Hello, hello everyone, I'm Shippo. What I want to share with you today is the theatrical version that moved me the most in Inuyasha. Friends who have not yet seen this theatrical version, quickly find out and take a look at it!
Today I introduce the theatrical version of Inuyasha's 2001 thoughts about traveling through time and space. This theatrical version is also the most outstanding theatrical version of Inuyasha, and the fight scenes and emotional expressions are particularly good, which is simply superior to the later theatrical version. However, it is a little pity that our favorite killing temple, or playing soy sauce, basically has not appeared, and I have not yet understood why it appeared? It feels like it is simply a formality, and you can take Ah Ling and the evil sword grandfather out to meet the audience. Moreover, I also felt that the part of the Kirito was very hard, and I didn't feel that she had any impetus in this theatrical version, but I insisted on giving it a few pictures that appeared. However, in addition to these two points are a bit far-fetched, there are many remarkable places, and I will give you a dissection of them one by one:
<h1>1) The plot development is reasonable</h1>
Why does the editor say that the plot development is reasonable? In fact, people who have watched several other theatrical versions have found that the theatrical version of Inuyasha often sells feelings, and the plot is handled relatively poorly. The content is often followed by the characters, and there are many loopholes and deviations. So while accepting his feelings, he also accepted its plot and new developments.
<h1>2) It's fun</h1>
In this theatrical version, the fun of the plot is very strong. Other theatrical versions are often because of the tight time, and can not present this interesting plot well. But this theatrical version will not, from Ge Wei getting up early in the morning to make a bento for InuYasha, to waiting for InuYasha to give him a bento with expectations to make an evaluation, but the second dog who does not understand the style, but takes out his favorite instant noodles and says that he wants to boil water to eat instant noodles. What we see here is that Inuyasha's emotional intelligence is very low, and when Govi leaves in the end, he doesn't know why she is angry.
So in this theatrical version, his appearance makes people feel a little bit like watching animation. He was tied around the neck by Inuyasha and went to fight the scene, which I think is funny when I think about it.
Grabbing food with InuYasha, but looking at the mage with a pitiful expression, this little fox is actually very clever. At the moment when he and Govi were shelled out, he also knew that turning himself into a ball saved Govi's life. It's a cute little leprechaun.
Third, there are too many tear points
1. Govi is controlled to kill Inuyasha
The first tear point was when Govi was controlled to kill Inuyasha. Although the emotional intelligence of the second dog is very low, he will blame himself for not protecting Govi. And Ge Wei did not want to hurt InuYasha, and constantly wanted him to escape, his inner struggle, coupled with the change of eyes. At this point, the audience felt Ge Wei's deep love for InuYasha, and Inuyasha's non-resistance also showed his love for everyone to a large extent.
It's not that Inuyasha's feelings for Kirito are fake or don't love, but that his feelings for Govi are deeper. But the appearance of kirito made her feel that she should leave, because she did not belong to this world, and here it paved the way for the next tear point. Because at this time you are running away, escaping back into your own world.

2. Coral's relationship with mica
The second tear point of the play is coral and mica, which is controlled by evil forces. As a monster mica, how much love is there for corals to do such an act? It is also because the coral chose not to bear to attack him at the end of the day, which reminded Mica of her coral feelings. The feeling that we can sacrifice for each other is also very touching to me.
3. Talk in the snow
Ge Wei and InuYasha transcend time and space, and the process of talking through the Time Tree is also a classic scene of the whole play, and the thought of transcending time and space lies in this point. Although there is no large-scale foreshadowing here, the feeling of love. But this aesthetic expression made me feel this kind of timeless love even more. Love beyond time, beyond place, beyond race, is truly very moving. The communication across the time tree made Ge Wei understand that in fact, escaping could not solve the problem.
<h1>4) The setting of the monster</h1>
Because this monster is from Chinese mainland, they wear Chinese-style clothes. It's nothing, because the two female youkai are still quite beautiful, mainly the male yokai agate pill, I think his most powerful ability to control others, in the later stages, he grew, became a big giant, this shape is also too ugly,
Although the style of this drama is too ugly for many people to comment, in fact, I also think it, but it does not affect the high score I gave him. So if you haven't seen this theatrical version, don't scratch it because of its style. Click to take a look, it won't disappoint you.