettable day with my great-grandmother in the breeze under the big locust tree!
【Works in the exhibition】
Xianyang City Culture and Art Festival "Danqing Yicai Great Beauty Xianyang" art competition was included in the exhibition; Liquan County "Greeting the National Day Ode to the Party and Catching Up with the Right Time" calligraphy and painting exhibition was included in the exhibition; the second calligrapher award of Jingwei Academy was selected; the national calligraphy and painting sketch exhibition that soared china to benefit the world to commemorate the 40th anniversary of reform and opening up was included in the exhibition; the first exhibition of calligraphy and painting works of college students in Shaanxi Province, "Pen and Ink Danqing Remembers Chang'an", won the second prize; the second "Reminiscences of the Past And Glory Years" joint exhibition of college students and colleges and universities in Shaanxi Province; and the people's calligraphy and painting masters network "Mountains and rivers are exotic, wind and moon on the same day "Global Anti-epidemic Calligraphy and Painting Exhibition" entered the exhibition; Xianyang City "80, 90" calligraphy and painting works exhibition into the exhibition; "Sit and watch the clouds" youth calligraphy and painting seal engraving art exhibition into the exhibition; Xianyang City's third youth calligraphy and seal engraving exhibition into the exhibition; the heavenly manna, the ground out of Liquan Liquan calligraphy and painting works invitation exhibition into the exhibition; Xi'an Weiyang Thousand People With Chinese Dream Calligraphy and Painting Creation Second Prize; the 14th Cross-Strait Famous Calligraphers and Painters Entered the Exhibition.
【Message of Encouragement】
Cao Bing, editor-in-chief of Northwest Calligraphy and Painting Art Network: With Liangyu's age and experience, it is not easy to have such achievements, I and Liangyu are both teachers and apprentices, but also as good friends, witnessing him from infancy to the present, just a few years, reaching such a level, I am both relieved and regretful, in my hope, he will now have better achievements. Time flies, the water does not pass, I hope that Liangyu Xiaoyou will continue to work hard, do not forget the original heart, consistently adhere to their beliefs, in time, the future is immeasurable. Borrow Li Bai's poem "Towards the fierce tiger line, twilight as a fierce tiger chant" with Liangyu to encourage. In the new year, we will make great achievements by working together, not afraid of dangers and obstacles, and courageously and resolutely.
【Famous Reviews】
The Aspirations of Qinggang Zhizhi Zhiyuan - Xiao Ji Young Calligrapher and Painter Gou Maosen
I have many children, and Gou Maosen, a young calligrapher born in 1999, is one of the best.
Mao Sen and his friends drove home many times to see me, and the impression was that he was a sincere, intelligent, and clever offspring.
He probably told me about the origin and process of learning calligraphy and painting, the ancestral family had a lot of collections, the young chengting training, and then went to Beijing to study, turned to many teachers, coupled with diligence and hard work, and finally made great progress.
I have seen many of Maosen's Chinese paintings, and his paintings are mainly based on traditional and common themes such as peonies, lotuses, pine cranes and other flowers and birds. Rooted in tradition, the ancient teacher is not muddy, but not stuck to one school, with a distinct sense of the times. The works are elegant and fresh, and the atmosphere is vivid. The composition is full and rigorous with the pen, and the color is bright and smooth with ink. The pictograms between the objects are full of life, seemingly random but without dryness, gentle and elegant, and amiable. Mao Sen has a clear artistic pursuit, has a more systematic study of traditional painting and painting theory, not impetuous, not chasing the wind, not kitsch, thinking, has his own ideas. It is precisely because of this that he has achieved today.
In today's Chinese painting world, it is a common phenomenon that the painter's calligraphy foundation is poor, which also causes many authors to have insufficient strength, and it is difficult to achieve "the same origin of calligraphy and painting", let alone "writing into painting". At this point, Mao Sen's calligraphy foundation is very good, he has an accurate understanding of pen and ink and a solid ability to control it, and his handy, lively and rich expression makes his works more interesting and interesting, and it is very rare.
Chinese painting creation pays attention to the skill of pen and ink in terms of technique, and the pursuit of the concept is the spirit of freehand, the so-called freehand spirit, relying on the painter's learning, cultivation and cultivation. That is, deep learning and self-cultivation of Chinese culture. In addition to painting, Mao Sen also creates good poems and poems, and sometimes there are excellent works, which is surprising.
Mr. Pan Tianshou once said that "painting must have both talent, skill, education, and morality" Mao Sen is still very young and has a great future, so he borrowed Mr. Pan's language to encourage Mao Sen. I believe that in time, Maosen will have a big development. (Text/An Junkang)
【Appreciation】
Gou Maosen's calligraphy and painting works
Editor: Zhou Fengchuan