Under feudal society, many countries once prevailed in the idea of male superiority over female inferiority.
But with the development of the new society, when the country is becoming more and more powerful and makes this sexism tend to blur, there is a country that still continues this traditional dross under the huge social defects. This is India.
For many Indians, the most vicious curse on a person is "may you have a daughter."
Between 1971 and 2012, the crime rate around women across India increased 8.7-fold, with an average of one girl falling into the clutches of the devil every 22 minutes.
Because of the "sexual shame" of the perpetrator's hard-line whitewashing, many Indian police officers and community elders will see "marrying the rapist" as a viable solution, and such a heinous act will actually be accepted by many victim families.
Of course, the caste system, the gap between rich and poor and the lack of infrastructure have become the trigger for the frequent outbreak of such incidents, and many slum areas still think that "repairing toilets" is shameful, so when men can solve their physiological needs at will, many women are easily plotted on the way to the toilet.
In addition, most of the Traditional Customs in India violate the dignity of women, such as women are considered the property of their husbands after marriage, so once the husband dies unexpectedly, the fate of these widows is "forced to be buried".
Indian girls generally marry very early, and if the girl is older, then she must bring more dowry when she gets married.
In order to receive more benefits, whether in the mother's house or the in-laws' home, the fate of the girls is to be sold at will like a commodity.
In 2003, India released a film called "The Country Without Women", which truly restored the ugliest and most ugly face of India in the last century.
The film tells the story of a single village, due to the invasion of long-term patriarchal ideas, girls are drowned at birth, so the imbalance between men and women has become quite severe, and a large number of bachelors who cannot marry their daughters-in-law have begun to be distorted under the oppression of physical desires.
Later, the five brothers married their father and took turns venting their bestiality on the poor girl, which many people described as a nightmare in the Dark Indian movies.
And this male power, husband power, and patriarchal power's rotational oppression of women does allow us to see how women who are powerless to do anything about their own destiny have gradually transformed into a soulless empty shell.
But when we think that social progress can dissolve this mess, we do not think that you can never wake up a people who pretend to be asleep.
Such as the work I want to say today, the movie "Hot" released in 2015 also restores this sad and powerless status quo.
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The film tells the tragic story of three rural women in India.
Rani, who was arranged by her parents to marry at the age of 15, never got the love from her husband, and her father easily pushed her out of the door because of a little favor, but after marrying over, but in more than a year, her husband died.
Since then, she has become a widow and an unlucky person in the eyes of the people around her, but the blow of reality has made her unable to escape at all, the child who is about to be born, the mother-in-law who is paralyzed in bed, which is the only thing left by her husband, and also laid the tragic background of her life.
And La's life is another picture that is diametrically opposite to her, she has been married for many years, she has not had children, so she was poked in the spine by people around her and said how her stomach was so uncontentious.
The husband held the fire in his heart, in addition to drinking every day is to anger her, but also always punched and kicked her, and Lassa did not even dare to resist except to bear it alone.
Bi Qili is the flower queen dancer of the local dance troupe, she is in good shape, and she is secretly engaged in the work of selling her body, so she has suffered from the exclusion of the entire mainstream society.
Under the appearance of her seeming freedom and freedom, she is very dependent on the help of the dance troupe owner and the pimps, and in the end she is just toyed with.
Three women, three lives, are also three different but similar lives.
Because they are all enslaved by that patriarchal society, it doesn't matter whether they have a husband or not, whether they have marriage or not, or whether they have children or not, they are inherently unfortunate.
Rani is the most pathetic victim of traditional customs, the joan of arc code imposed on her, and Lassa is a typical representative of women being used as a fertility machine, and Becky, who is engaged in the skin and meat business, seems to be indulgent and depraved, but in fact it is a woman's aphasia for "sexual freedom".
For the men who came to her tent night and night, no one denounced them, but instead laid all their sins on her alone.
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It can be said that this is a very cruel and realistic work, and the whole story is set in a traditional countryside, making everything more realistic.
The countryside represents poverty and backwardness, and it is also the last position of that backward ideology, which has reduced a group of advanced people who have received a new education and have begun to awaken to consciousness into a different kind of outlier, but they have not reflected on their own ugliness.
The whole village is like a "single village" with only men left, and they enjoy themselves and think that everything is under control.
Just like at the beginning of the film, the woman who fled back to her mother's house faces the condemnation of the village elders, and everyone feels that the daughter who married off will bring shame to the whole family when she returns.
They have no sympathy for this woman who has become a sex slave in her in-laws' house, but only hope that everything will end quickly.
The elders of the Council of Elders put themselves in a position of high moral standing, solemnly presided over the so-called meetings, but ridiculously only for their own evil deeds.
And when the women's representatives simply raised the hope of installing televisions in the village, they suddenly objected that these modern devices would only make women worse after they came into contact with the outside world.
The dilemma faced by the women in the village made them like frogs trapped at the bottom of the well, everything was shackled, and what they could and could not do was carved there at a glance.
And the couple who returned here with education hoped to change the predicament by trying to change the situation here, but although they found a way for the local women to make money through manual work, they were eventually excluded and had to leave.
In such an environment, the fate faced by the three protagonists can be imagined, Andrani has been widowed for fifteen years, and she has never realized that such oppression is unfair to her.
For the sake of his son's marriage, for the temporary inflated bride price, he owed a lot of foreign debts, but such a payment still only raised a contrarian son who would only throw and roll.
The daughter-in-law, like her original, was a 15-year-old girl who had her sweetheart and cut her hair to resist an impotent marriage.
It was unlucky, but no one would let the fat sheep slip away, and no one could change his life except to anger the husband he had never met.
On the night of her son's wedding, Rani's mother-in-law died, rani cried, and at the end of her life, which could be seen at a glance, the mother-in-law left her place to her.
But she is only 32 years old, and in her own life, she still has many possibilities, rather than ruining the rest of her life.
<h1 class="pgc-h-center-line">3.</h1>
And Lassa, who has lost her "fertility value", has brought great benefits to the whole family through excellent manual work, and she thinks that she can always gain a little good face from her husband.
But I never thought that under the distortion of "women are useful and men are useless", her husband's beating of her became more intense.
She did not understand, under the torment of scarred pain, she wanted to change, wanted to escape, but always lacked a courage.
Later, the good sister gave her advice: "You know that not only women can't have children, but it may also be a man's problem", which was the first time she heard that childbirth was not just a matter of one person.
So she had that bold and out-of-character idea of "borrowing sperm to give birth".
This is also the most ironic place in the whole movie, the shame behind the breakthrough repression, there is a substantial "marital infidelity", but in order to save the heart of the villain's husband.
Later, when she got pregnant as she wished, she carefully told her husband the good news, but she did not expect to learn the ugliest face of her husband.
It turned out that this hypocritical man had always known that the person with birth defects was himself, but under the advantage of gender, he left all the costs alone to his wife to face.
So sad, so powerless.
And when the label pressed on the woman is punctured, it is not an imaginary relief.
Beechli was completely different from the two of them, she was bold, indulgent, and unleashed her most instinctive desires.
She tries to use her arrogant attitude to transcend the confines of patriarchal society, but in the end she finds that she is just a plaything of the pimps.
It can also be seen that in such a situation, women's endings are always similar, when they can not completely resist or flee, waiting for them, but to be assimilated.
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Compared with the depression of ordinary movies, "Hot" actually leaves the audience with a completely different answer, just like the title, it is not to portray three oppressed women, but how to see the hot hope from them in a desperate situation.
So Rani resisted, she let go of her daughter-in-law who was beaten by her son, hoping that she could pursue her own happiness, and she also talked about an "online relationship" with a strange man on the phone, in those provocative words, she knew everything was out of line, but she went along with her inner nature.
Although she did not dare to meet the man, at least in the confrontation with traditional etiquette, she briefly triumphed.
Later, at the end of the movie, the three women get together and decide to throw away all the shackles and go to a new place.
Of course, they know that the new beginning does not represent anything, but they have become numb because of the misfortune of life and the oppression of tradition, but in this breakthrough, they are still full of vitality.
The film tells about life, but also the epitome of reality, India can have such a work, perhaps also represent their courage to face their own shortcomings, and this is also a kind of progress.
Thanks for reading! The picture is from the Internet and the movie "Hot".
Writer/Stars in the deep sea, insight into the essence, listen to the power of the world with words
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