In the TV series "Heavenly Dao", Rui Xiaodan took Ding Yuanying to the stereo shop to get a CD, and met Feng Shijie, who deliberately came to find stubble.
Although Ding Yuanying is not a more real person, there is no need to meet with people like Feng Shijie, but the scene at that time, he could not comment on this song.
So it's refreshing to see a true enthusiast's profound interpretation of The Wanderer's Song.
He compared three virtuosoes: Mutter, Fredermann, and Hayfitz.
In the play "Heavenly Path", about Mutt's performance, he said: "I personally feel that Mutra's 'Song of the Wanderer' is not enough to crown a 'good' word, because the same piece, compared to Mutt and Fredermann's violin, Mutter interprets sadness, sadness, sadness.
Fredermann's performance, on the other hand, interprets grief, tragedy, and pity, unlike Mutt, who has more of the grievances of court ladies and less of the wandering spirit of the gypsies."
As for Heifeizi's performance, Ding Yuanying said: "Haifeizi is a great violin master, but his interpretation of the song "Song of the Wanderer" alone is not necessarily the highest realm. Maybe he cared too much about his skill, but instead he had a touch of craftsmanship and a hint of piety. Compared with the "Song of the Wanderer" played by the three of them, I think that Mutter is the heart to the hand, Heifetz is the hand to the heart, only Fredermann is the hand to the heart."
Therefore, we see that Ding Yuanying's interpretation of the cultural attributes embodied in the nature, skill, cognition has been deeply explored, as far as the three top performers are concerned, Mutt pays more attention to interpreting from his own cognition, while Heifetz reflects the connotation of this song from the technique, only Fredermann not only pays attention to cognition and skill, but also interprets from the nature embodied in this song, that is, "Song of the Wanderer" embodies the wandering spirit of gypsies.
It can be seen that Ding Yuanying has a profound analysis of cultural attributes.
To further explain the inadequacies of Mutra's piece. Ding Yuanying went on to explain:
"The heart is the wish, and God is the realm, the fusion of culture, experience, and talent." We all believe that Mutter wants to play well, but her gender background is painted by God, and as long as she can't surpass God, she can't erase the gender background. Mutt's hands are a pair of women's hands."
Therefore, Ding Yuanying's profound exploration of cultural attributes has added many new connotations to this drama, so that more than ten years later, we still regard it as a divine drama, because there are too many interesting things in it, and it can even be said that when we re-watch this drama again, its perception will be different.
Of course, when Ding Yuanying talked about the difference between the three performers playing "Song of the Wanderer", he was actually talking about culture, and culture is the way of heaven, that is, true wisdom.
For more exciting content, come and ask about the blue sky
Asked the blue sky to focus on Traditional Chinese studies, Buddhism, every day there is a content update, like friends do not forget to click to follow, welcome to collect, welcome to appreciate, welcome to forward.
The materials in this article are mainly quoted from the Analects, Zhuangzi, tantra, Tao Te Ching, Temporary Sitting, Dream of the Red Chamber, Jin Ping Mei, Waste Capital, Free Travel, Philosophy of Life, Plato So Says, History, The Complete Works of Wang Yangming, Huayan Jing, Heavenly Dao