Not long ago, South Korea held the 56th Baeksang Art Awards Ceremony.
During the epidemic period, the guest seats were arranged with the immediate visual sense of the examination room.
There is no suspense, "Parasite", which returned from Cannes and the Oscars, became the biggest winner of this year's Baixiang.
In one fell swoop, it won two top awards in the film category and the best work.
In terms of acting awards, Li Bingxian, the "old drama bone of Chungmuro Road" that we are familiar with, defeated Song Kanghao and won the Baixiang Film Emperor for the fourth time with "The Ministers of Nanshan".
Zheng Yumei was once identified as this year's film queen seed contestant because of her superb performance in the topic movie "Kim Ji-young born in 1982".
But in the end, the award went to the heroine of "Birthday", Quan Duyan.
Uncle Yu was actually not surprised by this result.
Fingers crossed, in the "three top korean film awards" of Baeksang, Qinglong and Daejong, Jeon Do-yeon has won ten film queens.
Among The Korean actresses, only five have gathered the three major film queens "Grand Slams".
Kim Hye-so, Shen Yin-yeon, Jeon Do-yeon, Kim Ho-na, Sun Yi-jin
And the number of times That Quan DuYan has been sealed can be said to be a ride on the dust, and there is no doubt that she is the first queen of South Korea.
And that's not all.
As early as 13 years ago, Jeon Do-yeon became the second Cannes Film Festival queen in Asia.
The first is Maggie Cheung.
After returning from Cannes, she was awarded the Korean Jade Crown Cultural Medal, the official recognition of outstanding cultural contributors by the Korean government.
In 2014, she was a jury member of the main competition section of the 67th Cannes Film Festival.
He is also the only Korean actor who has served as a judge at Cannes so far.
Not only is the "award-etc."
Cui Minzhi, Song Kanghao, Li Bingxian, Huang Zhengmin, Xue Jingqiu, Li Zhengzai, He Zhengyu, Kong You... Your male gods have all partnered with her.
But she never played the bundle hype set.
From the shadow for more than twenty years there are almost zero scandals.
In the same year after Cannes was sealed, with the most dazzling aura, she chose to marry her boyfriend outside the circle in a low-key manner.
The directors she has worked with have also praised her.
Chen Kexin, who has been seeking cooperation opportunities, commented:
"Jeon Do-yeon is an actress that directors from many countries want to work with."
Interesting to say.
With such high professional achievements, she did not dream of being an actress at first.
Until she got the Cannes film, she also admitted that "from my debut to now, I never thought of being an actor for a long time."
After graduating from high school, Quan Duyan, who had excellent appearance conditions, accidentally worked as a magazine model;
Later, under the persuasion of a friend, they applied for Seoul National University of the Arts together.
As a result, my friend fell off the list, but Quan Duyan, who "accompanied the exam", was successfully admitted.
She is one of the few actresses with a high degree and holds a master's degree in speech science from Korea's top three universities in South Korea. (Equivalent to our journalism and communication)
In 1993, Jeon Do-yeon was selected by the crew of MBC TV's "Our Kingdom of Heaven" and officially entered the show business circle.
The male protagonist of this drama is the former number one male god of Korean dramas, Zhang Dongjian.
Jeon Do-yeon mainly shot TV dramas in the early days, and it was not until 1997 that she starred in her first film, "Sad Street Corner Lovers".
This small and medium-budget romance film achieved a good box office result (670,000 viewers).
Quan Du Yan was even more famous for this.
At only 24 years old, she won two best newcomer actress awards in one fell swoop, Qinglong and Dazhong.
The following year, she won the first Hundred Imaginations Queen with "The Engagement".
In 1999, Two more works were released, interpreting two very different characters.
One is "The Organ in Memory".
At the age of 26, she starred as a 16-year-old country girl, but there was no sense of violation.
A lively and simple little girl, who has a crush on the teacher played by Li Bingxian, writes down the girl's heart in the diary.
Quan DuYan bumped the fawn of the adolescent girl, the green and innocent first love, and played it vividly.
The other "Happy to Death" starring in the same period is a completely different style of painting.
Jeon Do-yeon challenges a mature woman who has been in a big city for many years and has a family.
The partner Choi Min-sik plays a husband who is unemployed at home after being laid off.
In the face of the husband's indisputable anger, the wife is upset and disgusted.
By chance, he and his old lover re-sparked and staged a forbidden extramarital love.
This is the first time that Jeon Do-yeon has starred in a passion play, bold, fierce, and unabashedly showing the flesh.
Under the label of "erotic film", what "Happy to Death" really wants to talk about is the estrangement and alienation between people.
Strong women caught in the dilemma of love and marriage struggle between desire and responsibility, and eventually discover how fragile trust is.
One is a country girl whose love sinus has just begun.
One is an urban woman who cheats in marriage.
In the same year, Quan Duyan's performance span was shocking, and she also won two queen awards of Green Dragon + Dazhong.
In just two years of transformation of the big screen, Quan Duyan has reached a height that most actors cannot reach in their lifetime.
The extreme plasticity is truly amazing.
It can be clearly seen that she is always experimenting with different styles and types of roles to prove that "I am an actor".
In 2005, she starred in "You Are My Destiny".
This time, the challenged character is a prostitute suffering from AIDS.
Uncle Fish admits that this is a very bloody film.
There are many misunderstandings, terminal illnesses, suicides, life and death, and the big sensationalism that forces you to shed tears can also be seen everywhere.
But it's hard not to be crazy about Quan DuYan.
She is a "prostitute" and a "goddess".
The two are not contradictory.
This character is named Yinhe, who has been abused by her husband for many years.
After escaping, he met a simple peasant played by Huang Zhengmin.
Their relationship begins with "sex"—unleashing desire in the "Beast Hotel", being loyal to "love"—being touched by the peasants and marrying each other.
However, the scumbag husband found the farmer and forced him to pay.
The farmer had no choice but to sell the cows.
Yinhe was ashamed and ran away to become a real prostitute.
Later, he was found to be suffering from AIDS, reported and imprisoned, and bullied.
This character can easily be labeled as a "prostitute" or a "scumbag".
But Jeon Do-yeon's performance is gradual. From the beginning of carelessness, to the real heart, and finally to the obedience of the inner choice.
Silver Lotus's transition from frivolous to steady makes us empathize with the character.
Step by step, Quan Duyan stepped out of the most stable acting school route.
Although the popularity of the people is getting higher and higher, she has always cherished feathers, and has not rushed to invest in the so-called large-scale commercial films, but continues to cultivate in literary and art films.
On the other hand, china's female stars, a sigh.
In 2007, Quan Duyan received an invitation to cooperate with Li Cangdong.
Hearing this news, my friend quickly sent a concern (warning).
"Sister, I heard that you are going to cooperate with director Li Cangdong this time?" You're going to suffer."
Li Cangdong is a well-known "abusive actor".
Sure enough.
The film they worked on is the famous "Miyang", which Uncle Yu has mentioned in many articles before.
Abusive, very sadistic.
Jeon Do-yeon's character, Shin Ae, is an uncompromising tragic figure.
First, the accidental death of her husband;
The son was then kidnapped and the ticket was torn up.
A series of tragic encounters have left this woman without her last sustenance and driven to madness in despair.
Shen Ai was originally a devout Christian, but under the heavy blows, she painfully found that she could never "forgive" the murderer.
There is a great separation between faith and reality.
The more confused she became, the more tormented she became, and even after self-harm, she ran to the street and shouted, becoming a madman in the eyes of others.
If God loves everyone, why should he give her such a tragedy?
Shen Ai had unprecedented doubts about his faith.
"I really feel the blood flowing backwards, and that's how I acted with this feeling of blood flowing backwards."
"Miyang" is a calm bystander perspective throughout the whole process, which highlights the explosive performance under the calm of Quan Duyan.
Convey a woman's helplessness and despair without fail.
This is the pain of the skin, and everyone can feel it from the lens.
It is also this work that makes her win the crown of cannes film queen.
After 12 years, Jeon Do-yeon once again played a mother who lost her child in her new work "Birthday".
The story is set in the "Sewol Massacre", which shocked the world, and the protagonist's son is one of the victims.
However, the whole film does not directly show the occurrence of the accident, but calmly shows the life after the loss of the son.
The mother, played by Jeon Do-yeon, works in a supermarket, buys new clothes to hang in her son's room, and swallows rice bite by bite.
A boring life, suffering unspeakable pain.
Quan Duyan said to herself that in order to understand the role when filming "Miyang", she did everything in her power.
But you still feel that all this is fake at some point, that emotion is just imitated.
And this time, Quan Duyan, who had become a mother, finally fully understood that mood.
For her, "Birthday" is "a work that can never be avoided", even if playing this role means becoming that mother and going through great pain.
From the shadow for twenty-three years, the queen awards that have been won cannot be counted on one pair of hands, and the aura above Quandu Yan's head is too dazzling.
Because she dared to expose her body and repeatedly starred in bold and passionate scenes, she was once labeled as a "three-level film actress".
But passion does not equal vulgarity.
Her characters are complex and fascinating, representing true humanity.
"Literary and art film goddess", "male god harvester", "film professional household", none of the words can accurately summarize Quan Duyan.
What kind of an actress is she?
You just have to calm down and look, to feel, and the answer will naturally appear.