Shape its god Ink shows the rhyme of painting - Mr. Mao Zhicheng, vice president of Gansu Academy of Painting, participated in the "Danqing Painting Prosperous World, Wonderful Brush to Welcome the New Year" and the invitation exhibition of famous calligraphy and painting of the Chenggong Art Museum was appreciated
lotus
The participating artists of the Invitation Exhibition of Famous Calligraphy and Painting of the Famous Artists' Calligraphy and Painting Invited Exhibition of "Danqing Painting prosperous world" introduced to the majority of calligraphy and painting lovers today are Mr. Mao Zhicheng, vice president of the Gansu Academy of Painting, and his line writing Jinjian is written with shape and god, and the ink complements the charm of the painting "Lotus".
In the discussion of the "New Year" exhibition of the Cheng kung Art Museum, the critics of the New Year Exhibition interpreted that Mr. Mao Zhicheng's figure painting "Lotus" is different from the painter's previous paintings that reflect the realistic theme of "Tibetan style" that he is familiar with, and the artistic effect of line writing has been improved in the creation, and on the basis of integrating traditional Chinese brush lines and sketch art elements, the brush lines belonging to the painter's personality and the qingli and beautiful brush lines that fit the theme figure are condensed. In addition, in the online shape, through the construction of headdresses and costumes with distinct national characteristics, the intentional portrayal of character faces and demeanor actions, it can not only reflect the youthful, romantic, lively and beautiful side of the Yi family girls, but also have earth-shaking changes in the lives of people of all ethnic groups under the background of the times, and the face is full of reflections of life full of prosperity and satisfaction, as well as the spiritual outlook of enthusiasm and enthusiasm and high spirit. Then there is the "lotus pond" environment created by the painting with ink halos, which highlights the artistic connotation of the character theme and brings a lot of vivid charm to the combination of the line and surface of the picture itself. Its ink is dripping and the lotus leaves are like a cover, and the joy of the line and ink intermingling and the lotus canopy is fuller and more rewarding, which also brings empathy with the emotional rhythm of the viewer.
Prairie style
Critics of calligraphy and painting art at The National Cheng Kung Art Museum believe that if you read Mr. Mao's works, you will find that his paintings are injected with more attention to the real society, and the picture focuses on reflecting their simple, generous and industrious character, advancing with the times and positive spiritual outlook. On the other hand, Mr. Mao Zhicheng's figure paintings also reflect his concern for the current situation of people's livelihood, and from his paintings, we can deeply feel his concern for himself and the fate of mankind! His painting brush and ink are more immersed in the life of the Tibetan compatriots who work quietly and diligently. The painter reflects what he sees, thinks, and the pictures touched by his heart one by one on fang Suxuan, and blends them into the reflection of ink colors, which can often touch the soul and touch the deepest.
(Text: Feng Yiyu, National Cheng Kung Art Museum)
Mining light
Painter Profile: Mao Zhicheng, member of the Party Committee and Vice President of the Gansu Academy of Painting, national first-class artist, member of the China Artists Association, deputy secretary general and director of the Gansu Artists Association, expert member of the jury database of the Gansu Artists Association. He is a member of the Gansu Provincial Qunwen Series High Appraisal Committee, the chairman of the Literary and Art Branch directly under the Gansu Provincial Committee of the Chinese People's Progressive Party, a member of the Ninth Gansu Provincial Committee of the Chinese People's Political Consultative Conference, and a judge of the National Arts Foundation Expert Database. In 2017, he was awarded the National Art and Virtue Pacesetter of the Ministry of Culture. From 1980 to 2020, his Chinese paintings won the second and third prizes at the national level three times, the provincial first prize 14 times, the second prize 17 times, and the third prize 26 times. In 2009, he won the third prize of Dunhuang Literature and Art Award of the Provincial Party Committee and the Provincial Government. In 2013, he won the third prize of Dunhuang Literature and Art Award of the Provincial Party Committee and the Provincial Government. In 2017, he won the second prize of Dunhuang Literature and Art Award of the Provincial Party Committee and the Provincial Government.
Red beans are born in the southern country
White clouds in the sky
Youth years