When it comes to the characteristics of Qiong Girl, everyone will first think of keywords: Chu Chu pitiful, pear blossom with rain, I see the image of the little white flower.
Looking at the Qiong girls over the years, Chen Derong, Liu Xuehua, Jiang Qinqin, Yue Ling, Lin Xinru, etc., all of them are Qingxiu aura, and the pure love temperament of one glance is devoted.
But at the beginning of the 80s, Qiong Yao personally selected a Qiong girl and was appointed as the "successor of Lin Qingxia", laying the style of the heroine of Qiong Yao drama, she was Lu Xiuling, who played the pipa well.
Compared with Taiwan's "four beauties", Lü Xiuling's fame at that time was definitely not inferior, the facial features were three-dimensional and feminine, compared to Lin Qingxia's heroism, Lü Xiuling had a touch of immortality, and she was truly an actress who was equal to Lin Qingxia.
Lü Xiuling learned pipa from an early age, with a quiet and gentle temperament, and won the favor of Qiong Yao with a pipa in the "Five Lights Award" at the age of 17. She seems to be the character who came out of Qiong Yao's book.
Officially debuted at the age of 19, filming 6 Qiongyao film and television dramas all over the country, Lu Xiuling can be described as the limelight in Lin Qingxia's transition period.
In 1984, Lu Xiuling faded the aura of "Qiong Yao Girl" and entered the Hong Kong film and television circle, and there were light shots in the film when filming "Walking Artillery".
From a young jade girl to a light actress, Lu Xiuling is very angry and has a bad relationship with Shaw Company.
When there was no drama to shoot in Hong Kong, 2 years later, Lu Xiuling broke through herself and appeared naked in "Heart Lock", but in the next ten years, it was tepid and difficult to reach the heights it had.
In 1994, Lu Xiuling retired from the circle and moved abroad in 1998. Although she did not shoot, she has always accompanied her with pipa and music, and she has released pipa albums in 1995 and 1997.
The rapids retreated bravely, no longer entangled in the red dust, Lu Xiuling is now more than half a hundred years old, still elegant and feminine, and her temperament is even better.
Today, just look back with the small disk, the film and television style of the young jade girl of that year——
In 1981, Qiong Yao tailored for Lu Xiuling he Panshui in "Gathering and Scattering Two Yiyi", a pure love girl who talked about pipa and played piano in the play. Long hair fluttering, soft facial lines, a pair of deer-like eyes clear.
Lu Xiuling is born with a melancholy temperament, the bridge of her nose is upright, sweet and handsome.
Lu Yaqing in "Clothes of Dreams" was originally the role of Lin Qingxia, and later starred lu Xiuling for various reasons.
Lu Xiuling's face was long and thin, her apple muscles were full, her eyes were heavy, and she was a beautiful girl with a heavy heart.
Dressed in white, Yingying is self-reliant, Qiong Yao is really good at photographing small white flowers.
In 1982, Xia Yinglan in "But on the Heart", the makeup of urban white-collar workers was aggravated, and the facial features were more three-dimensional after the eye makeup deepened. There is more exotic beauty with aggression, and there is a hint of stubbornness in sweetness.
In "Burn It, Firebird", she and Lin Qingxia starred as a pair of sisters. Sister Lin Qingxia is heroic and atmospheric, and sister Lu Xiuling is delicate and quiet.
Lu Xiuling plays a blind sister, which is more tragic. In the same frame as Lin Qingxia, she was not suppressed, and she was called a fairy sister!
In 1983, Lu Xiuling, who went to Hong Kong to develop, filmed the horror film "Magic Fetus". Fading the title of young jade girl, Lu Xiuling's image in Hong Kong films is more delicate and clever, less than a layer of hazy feeling.
In 1984, "Walking artillery" made Lu Xiuling dissatisfied with shaw companies, and her role was naïve with some cunning temperament towards men. Short hair refreshing, facial features, playing a small pepper-like role, still failed to find the performance positioning.
In 1986, Lu Xiuling in "Heart Lock" had bold nude scenes, white and tender skin, and the childish feeling of Bobo's head, and she instantly returned to her teenage years when she was good at acting with her eyes.
In 1987, the short-haired and sassy locomotive girl in "I Have Something to Say", Lu Xiuling's facial features after cutting short hair were heavy, and there was heroism in her eyebrows.
In 1989, in "Soaring City", she and Andy Lau played a sadistic couple, spicy and cute, pretty and feminine, and Lu Xiuling's mature route in Hong Kong has never been a big fire.
In 1993, Lu Xiuling in "Remember when the bananas were ripe" smiled and her eyebrows were full of style, delicate and feminine, and now it is especially classic.
After her career began to decline, Lu Xiuling chose to quit the circle and continue her music career.
How many points can such a Joan girl score in your heart?
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