Project 365 swipe left and right to view
Malaysian Chinese female photographer Zhong Lin Zhong Ling is a dark horse in the fashion industry and photography industry in recent years, she is not from the class, photography is purely self-taught, she uses film to create, the subjects are almost all women, her works have rich and bright colors, there is also a "weird" black humor beauty, with a strong sense of film, conveying the subtle feeling of female perspective, her unique personal style makes everyone's eyes unable to move away from her works.
Project 365
Growing up in Malaysia, Zhong Lin is a land of diverse cultures and the experience of growing up here, which is a great source of inspiration for her creations. "All these different cultures nourished me and played an equally important role in my photography," she says. ”
And she was also heavily influenced by her "movie fan" father, all of which also contributed to her unique use of color, such as the bright, silky colors that recurred in her works, such as red, blue and orange. These subtle and powerful uses of color can also be attributed to her strong passion for cinematography, and the moving images she captures are reminiscent of master cinematographers – such as Wong Kar-wai's "Fancy Years" and "Fallen Angels", as well as Quentin Tarantino's "Pulp Fiction".
Zhong Ling's works Swipe left and right to view
As a fashion photographer, her blockbuster films have been published in the British version of Vogue, Harper's Bazaar, ELLE, W Korea, L'officiel and other publications, and she has also shot commercial blockbusters for countless international big names, but the commercial atmosphere in these works is not so prominent, many of the stars under her lens will become different from the past, and she always has a magical magic to show the soft beauty of the stars. This may be the unique charm of the female perspective. Outside of this identity, she enjoys photographic work about personal portraits and lifestyles. She feels: "Photography is still one of the easiest ways to convey beauty and charm. "There's no doubt she did.
What brought her attention again was the "365 Plan" she launched during the outbreak of the epidemic. "I want to rediscover meaning from scratch. There are no limits, no boundaries, no definitions," she announced on Instagram, where she would take a portrait of the person every day and post it on Instagram for 365 days. These portraits are mainly aimed at women, combining her strong personal style and aesthetic texture, showing details and beauty that only Zhong Ling can perceive.
From this project, Zhong Ling felt: "Every work in this series starts from blank, which makes me understand that there is no right or wrong in creativity. People usually put themselves in some sort of category, but that's not what I've seen. ”
Luo Yang's works Swipe left and right to view
In 2009, Luo Yang was shortlisted for the Three Shadows Photography Award for his work "Girls". In 2019, Luo Yang won the Jimei Arles Female Photographer Award for his work "Youth". In a way, Luo Yang has changed the way the West thinks about Chinese girls, and even the entire Chinese youth community. These two sets of works are the most expressive of her career in her photography skills and photographic philosophy, and her eyes and lenses together collect the independent gestures of countless Chinese women for this era, and then record the appearance of countless Chinese teenagers.
《Girls》
As early as 2008, that feminism had not yet been widely mentioned as it is today, and Luo Yang began the "Girls" project, which lasted until 2017. The girls in this project are almost not the "good-looking" girls who are suitable for being photographed in the traditional aesthetic and secular sense, they either keep their heads or tattoo their bodies with nose nails, which is so outrageous.
《Youth》
She said: "When I made 'Girls' I went deep into it, I was answering my own confusion and questions, but 'Youth' is that I have passed the stage of my own adolescence, I have some new confusion, I can look at the problems of young people as a bystander, and I can also clearly see what I am like. ”
In the "Youth" series, Luo Yang's subjects are not only girls, but young people born after the 90s in various postures. These young people are not only girls, but also boys, some of them are not masculine, they also have a romantic, sexy, feminine side. In this way, Luo Yang used images to record the changes of the times reflected in the young people, perhaps, it is precisely because the photographer is a woman that these young people will be so open to their true selves.
"Zhou Yan" swipe left and right to view
She is also one of the few photographers in China who points the camera at a burned girl. In 2016, Luo Yang took a group of photos for Zhou Yan, a girl who was burned by a classmate in 2011 by a classmate pouring oil and lighting fire, facing the most painful scar in her life under Luo Yang's lens, her eyes were gentle and strong, and she looked at her in the photo, without any reason, she could be touched to the softest place in her heart.
Works by Huang Chutong
Before becoming a full-time photographer, she, like all growing girls, explored the many possibilities of life. She studied vocal music, studied film directing, worked as a model, and in the process formed her own aesthetic system, eventually turning into a photographer and taking root in the field, and in her spare time, she also found some time to sing and write poetry.
The perspective of young girls is always different, and her works are full of delicate observations of daily life, a girlish heart for everything in the world, and a subtle understanding of the world. Her lens will always convey a romantic and stubborn girlish mind, and the girls she shoots are also infected by her, revealing a special sense of "youth" that Huang Chutong can capture.
Huang Chutong's works Swipe left and right to view
She describes her photographic style as a rationality wrapped in sensuality, with a formal romance, she believes that "taking pictures should be free, can be emotional, but not in the name of youth as a disease-free moaning"
And her shooting style can not only record the girly, stretching, implicit emotions of the demeanor and limbs, her ability to control light and shadow and color also has a maturity beyond her age, can also be soft and dreamy, but also calm and independent.
Joyce Ng Wu Zaishi works Swipe left and right to view
A female photographer from Hong Kong, China, Joyce Ng, graduated from St Martin's School of Art in London with a major in Fashion Communication, and after encountering photography by chance, she became a new generation of photographers who stood out in the millennial era, shooting blockbusters for magazines such as Dazed, i-D and Vogue in the UK.
Joyce Ng Wu Zai poetry works
Growing up in Hong Kong, which combines oriental charm and Western influence, she has formed a unique aesthetic system and visual expression in her hometown, she attributes her visual language to the commercial and not-so-elegant images she has been exposed to for a long time, she likes to choose models with special appearances or Chinese characteristics, and shapes video art with novel compositions and funny body language.
Her works can not only be used to show the oriental culture, but also to show the living conditions of people under the fusion of different cultures. This group of Wu Zaishi's blockbuster films for "Vogue" was filmed by her to Guangxi. This group of photos organically combines the simple local folk customs and the vast beauty of the land with the culture of ethnic minorities, showing the delicate and simple side of the oriental style.
This is her work for a mixed Sri Lankan and South African family, still using her unique aesthetic structure to deconstruct this family of different cultures, those relaxed, warm and interesting family life, using images as a language to tell what a new type of family looks like under the collision of different cultures.
"Female Gaze" is a feminist theoretical term that represents the gaze of a female viewer, character, or director in a work of art, but not just as a gender issue, it is a question of women as dynamic subjects. Today, female gaze is used to refer to the different perspectives of female filmmakers (writers, directors, producers) on the film than men do on the subject. The female gaze is not meant to forbid sex, desire, and fantasy, but to show that these can exist without objectification. It places men, women and all people on an equal footing. And female photographers, as the recorders of light and shadow, are also the fundamental of women as the main body to create, they use delicate lens language and women's unique aesthetic perspective, gradually breaking the dominance of male gaze, paving the way for human equality and freedom with beautiful flowers.
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