Qianjiang Evening News Hourly News reporter Chen Yuhao
On the evening of January 16, Yang Yang, Artistic Director and Principal Conductor of the Hangzhou Philharmonic Orchestra, together with violinist Li Yuhe and pianist Guan Jun, together with the Hangzhou Philharmonic Orchestra, brought a concert to commemorate the 200th anniversary of the birth of French composer and organist César Frank.
As a relatively unpopular composer in the temple of classical music, Frank's artistic achievements should not be underestimated. The composer, pianist, and organist was hailed by Liszt as the "Bach Reincarnation".
He is revered as the "father of modern French music", not only creating a lot of beautiful music with harmonious tones, but also adhering to the tradition of pure instrumental music. Although Frank's personality is introverted and low-key, and the music he creates is noble and religiously religious, in addition to the "rules", Frank is deeply influenced by romanticism, expanding the boundaries of freedom within the tradition and creating strong fantasies in the solemn and sacred tone.
His teaching achievements were brilliant, and Dandi, Shawson, Dupac, etc. were all his students. His notable works include Symphony in D minor, Violin Sonata in A major, string quartet in D major, and so on.
This is also the reason why Yang Yang, artistic director of the Hangzhou Philharmonic Orchestra, insisted on including verdi, Stravinsky, Mozart, Haydn and other masters in this season's "Tribute" series when planning the season.
Unlike the opening of most concerts in Hang Ai. The concert was preceded by two solo performers: The violinist Li Yuhe and the piano pipe Jun.
Two dressed players brought Frank's Violin Sonata in A major.
Composed in 1886, it was Frank's only violin sonata of his lifetime.
In the first movement, Li Yuhe's violin is gentle and gentle, and should be blended with each other in the fantasy-filled mood created by Guan Jun's black and white keys, without losing individual independence.
The melody of the second movement allows the violin and piano to enter a deeper state of dialogue, uneasiness and depression flowing between the keys and strings, and finally sinking into the lyricism of the third movement.
The fourth movement is the only more cheerful movement in the whole piece, and the two performers perform a restrained and sparse joy with a warm and melodious melody.
The second half of the concert featured Frank's symphony in D minor.
The song is a landmark work in the history of French music, exquisitely conceived, perfect in form, clear in texture, especially the unique circular form of Frankish, which not only had a profound impact on the development of French music, opened the way for debussy, Ravel and other masters, but also brought new vitality and vitality to French music at the end of the 19th century and the beginning of the 20th century. Through the interpretation of this work, the Hangzhou Philharmonic Orchestra recalls the classical music masters and warms the cold winter of music fans.
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