Look at the current state of Japanese society from the women-themed films directed by Kenji Mizoguchi
In the words of one critic, the works of Nagisa Oshima and Masahito Imamura are already Western-style teppanyaki tofu, and if you want to eat pure Japanese tofu, I am afraid that the only way to look back at Ozu, Mizoguchi, and Naruse is to look back.
After studying some of director Naruse's works, try Mizoguchi's Japanese tofu.
So after watching a series of works by director Naruse, I went to eat a few bites of tofu along the timeline. After all, Mizoguchi is a famous brand.
Kenji Mizoguchi entered Nichiha as an actor at the age of 20, but he became an assistant director and was taught by Osamu Wakasa. He lingered in the Wind and Moon place for many years, and was once slashed in the back by his mistress, a Yuriko, with a razor, and later he showed the scar to close friends many times, saying, "If you don't take a woman's razor, you will create a bad image of a woman." It is also true that his work has improved greatly since then, and by the time of the filming of "Langhua Lament" and "Gion Sisters", he was already a famous Japanese director.
In addition, on the eve of the premiere of "Rain Moon Story" in Venice, Kenji Mizoguchi invited Tanaka to his room for tea, and the two finally put down each other's shelves and drank and chatted. Before leaving, Mizoguchi, who has always been shy, plucked up enough courage to hope that she would stay tonight, and Tanaka did not refuse, and as an actress on the set, she gave her soul to Mizoguchi, and this time as a woman, she threw herself into his arms.
The Tale of the Remnant Chrysanthemum (1939)
Here we reproduce the historical fact that the geisha of the cabaret was played by men in the early days.
Behind every successful man, there is a woman who understands him the most and cares about him the most, with a heart and a refined karma.
《Nishitsuru 1st Daughter Nishitsuru 1st Woman (1952)》
The best reviews to quote Douban are as follows.
Theme: The men who truly love her are all lower class and ultimately unhappy. The men who possessed her were all high-ranking officials and powerful, and they all chose to abandon them.
Space: Through the scheduling of steps, stairs, etc., the usurpation of classes and the reversal of power are realized.
Sound effects: The drums of the temple and the strings of the shamisen are respectively elicited, and the past memories and the future are revealed. The silent handling of the section where I met my son is simply clever.
Body: upright, squatting, stumbling, slumped, and constantly falling.
"Gion Bayashi (1953)"
Ren Er has a thousand calculations, he only has one right to ---- power wealth, you can hide? Wash and wash, and return to the Spring Garden.
In the film, miko, a 16-year-old girl, is played by Fumiko Wakao, who is known as the "Japanese beauty picture actress" and has participated in more than 160 films. Indeed high yields.
《谣
I think the most chewable line is at the end of the film:
"I always ask myself, when will we not need girls like us?"
However, the world is fierce, the initial rise can be traced back to the Han Dynasty, and today it is more widely promoted in Ginza. There is no end to life, and the boss seems to be endless, and the daughter who can't kill herself for love has taken over so quickly, and she has received so mature and sophisticated.
After the wave, a scientist once said, "There is no shortage of young girls in this world!" ”
The Red Line (1956)
This paradoxical soundtrack is because the more paradoxical reality The development of the plot is indeed not divorced from the inherent trajectory of social reality.
The new is not only on the way, but already sitting in front of the makeup mirror...........
In the mid-1950s, the Japanese Diet was about to introduce a law banning the sale of spring, a resolution that caused a huge shock in Yoshihara, where the industry was booming.
Yume no Nori is a salon located in Yoshihara, where several women with different encounters come together.
...... The film was a posthumous work by Kenji Mizoguchi and was nominated for the Golden Lion Award at the 1956 Venice International Film Festival.
Regarding this early law in Japan, after reviewing the relevant comments, I learned:
At that time, the highest occupation authorities in the United States, in order to make Japan quickly Westernized, the legal concept of American-style Christian culture in the formulation of Japanese laws was also brought to Japan, which is the background of the promotion of the decriminalization of spring sales in Japan.
The result may be southbound.
To sum up this law in one simple sentence is simply thunderous and does not rain. That is to say, it is only determined that the act of selling spring is illegal, but there is no law on specific punitive measures, and there are requirements of the counseling institute, but in fact, it is not implemented.
I specially consulted legal experts who know in detail about the "Spring Sale Prevention Law" to know that the original intention of this law is that the so-called spring seller is not the target of the crackdown, but a protected object.
Therefore, the fact that Japanese spring buyers are not punished stems from this law, and since those who sell spring are not punished, those who buy spring will not be punished.
This is a reality. After all, in 1528, the Muromachi period, the public change system was officially established in Japan, and at that time, selling spring became legal, and the history is long.
There are more than 300,000 employees and an annual output value of about 2.3 trillion yen (140 billion yuan). Japan's GDP in 2020 will be revised down to 539.1 trillion yen, so it is equivalent to 0.4% of the total.
It also exceeded Panasonic's total profit for the year 2020.
There is no doubt that the taste of tofu is also a variety of ah. Finally, he turned around and swallowed a mouthful of teppanyaki.
"When a Woman Walks Up the Stairs (1960)", which is a masterpiece with more than 9 points on Douban.
The strong realism color, with a woman's monologue throughout the beginning and end, has a strong cultural atmosphere. But the more murky reality is that you don't rely on reliable men, how do you gain a foothold in a fast-moving society?
What about the current state of Japanese society?
It is almost certain that no Japanese student wants to start a business, most of them are looking for a career even if they are stable, and their lives are very plain, but international students are different.
Teacher Mao Danqing once said something:
Once, a Japanese student asked me what I thought of public transportation in Japan, and I asked her why she asked this question. She said she wanted to be a conductor because her dad was a conductor, and she grew up watching her dad's back and was greatly influenced, and she felt that the conductors were heroes.
What about us? Teacher Mao also said.
In recent years, in addition to Chinese students starting businesses after graduation, there have also been more students from Vietnam, and recently there are about 10 people who have started businesses after graduation, and they seem to be very active. Moreover, international students who start a business after graduation never consult with anyone, and when they have an idea, they do it directly, which is very crisp.
Japanese students and most classes do not choose to continue to struggle, and have a deep digital foundation in economics.
In dollar terms, Japan's GDP has fluctuated around $5 trillion for more than 20 years, and its per capita GDP has always fluctuated around $40,000. In the same period, the economies of the United States, China, Germany, India and other countries have achieved more rapid growth, making Japan's share in the global economic structure lower and lower.
Of course, we will often hear a voice that generally believes that Japan's domestic economy has been relatively saturated, and Japan has moved low-end industries overseas and invested heavily. Therefore, it is believed that in recent decades, Japan has almost recreated a "Japan" overseas. Looking at GDP, this is undoubtedly a huge underestimation of Japan's economic strength. Therefore, some people in Japan always hang "there is a Japan outside of Japan" in their mouths!
If you want to know Japan's "real economic strength," you should look at the GNP (Gross National Product) rather than the GDP (Gross Domestic Product). Is that really the case? Is Japan's GNP really several times its GDP? Look at the World Bank data like this.
In Japan, the GNP is about $5.264 trillion, which is only 3.6% more than GDP ($5.082 trillion) – "completely different from the legend". This means that there is also a Japan overseas, and Japan's GNP is several times more than GDP, which is just a "beautiful legend". Maybe you have more precise statistics?
The glory has passed after all, but what about the new? Perhaps some countries and industries will no longer have any "starting from scratch", we still have dividends, but it is also nearing the end, how to break through, the topic is too big.
Investment is naturally a gamble on national luck, and I hope that I can continue to have luck in the next ten years. What about extra-luck? It really needs to be thought through more seriously and carefully.