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How to adapt Kiyoharu Matsumoto is a difficult problem

author:Akane watches Japanese dramas
How to adapt Kiyoharu Matsumoto is a difficult problem

After watching the Matsumoto Kiyoharu Two Nights SP adapted by Asahi, although the cast of Kashi is quite strong, the plot is very awkward, how to successfully adapt Matsumoto Kiyoharu's work, the background to the modern era is a problem.

In the two articles, especially "The Woman Who Bought a Local Newspaper", the background change has made the base point that this article can stand has disappeared. In today's era, it is strange to learn about the news through newspapers, why not use the Internet? Mobile phone Internet access has been so common, but decades ago to see this story, of course, is true, when the newspaper is the only channel to understand the news, in Tokyo want to know the news of the nobo, of course, can only go to the local newspaper, but the adaptation put the era into the present, the plot is exactly the same, in this case, the adaptation has lost its meaning.

I used to think that "Black Leather Manual" is good, but now it has been more than a decade since I looked at it, and with the passage of time, the challenge for the adaptation of the reasoning drama is getting bigger and bigger, how to preserve the core of the classic story, but it is indeed a big problem to make this story shine in the current era. If the difficulty is too great, it can only abandon some works that are too distinctive of the era. Compared with these two stories, "Black Tree Sea" is obviously easier to adapt and looks a little smoother.

In addition to the characteristics of the times, the actor in "The Woman Who bought the local newspaper" still plays a remarkable role, Tamura looks a little old every year, and it is not easy to hear the lines, but he is still very stylish, and his eyes have always been very sharp, very suitable for playing a detective. There is also Guangmu, the recent drama road feels always this type of role, with a vicious killing intention on the face, but when the final true confession is soft, I think Guangmu's acting skills are still good. Speaking of the casting of "Naomi and Kanako", it is indeed very much in line with the temperament of Hiromi and Uchida.

However, I can't look directly at the scene where Hiromi seduces Tamura, the two people play father and daughter in "Father Lord", so many years later, there is a feeling that Hiromi has grown up, and such a scene is always strange in my heart.

How to adapt Kiyoharu Matsumoto is a difficult problem

"Black Tree Sea" does not know who the murderer is, so the suspense is relatively high, coupled with the sense of discord of the times is not so heavy, the degree of excitement is slightly higher, of course, this is also the premise that can not be carefully considered. This is another problem, the actor to see who is famous or often evolves the state can probably guess who the murderer is, the final showdown is not surprising at all, the best casting of the reasoning drama can choose some unexpected actors better, otherwise the difficulty of guessing is too low.

囧子 is also very suitable for reasoning dramas, not to mention how good the acting skills are, but there is a temperament to explore to the end. I haven't watched "Legacy Family" before, I haven't seen Xiang Jingli for a long time, and I suddenly feel younger? Xiang Jingli really has the capital to go further. Without saying some of his personal actions, just talking about acting, he may be an evergreen feeling. The next morning drama "Sister at Home" is still necessary to watch.

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