"Spring Light Suddenly Leaks", the word "Spring Light" is naturally beautiful. From "chu leak" to two sentences, one is Li Qingzhao's "when it is warm and cold, it is the most difficult to rest" - it is the most difficult time to rest, is the next sad cloud or clear sky? Another sentence is Bai Juyi's "Silver bottle suddenly bursts through the water slurry, and the iron horse protrudes from the sword and gun"--the story is like a musical movement, playing to the climax.
Wong Kar-wai's outstanding works are naturally typical of Wong Kar-wai's style – you can't see the beginning and end of the story, you can only feel the emotions and moods they want you to touch.
The implication of not seeing the beginning and end of the story is that we don't know how Lai Andh And Po Wing got together and what happened before they arrived in Argentina, and we can't be 100% sure if the two will be together after the end of the movie.
Like the end of Shen Congwen's "Border City" - he may come back tomorrow, he may never come back.
Like the ending of Margaret's Gone with the Wind – who knows if Scarlett can still win Brad's heart? But tomorrow is still a new day.
The thoughts of the perceptual creator are more fickle and difficult to grasp than the fog in the mountains, how can you accurately perceive every pulse and breath of the clouds? If you only want to perceive and enjoy in light and shadow, song and sound, it is also a good choice not to seek much understanding. But if you want to figure out how many secrets are hidden behind that plausible ending, you can't ignore the small intentions that are everywhere. Wong Kar-wai's films are like examining whether we understand audiovisual language, which is the key to whether we can communicate with him.
After the two people separated, Li Yaohui was not happy, and the picture became gray; the two people were reunited, and Li Yaohui was so happy that Xiao Zhang was curious, not only the color returned, but the heavens and the earth were warm and confused tones. At the end of the film, it also returns to color, because Li Yaohui's heart is suddenly open: a person dares to walk around without scruples because he knows that there is a place where he can return.
The final music is not always played casually, and there is no sentence as painful and poignant as "Fancy Years". The answer given in the music is also: happy together.
Xiao Zhang will not be a senseless Xiao Zhang, Xiao Zhang said, sometimes to listen to the sound, rather than rely on the eyes to see. All we can see in just two hours or so is such a small fragment of their lives. What we have heard, and cannot be ignored, is the beginning of the film, Lai Yaohui said, I have been with Ho BaoRong for a long time, and I have been separated in the middle, but as long as he says, 'Lai Yaohui, it is better that we start from the beginning', I will always be with him.
Similarly, Li Yaohui had a high fever and was called up by He Baorong to cook, while scolding He Baorong for not being a person while cooking for him, while carefully treasured this time in his heart, the state of stealing joy was like a hamster hiding the fullest and most delicious nut, thinking that this was the best time after the two were together.
He had never had such a good time before, and he was willing to join him in abandoning his work in Hong Kong to deceive his father to come to Argentina to see the waterfalls, so what about after that?
How could he not love him, after he left, he took care of him at every meal, he came back, and the meals were taken care of by him. After he left, he was always impatient to take pictures of tourists when he worked in the bar, and he came back and was kind when he took pictures.
Unable to look at him, he lit a cigarette and could not breathe naturally; he ignored him fiercely, but after he was seriously injured, he was again bottomless and soft-hearted, decided to reunite with him, and at the same time beat up the foreigner who injured him - although it is very likely that He Baorong stole someone's watch, and there was a mistake first.
But Li Yaohui himself is always depressed, whether he is happy or unhappy, this is something that He Baorong can also deeply feel.
Part of this repression stems from the fact that He Baorong always seems to be able to leave and return like a game, and more from the fact that he has been hiding from his father for a long time about his own orientation. Fortunately, in the end, Li Yaohui plucked up the courage to tell his father the truth, and at the same time, he also vaguely understood that behind He Baorong's seemingly unscrupulous behavior was the sense of stability he gave him, and he may have been his home.
He Baorong is not unable to feel Li Yaohui's repression, but he can't solve it, and can only gamble again and again to find others to play, so that Li Yaohui realizes how much he cares about He Baorong and then comes back.
But if you say that He Baorong does not love Lai Yaohui, how did he find him in the tavern after the two separated, the phone called his house, and the person appeared in front of his door. If this is the treatment of a spare tire in a foreign country, this is also considered to the extreme, and there is no need to take the watch of a foreigner for him to hurt himself more and more seriously. He did this only to confirm that Li Yaohui still cared about him.
After twisting and turning, the two were still unhappy to separate, but they did not expect that this time when He Baorong turned back, Li Yaohui had already left the small room. Without crying so bitterly, how could He Baorong understand the step of the two people's feelings? Like He Baorong, he bought boxes of cigarettes and piled them in the house, and in the name of love, he painted himself a prison.
Li Yaohui, who let go of the pressure, went to see the waterfall that the two people wanted to see, and always felt that it was two people who should go. He had never said that he could resist He Baorong's words, "It is better for us to start over", he knew that he still could not resist.
He Baorong, who lives in a small room in Argentina, if he does not understand that he is overheated and unwilling to lose Li Yaohui, how can he be willing to put away his stubbornness and change his nature? When his grief eased any longer, he was still the He Baorong who could hear where Li Yaohui was going.
I envy Li Yaohui and He Baorong for Su Lizhen and Zhou Muyun, the previous pair of lovers did not have the firmness to go overseas hand in hand, "do you go with me" can not be asked, can only have no gloom and hatred; the latter pair of noisy and noisy and mixed, but can go out together in the land of South America because of the bus or private car travel and quarrel.
At the end of the film, it is the year of Hong Kong's return to the embrace of the motherland, such a time point, suitable for all long-term reunions.