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Daily paintings | The Woman in Polish Painting – On the Doorstep (Second Painting)

author:Smell is culture
Daily paintings | The Woman in Polish Painting – On the Doorstep (Second Painting)

Women in Polish painting, 10 different versions

Woman in Polish painting in 10 different versions

Lešek Rubiki

Leszek Lubicki

Daily paintings | The Woman in Polish Painting – On the Doorstep (Second Painting)

Smell is collation and compilation

Which of our artists hasn't painted women? Isn't there such a thing? However, I wouldn't give such a definitive answer because my knowledge on this topic is not so extensive. In addition, I think no one can understand all the works of painters and painters that have more or less entered the history of Polish art. However, I think everyone has painted portraits or some kind of scene painting in which the women are not the protagonists, but they are important in the whole composition. However, I realized that I had chosen ten works from so many paintings featuring women, and it was like shooting a shot in my own foot, which was hard, but I would try. Of course, the choice is entirely subjective. I show paintings that touch me personally or are different because of the way they are created, for example, in the Pod kowinsky home, and as usual, I work with young people who are mainly from Poland or who are engaged in Polish art painters of this period. The works are arranged alphabetically by the artist's last name.

Principle: A painter – a painting

(one painter – one painting.)

Daily paintings | The Woman in Polish Painting – On the Doorstep (Second Painting)

The second painting

Anna Bilinska-Bokhdanovic

"Britton Stuck on the Threshold of the House"

on the threshold of the house

Daily paintings | The Woman in Polish Painting – On the Doorstep (Second Painting)

Anna Bilińska-Bohdanowicz

Bretonka na progu domu (Bretonka na progu domu)

1889, oil on canvas, 55 × 38 cm, Wroclaw National Museum

Daily paintings | The Woman in Polish Painting – On the Doorstep (Second Painting)

In the nineteenth and twentieth centuries, Brittany attracted many painters, including Poles. These include Anna Bilińska-Bohdanowicz. The artist, who had a solid academic background, created a work there that was different from other portraits of women. Ewa Micke-Broniarek wrote: "... The artist gave up the precision of painting, the precise reproduction of details, the impressive game of light spots and colors, and achieved the effect of transferring a sense of natural freshness to the impression canvas. "In addition to the female figures on this canvas, its landscape also plays an important role.

Daily paintings | The Woman in Polish Painting – On the Doorstep (Second Painting)

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