Meng Xiaodong and Mei Lanfang
Love is a very personal subject.
Putting love in front of the curtain of history is like putting a life on the stage, enlarging the background but ignoring the details, and all the tragedies of love are not like this.
In "Mei Lanfang", Qiu Rubai told Meng Xiaodong that it was that loneliness that made Mei Lanfang the present.
Qiu Rubai wanted to protect Mei Lanfang's loneliness. Therefore, he vigorously drove Meng Xiaodong away from Mei Lanfang's side. This is a misinterpretation of history in the story, and it should not be true. And all the historical records about "Mei Menglian" are not distorted interpretations of life, and why should they be taken seriously?
"Dream of the Red Chamber" said: When pretending to be true, it is true and false, and there is nowhere to do anything. Regarding love, the true and false of the parties, the false and the true, who can say clearly. The first time Qiu Rubai saw Mei Lanfang acting, she didn't know whether to think of Mei as a woman or a man.
When the Japanese officer scolded Mei Lanfang for being nothing more than a stinky woman pretending on stage, Mei Lanfang replied, "I am a man offstage." Meng Xiaodong is a man on the stage, but a woman offstage.
Mei Lanfang
The misfortune of love for two people is that they are offstage but live for her or him on that stage. No one cares about the man's Mei Lanfang, but whoever puts Mei Lanfang on the stage is not agreed by so many fans.
Some people say that Mei Lanfang's wife is too powerful, and it is true. Restoring some of the palms of history, Meng Xiaodong did not stop Mei Lanfang from visiting the United States, and almost went with the two of them. However, Mrs. Mei strongly opposed Meng Xiaodong going with her. Even beat the child off in person. But what woman who loves her husband deeply wouldn't be like that? Is Mrs. May's quest for perfection a matter of knowledge? Could it be that Mrs. Mei and Mei Lanfang's divorce can achieve a beautiful marriage?
In fact, the excessive strength of one side also reflects the cowardice of the other party. Mei Lanfang in the movie said that before marrying her, she said that she was here to take care of me. How much man can a man who is accustomed to being a woman on stage have in such a childlike relationship? A woman who was meant to be, and a gentle little woman.
Meng Xiaodong eventually fell into du yuesheng's hands and became Mrs. Du. Perhaps it was because, in her opinion, love was dead, and the heart was dead. But it is not another manifestation of her cowardly character. Because, from the perspective of her love for Mei Lanfang, she is not without the courage to die.
And the righteous act of "growing a beard and Mingzhi" has achieved the patriotic image of Mei Lanfang's man, sublimating him from a famous man to a patriot, and finally taking down the "paper shackles" that are put on his body.
It was at the time of the founding of New China and Mei Lanfang's future that Meng Xiaodong married Du Yuesheng. And it was on the night of Baoyu's big wedding that Dai Yu went.
-- "Once the spring is red and old, the flowers fall and the people die!" No one knows if they remember each other in their hearts after that.
PS: This is an old work from 2008
Recommend my other articles:
Thinking about the suffering of corrupt people from the perspective of human nature, how can we effectively fight corruption?
Lu Yao's practice and realist spirit inspired us to discuss the topic of "association"
Love is stupidity
Huang Rong is just a little girl who likes the Diamond King
Compare Gu Long and Jin Yong
From "The Legend of the Archery Hero", we can see Jin Yong's concept of love
Lu Xun's amorous and desperate feelings
Post-80s memory: Autumn yin does not disperse frost and fly late, there is no zhang Yusheng in the world
Alternative interpretation of marriage: singleness is king
Restore a real "one break"
Love letters from two thousand years ago
The two sides forget each other without hesitation
The color ring of the cologne