It is said that the famous writer Tang Guoming was a person who pioneered half-way literature with "goose feather poetry"

It is said that the famous writer Tang Guoming was a person who pioneered half-way literature with "goose feather poetry"

(Reminder: The content of this article begins under the 5th picture below)

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Tang Guoming, who advocated wearing thoughts on his body and became a writer, said: Especially for LiLu and other deaths, it is better to leave a name for the ages.

Tang Guoming's philosophical sayings: 1 is the halfway of 2, and 2 is the next moment of 1.

In June 2019, Tang Guoming published a collection of goose feather poems that pioneered halfway literature. As Tang Guoming expressed in the poem "Mr. Halfway"——

Not in the past, not in the present, not in the future, only on the way

Not elsewhere, not far away, only on the road

Not in the hometown, not in other places, at the moment only halfway above

May it be a mountain, may it be flowing water, may it be the appearance of a clear wind and a bright moon

I don't want to be poor, I don't want to be luxurious, I just want to think of danger and strive to be strong

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The "archaeological restoration" basis and data of "Archaeological Restoration" of Cao Wen after the Eighty Times of the Dream of the Red Chamber: The 81st to the 100th Time are derived from the 40 times after Cheng Gaoben's "Dream of the Red Chamber".

Reproducing Cao Xueqin's writing is to eliminate the part that Cheng Gaoben wrote 40 times after "Dream of the Red Chamber", leaving 20 times of Cao Xueqin's original text.

Tang Guoming said: There is no point in continuing to write "Dream of the Red Chamber" for ten thousand years

When Tang Guoming introduced his book "Zero Township", he said so:

"Zero Township" is a text that shows the spirit of constantly advancing and riding the wind and waves on the road of reality of no return.

The half-way doctrine expressed in "Zero Township" is both a philosophical idea and a literary concept.

"Zero Township" wrote ten million reasons why Tang Guoming could not become a writer, but became a writer. It also wrote how Tang Guoming went from looking up at the starry sky to becoming a starry sky to be looked up to.

"Zero Township" is a book that you can read without burden, and after reading it, the afterglow will continue to go around liang for thousands of years. You can read a few minutes or ten minutes or an hour at any time, you can pick or jump and read a few verses at will, you can put it down at any time, you can finish what you should be busy with, and you can read a book for a few minutes or ten minutes; you can enter my life from any entrance, but feel that there is never an end, always continuing, always looping; that is, you can start from any section of the book and read in a loop.

"Zero Township" is more like a non-fiction, cross-genre, autobiographical, encyclopedia variety of ways to talk to you face to face; with the posture of "in order to let you know myself, I am speaking to you so repeatedly", I write a person with "goose feather style bones, fresh wind and bright moon flesh, idle clouds and flowing water, long wind and affection", in the passage of time, under the soil of various symphonies and interweaving, sometimes there is a sense of homelessness, sometimes there is a sigh of "useless king" process - through the description of this state, Reflecting the kind of far away from the hometown without a sense of home, turning back to the hometown but finding that the hometown is no longer the scene of the hometown, in the wandering like a dream, nowhere to pursue, on the one hand, I lost and disappeared in the process of the times with a memory of the restoration of the rural homeland, on the one hand in the existing text monuments of their own spiritual homeland traceability, on the other hand in the spiritual wandering to find their own soul belongs to the homeland of the mental process, and I wandered in this process, wandering, wandering, searching for roots, memories, Speaking of the reality of "zero township" as a sense of rootlessness, uncertainty, and dependence, and a sense of strangeness to the rapid change of the world, he asked the world whether we were in the dream for the sake of our dreams. Or is it empty because of confusion? In the face of this unanswered problem, we can only continue to wander in the homeless, and we have to continue to drift again. So that every self with the same experience has forever become a "zero township" history that has been "zero township", and has achieved the famous saying of "half-way philosopher" - we are neither in the past, nor in the present, nor in the future, we are only on the way, we are only in the moment, we have become us on the way, we have become "zero township" we have become. At the same time, this book also reveals how I reproduced cao Xueqin's hundred times of "Dream of the Red Chamber" in an archaeological way, wrote goose feather poems, and demonstrated how goldbach conjecture and 3x+1 conjecture became halfway philosophers. More importantly, I wrote how I went from the top of One Kan Niu Mountain to the foot of Yuelu Mountain, how I interacted with hundreds of girls, and how I achieved dreams that people thought were impossible to achieve. What kind of spirit is supporting me? If you want to know more, please read my 800,000-word book "Zero Township".

If the 21st century is the century of popular half-way philosophy proposed by Tang Guoming, then "Zero Township" is destined to be the most understandable good book and masterpiece of half-way philosophy proposed by Tang Guoming, a half-way poet, a half-way philosopher, a dream of the Red Chamber, and a man in the bright moon and a breeze, using novels, encyclopedias, and autobiographies to convey the half-way philosophy that Tang Guoming put forward and understood.

"Zero Township" is a text that shows the spirit of constantly advancing and riding the wind and waves on the road of reality of no return. Although "Zero Township" has some repetitive but different forms of expression, it is precisely these repetitive contents such as "pulling back and forth drawers" and "wildfires burn endlessly, and the spring breeze blows and grows again", which better forms a system called "Zero Township" with the twists and turns of my becoming a talent and seeking; highlights the major philosophical themes that human beings repeat at this moment and at this moment. At the same time, the text of "Zero Township" uses a way of year, month, date and time to express the rapidly changing era, and we are placed in a state of "zero township" that is on the way, homeless, and old at this moment.

We came into the world to become talents, not to become slaves. We have no far away, nowhere else; there is no past, no present, no future, only one way for us to ride the wind and waves for our dreams, there is no way to escape, only this moment and "zero hometown".

Tang Guoming wrote the poem "Reading Xiang Yu", saying: "It is better to learn Xiang Yu to be himself than to learn from the ancients to become an imperial slave; but there are disputes in the world, and only Yu Ji is a husband."

Tang Guoming said: 1 is the halfway point of 2, and 2 is the next moment of 1, and all things are always on the way. Not in the past, not in the present, not in the future, only on the way; not elsewhere, not far away, only on the road. On the way, we have nothing but the present moment.

Tang Guoming said: We are neither in the past nor in the present, nor in the future, we are just on the way; our lives are not elsewhere, we are just living on the way; students ask death, hearsay, gossip; for vegetable rice oil and salt sauce vinegar tea or money and power fame and fortune poetry and hops, running non-stop, working non-stop; under the premise that n is an integer, either eternally exist in the infinitely infinite flowing space-time process divided by 1 divided by "n power of 2" and rotate in circles on the ground, dissolving and exhausting themselves; or being in the "nth power of 2" In the space-time journey of the supreme being who can travel freely, he will be infinitely eternal.

Tang Guoming said: I have the feeling of long wind and the style of goose feathers; I have the style of goose feathers, the flesh of the clear wind and bright moon, the blood of idle clouds and flowing water, and the feelings of long wind.

Tang Guoming said: When I say "long wind feelings", I mean ambitions that have been passed down through the ages; when I say "goose feather style", I mean insistence on a thing that benefits the world without remembering the gains and losses of utilitarian gains and losses.

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Tang Guoming's theorem:

1. The birth of cosmic galaxies should be generated in the form of a band and a band similar to the "3x +1" conjecture "strange change" and "even change", which is continuously arranged with the change size of n data. Like these formally prescribed numbers, some fall into traps forever and cannot extricate ourselves, and some are transcended but disappear.

2. "Any even number divided by 2" plus or minus the same positive integer can give two prime numbers equal to this even number; and the two asymmetric prime numbers are distributed in the intervals on both sides of the "even number divided by 2" and are equal to the difference between the numbers.

3, 1 is the halfway of 2 - everything is always in the middle of the way, everything is always on the way, when you reach "1 +n", you are in the "2 + 2n" halfway. That is, when you reach 1, you are in the middle of 2, when you reach 2, you are in the middle of 4 or when you reach 1, you want to reach 2; when you reach 2, you want to reach 4, facing the endless future, you are neither in the past nor in the present, nor in the future, just on the way, in the present; your life is not elsewhere, you are just living on the way; you are always on another unknown halfway, you are forever placed in an unknown "zero country".

Works by Tang Guoming, a philosopher of the halfway road, a poet of goose feathers, a man in the Red Chamber, a poet of free ancient style, and a man of the clear wind and bright moon

A man who pioneered halfway literature with "goose feather poetry"

(1) A person who pioneered half-way literature with "goose feather poetry", his name is Tang Guoming (written on June 25, 2019)

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Goose feather poems have been 10 years since they were produced in 2009 and 2019, and have been concerned for a long time since they became popular online in 2015. Because it is the first collection of poems in Tang Guoming's life, the whole book selects 208 poems written by Tang Guoming until 2019, including 5 poems in the preface, 1 poem in the afterword, and 202 poems in the main text, a total of more than 6,000 lines, of which it was written on April 10, 11, 12, 13, and 15, 2009, the most characteristic of goose feather poems, named "The Village by Yunmeng Lake", all placed in this book. This makes it easy for readers to read and for professionals to study. And what exactly is the goose feather poem, Tang Guoming said:

A. Feeling that poetry is increasingly being universally colloquialized, garbaged, and buried in the lower body, in order to return poetry to the position of the crown of literature, from 2008 onwards, he began to create poems of "defending poetry, holy poetry, and resurrecting poetry", and launched the poetry "Goose Feather Action" in 2015.

b. The most direct and understandable answer is that the goose feather poem is shouted out with blood and blown out of the heart; the poem that is flown down from the sky by the snow of the goose feather and is not stained by the earthly world; it is also a poem that makes you fly up and soar up after reading; it is also a kind of poetry that expresses the feeling of flying and surging in the state of no return, and the poetry that is indeed in the feeling of no return when you want to return halfway. Goose feather poetry has naturally become an expression of half-way sensibility, and it has naturally become a sign of the birth of half-way literature. It is a poem that can be chanted, can be recited, and can be sung, like a poem that has installed a flexible flying wing on Chinese characters; it is also a poem that is not polluted by the world, and when read, it can make people feel like being in a spotless light, clear, white, and pure "snow country" world.

C. Goose feather poetry is another kind of poetry model set up by rebirth, and has opened up a new artistic conception and new vision of poetry in the style of clean wind and bright moon. The unfamiliar words we know are transformed into "moonlight skirt, sun skirt, moon butterfly, goose feather bed, goose feather clothes, moonlight wine, reed flower library... The basket of tears..." Bold use of villages, rice paddies, wheat, goose feathers, moons, suns, reeds, flocks of birds... Organizes the world of its cloud dream lakeside villages, and uses unexpectedly different novelties from the convention.

d. Goose feather poems restore the original purity, musicality and folk nature of poetry; with Tang Guoming goose feather style meat, qingfeng mingyue bones, idle clouds and flowing water blood, and long wind feelings, so that people can be reborn and experience the poetry of Tang poetry and Song poetry that brings us grain, herbs, and the peak feeling of Qingfeng Mingyue.

e. Goose feather poems "with a surging momentum to purify the dirty mud and sewage of the altar of poetry, and with the power of the strong wind to blow the goose feathers into the air, let the poem return to the cold high place." It took me ten years, ten years of hard work, to return poetry from "false" to "true" poetry again.

(2) The first gentleman to buy my signed book for 300 yuan (written at the foot of Yuelu Mountain from June 30 to July 22, 2019)

Due to the landlord's renovation of the house, I moved to the bungalow with a rent of 300 yuan per month a few steps up the slope for three months, and by the end of November 2013, I moved back to the room equipped with a toilet, installed water heaters and air conditioners, which I was afraid of consuming electricity and had never used later, and the rent was 500 yuan per month in the 8 square world on the sunny slope. I lived from December 2013 to September 2018, the landlord wants to rebuild, I moved a few steps downhill to Xiangyang Village 4 buildings next to a total area of 8 square meters, in addition to the bathroom occupied area, there are still 5 square meters of space, formerly called utility room, attached to the floor, now called "basement" in the house, the rent is 350 yuan per month. After the house on the sunny slope where I lived for 18 years was rebuilt and expanded, the rent was 1500 yuan per month. I could only settle in the "basement" where the rent was 350 yuan per month. In the "basement" I remembered to know the Zhang Yi brothers, who were the first to dare to risk publishing in his published book the immature first draft of my paper arguing the Goldbach conjecture 1+1. He was the first person to buy the first book I made myself, "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber". He was also the first teacher to tell the story of my pursuit of my dreams in class, and let the students write an essay on the theme of "A Letter to Mr. Tang Guoming" and persuade me to be realistic. On July 20, 2019, he sent me 300 yuan to buy the signed copy of the "Goose Feather Poem" known as the "Goose Feather Poetry Cover "Quan Tang Poem".

(3) Let you read the goose feather poem that flies up after reading (written on July 22, 2019 under the Yuelu Mountain)

Ask me what is the goose feather body and the goose feather poem, I will say that the goose feather body refers to the same essence of the goose feather poet Tang Guoming. Goose feather poetry is a true poem that returns to the soul of Tang poetry and Song poetry like goose feathers. And goose feather poetry, the most direct and most understandable answer, is that the goose feather poem is a poem that makes you want to read when you look at it, want to sing it after reading it, and fly up after reading it. Of course, this sentence is not enough to accurately answer what is called goose feather poetry.

Looking back at human literature, the first form of literature began with poetry. The original origin of the poem came from the words of the gods, which were used to praise God and chant the words of God. Another source is mountain songs and folk songs, and China's "Book of Poetry" is a collection of folk songs. It was not until the birth of Qu Yuan's Chu Ci that real poets appeared; and Chu Ci was also a literary experiment of Chu folk songs. It can be said that poetry is a poem that can be sung, and it is a poem that can be sung.

In Our country, especially in ancient times, there were very few poets or writers who really made a living from literature, generally composing poetry and composition before and after they did not obtain a meritorious name, or writing poetry and composition after repeated attempts or loss in life. It is Li Bai and Liu Yong, who are not really professional poets. A person who has no way to seek an official, is debauched, travels through the mountains and rivers and is drunk; a science field is unlucky and loses his first place, and dreams of dying in the fragrant fence. But the poems did not fail them, and let them pass on through the ages.

Looking back at the history of literature, in ancient times, you wrote novels, even if Cao Xueqin, who wrote "Dream of the Red Chamber", only dared to leave a pen name "Cao Xueqin" in the book for people to guess the puzzle, did not dare to be like the person who wrote the poem, and signed his real name under the poem. Sometimes when poetry comes, I take a pen to the wall of people's homes and scribble and scribble; as long as you write poetry, people don't care. If it is a good poem, people not only do not care, but also feel that it is a supreme glory.

Poetry begins with God, and poetry is always for God to hear. What God is, God is supreme in man's heart, and the poetry given to God to listen to is even more supreme. The accumulation of poetry in the world for thousands of years has not only left many noble poems, but also cultivated many gods who appreciate poetry. As a writer, I advocate "the dirty mud and sewage of the altar of holy poetry with a raging momentum, and the power of the wind to blow the goose feathers to raise the air to return poetry to the heights of the invincible cold.". I wrote goose feather poems with ten years of effort and ten years of hard work. After writing it, I gradually realized that good poetry is like a gust of wind, which can sweep all your consciousness into it; only the kind of poetry that makes you feel like you are flying and surging after reading it is real poetry. Therefore, in all my poems, most of the poems that do not feel like flying after reading them are not my ideal poems, and I delete them. Online posts can only be regarded as drafts, and only when they are published as books or included in my homemade books. I once announced everywhere on the Internet under the title of "What is goose feather poetry and goose feather poet" -

What is goose feather poetry, it is based on the more than 100 group poems written by Tang Guoming in a week, "The Village by the Lake of Yunmeng" as the starting example; it is Tang Guoming's heroic cry of flying his goose feather poetry ideal in order to defend the poems that are about to be destroyed, and the swans who go to the soup to fight soberly; it is a kind of goose feather dance that makes poetry return to poetry, and lets poetry return to its holy and noble nature from the muddy waters of the world; it is a grain beauty and vanilla with Tang Guoming's goose feather style bones, clear wind and bright moon flesh, idle clouds and flowing water, and long wind feelings

Who is the goose feather poet, he is the swan on Yunmeng Lake, the Buddha grass on the sludge, the goose feather that does not fall to the ground, the flock of birds that spread the natural sound; he is the snowy mountaintop, the countryside where the mountains are full of smoke, and the sky is white goose feather cloud; he is the god Brother Tang Guoming, who has lived in seclusion in the foothills for many years and is known as Cao Xueqin

(4) The swans by Yunmeng Lake are there, and the goose feather poetry covers the Tang Dynasty (written on July 30, 2019 under the Yuelu Mountain)

When the book "Goose Feather Poems" came out, I did not have the financial resources to ask the media to publicize, nor did I have the "golden power" to go to the shelves to operate, but just posted the news of the book on the Internet, so that readers spontaneously went to my self-media account to find my contact information and bought my book by myself. I didn't make a lot of money, I didn't starve to death, I could simply keep writing alive. Because of this situation, when people often ask me to leave Yuelu Mountain and go to do something else, I can't help but think of Li Bai, Emperor Tang Ming summoned Li Bai to the palace, and finally gave him gold to return, I think That Emperor Tang Ming is Li Bai's greatest confidant, he understands that Li Bai is a great poet, not a material for being an official, if placed in the official field Li Bai not only can not be a good official but also waste his poetic talents, it is better to give him a sum of money to make him a free and free poet, write more great poems, and leave some priceless spiritual wealth to posterity.

Li Bai was fortunate, at least in the Tang Dynasty poetry atmosphere is good, his first-class poetry was not only not buried at that time, but also highly sought after, he can be said to be the poetry star of that era. In the era of new poetry, since the suicide of Haizishan Customs, it seems that Chinese poetry has also followed him to "commit suicide". Since then, "poetry" has attracted the attention and onlookers of the public for a while, and most of them are not "poets" who have written "good poems", but "poetry scandals" that have appeared in the "poetry world". When goose feather poetry became popular on the Internet in 2015, when one online reader said "goose feather poems cover all Tang poems", and another online reader said "When we killed the poems in our own arms, the goose feather poems revived the poems again", the moment I read it, I wrote a free ancient poem "Rainy Night Lyrics" from June 7 to July 5, 2019: "Ten years of conquest in the wilderness, I am the king; the swans by the Yunmeng Lake are there, and the goose feather poetry covers the whole Tang." Dai Yu was too illusory to go, and Bao Chao Xiang died in the snow; I hope that in this life, Yu Ji will be born, and An He will become the king again. On October 1, 2019, he wrote for the National Day that "thunder does not fall, wind and rain do not collapse, fire does not extinguish, and bravely meets those thunderous fire flashes that come to the face." ”

(5) Wrote the goose feather poem "Dreams Live in Reality in 8 Square Meters" (written on October 4, 2019)

A few months ago, after a family of three in Yiyang Nan County, Hunan Province, met with me, on October 3, 2019, Zhang Yi's family of three went to Guangdong to drive through Changsha and turned to Yuelu Mountain to see me. I took them to Yue wang Ting on the campus of Hunan Normal University under yuelu mountain to borrow a corner of the landscape for Zhang Yi's family to take a nap. Then he took the family on foot to Hunan University to find snacks on the road to climb. There snacks, exactly the same taste of plum cake, next to my stay only 6 yuan a, ascending the road to 10 yuan.

It was dark, and there were groups of girls coming down from Yuelu Mountain. From Ascend Road to take Brother Zhang Yi back to my residence, Hunan Normal University Xiangyang Downhill Xiangyang Village, I only had to say goodbye to his family in the light of my 8 square meter room. When saying goodbye, Brother Zhang Yi said very sadly, saying that he would say goodbye at this time, and he did not know when to meet. So after he left with his family, he wrote a poem at night, so that on the morning of October 4, 2019, he wrote the goose feather poem "Dreams Live in 8 Square Meters of Reality" to do an autobiography -

Reality forced my dreams into the Yellow River to die / Just as reality forced me into the 8-square-meter basement of the Yangtze River rushing endlessly

Brother Zhang Yi's long sigh made me sigh into the pile of history / Brother Express's eyes looked at me into the depths of the sky / Brother Zhang Yi's family of three fell into the country like flowers and jade / I alone and the green lantern yellow scroll thousand years dependent

The Yellow River of the Yangtze River rushed into my dreams / Ask the wine to the moon, where is the Yi people and where she is

The autumn sun shines again and again on the yellow earth / the swan of the south will it fly into my goose feather poem

(6) Some poems (written on December 28-31, 2019)

a、

Since I advocated writing free ancient poetry, many people have asked me what free ancient poetry means, and I say it bluntly, that is, to remove many rules and regulations, take its five words, seven words or several other forms of speech, like folk songs, only seek to be catchy and mouthy, and naturally write poems with great mood. For some reason, Mr. Long Shujian sent me an ancient poem called "Mountain Family Enlightenment" on the night of November 15, 2019, poem cloud: Jinshan towers out of the mountain, Tuojiang hits the river in the middle of the Xia; do not look at the stones to build beams, but also need tiles to an wanjia. After reading it, I was sentenced to the poem - "Do not regard stones as beams, but also tiles to settle down." --Shocked. I wrote back to him and said that this sentence could be passed on. On the evening of June 23, 2020, he sent me a poem "Looking at the Lotus Pond in the Rain" that he received from the Rock Slab Well in Qiangongping Town, and invited me to write a poem, Mr. Long Shujian saw the lotus flowers I did not see in person, so I wrote a poem "Peach Lake to See the Lotus": Lushan unintentionally dug a lotus pond, attracting the mountains and rivers to become a stream; raising Gao Jie Tingting stood tall, no longer buried in the sludge.

b、

Not long ago, I heard about the Guanyin Mountain Expedition, and the prize money was 700,000 yuan. I mistakenly thought that the upper link was: "Guanyin Mountain to see the scenery." "Because I live under the mountain of Yuelu in Changsha, I think casually, "Love the evening pavilion and love for a lifetime." I was looking for the mailbox of the party of the conquest, and I learned that the Shanglian was "Guanyin Mountain Guan shanshui". So I remembered the Wangjiang Tower of Yuelu Mountain, so I changed the couplet to "Wangjiang Tower looks at the scenery, loves the evening pavilion and loves life", and the front of the body is also suitable for the future.

After announcing this elegant event, every bed pretended to sleep, and then remembered the Shanglian "Guanyin Mountain Guanshan Landscape". Until December 12, 2019, I suddenly realized that I was right to "put fame in the sound of tea" and "put down fame" as "put down fame", thinking that it was good. The clever thing is that this couplet and the couplet I came up with a few days ago have become a free ancient poem: looking at the scenery in the Wangjiang Building, loving the evening pavilion and loving a lifetime; Guanyin Mountain looking at the landscape and putting tea in the sound of fame.

As for the connection to the "Guanyin Mountain Guan Shan Shui", it is just a casual tote. If the joint party approves, the award of 700,000 yuan will be given to me, and I will not refuse. To be happy is to be happy, not to be happy; to speak out of my heart and to broaden the hearts and minds of the people of the world is the thing of literature and the way of life.

c、

Someone asked me why I should pursue a career in writing? Why do most people give up the "writer's mission" and become a "writer" who is only responsible for money, I still have to engage in professional creation with a "writer's mission"? Whenever I encounter such a problem, I can only say that I like it.

(7) Rock and Roll Reading and Singing Goose Feather Poems (Special note on the morning of January 1, 2020, to bid farewell to 2019 and start 2020)

My good friend Mr. Shi Zhiyong once opened a café called "Water Fragranceless" at Hunan Women's College, and on December 21, 2012, the rumored end of the world, he asked me to go over and play and asked me to bring some poems. I set off from Xiangyangpo at the foot of Yuelu Mountain at Hunan Normal University, got on the No. 152 bus, and arrived there shakily. In addition to me, there were two other friends who could play the guitar. After a few drinks, Shi Zhiyong asked me to read the poem called "Water Without Fragrance". This poem was written during the period when Shi Zhiyong opened a photo studio under the Hongshan Bridge on the side of Changsha University. The poem was written in April 2009 for him. I picked up the manuscript of the poem "Water Without Fragrance", and to the accompaniment of two guitar-playing friends, I roared. After Singing, Mr. Shi Zhiyong, an old man in his forties, said to me after listening to it, and you will engage in your poems in this way in the future.

Later, when I was on television for the first time in my life, I sang "Ohno's Central" on that interview-style TV show, and sang and read other poems on other TV news programs. From the winter of 2012 to this day, I have been singing and reciting my goose feather poems non-stop. This method of "reading and singing" and "singing and reading" poems with my own nature, I have not known what to call it? If you say rock' and roll, there is a little bit of meaning, if you say "shouting" or "crazy", there is also a little taste. It wasn't until the evening of December 31, 2019, that I seemed to have found the right expression, thinking it should be called "rock reading and singing." As for what is rock and roll, I expressed it in a poem "What is rock" written in February 2018: it is the cry of poetry and thought, it is the burning of blood on the sound of the soul, it is the roar of the heart after the actual thoughts / It is the cry of the mind to strive for strength, it is the roar of Xiu De'an and the world, it is the snow that flies down from the long sky, it is the goose feathers that rise in the sky in the poetry book, it is the rolling waves that soar up to the sky / I rock, I burn; even if it falls, the body becomes bone But my rock's cry will be like a fierce wind blowing time without stopping

Written from June 25, 2019 to August 4, 2020 at the foot of Yuelu Mountain

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About the Author:

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Tang Guoming's calligraphy: goose feather thesis

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Tang Guoming followed his principle of "knowing your reason and force, looking at his reason and force, combining the reason and force of all families, knowing and doing, and getting my reason and force", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, he came up with the famous saying of "halfway philosophy":

1, 1 is the halfway of 2, all things are always in the middle of the way, all things are always on the way.

2, halfway is a kind of drifting never to the end of the homeless state of zero.

3) We are neither in the past nor in the present, nor in the future, we are only on the way, in the present.

4, there is no far away, the far you reach, but it is a far away halfway above.

5. Write about the gains and losses of heaven and earth, and strengthen the mental strength of the world. I'm rewritten by everything, I'm rewriting everything.

6, force to determine the clean, rational world. All things are increasing and decreasing, not being born and dying. The universe began in an increasingly and decreasing parity in which the sun never extinguished.

7) The culture of mankind father and mother is literature and mathematics.

8, on the way, we have nothing but to have this moment.

9, people only put themselves in the middle of the way, there are many possibilities to achieve their own.

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Tang Guoming said: There is no point in continuing to write "Dream of the Red Chamber" for ten thousand years

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Tang Guoming's Cao Xueqin's writing pen found in the 40th time after Cheng Gaoben in "Dream of the Red Chamber" is like looking for a corpse after being divided, organizing the bits and pieces of Cao Wen's flesh and bones found, and then reproducing Cao Xueqin's writing twenty times after the eighty times of "Dream of the Red Chamber" in an archaeological restoration way.

It naturally fits the hundred times of "Dream of the Red Chamber" mentioned many times in the fat batch, called "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: 81 to 100 Times".

On the basis of the 67th Cao Wen of "Dream of the Red Chamber" that is still reproduced in an archaeological restoration, it is proofread again with the first 79 times...

In addition, the first eighty times and the other times are the first eighty times of "Dream of the Red Chamber" published by the People's Literature Publishing House in May 2000, which was proofread by Mr. Yu Pingbo.

Zhengzhou, Henan, September 2004, Haiyan Publishing House, 1st Edition, Mr. Zhou Ruchang used all the fat batches to collect the school's eighty times "Dream of the Red Chamber"

In April 2003, the 1st edition of the Writers Publishing House, Mr. Zheng Qingshan, revised the "Stone Record of the Fat Book Hui School" for eighty times as the main school,

After the mutual proofreading of the 3rd edition of the People's Literature Publishing House "Dream of the Red Chamber" in 2008,

Plus the twenty times after the eighty times of the eighty times I went to the pseudo-authentic archaeological restoration on the basis of the last forty times of Cheng Gaoben, "Cao Wen Archaeological Restoration after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time",

And synthesizing this before and after the language style unity, the context is connected, returning to Cao Xueqin's original original pen of the hundred times version -

"Tang Guoming Archaeological Restoration of Cao Xueqin Hundred Returns to the Dream of the Red Chamber".

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Who is Tang Guoming?

A man in the bright moon and breeze who cannot move, who cannot burn, who does not collapse from wind and rain, who steps on the mountain and goes on the road;

A literati who bleeds without losing the feelings of the long wind, burns without destroying the style of goose feathers, investigates the gains and losses of heaven and earth, strengthens the heart of the world, has the bones of the goose feather style, the flesh of the clear wind and the bright moon, the blood of the idle clouds, and the long wind and the feelings of the heart;

A human intellectual who has the heart to benefit the world and benefit all generations; to advance with the times and think of danger, to seek truth from facts and to seek peace and spiritual feelings under the world;

A half-way philosopher, half-way philosopher, half-wayist youth who put forward half-way philosophical theories, literary adherents, ideological pioneers, and soul sympathizers;

A person in the dream of the Red Chamber who knows your reason and strength, sees his reason and force, unites the reason and force of all families, knows and acts, and obtains my reason and strength;

A goose feather poet who shouts out to the world and the world, I am the useless king who has been passed down through the ages;

A free ancient poet who advocates removing the shackles of the framework and writing ancient poems as naturally catchy and naturally sound, with water to flow and clear water out of dust.

The half-way humanistic spirit embodied in Tang Guoming's body, as tang Guoming's famous poem "The Reader" said——

Thunder does not fall, fire does not move, wind and rain do not collapse, like a long moon breeze / eclipse at any time, up and down, writing as you like, like idle clouds and flowing water

To the raging tide, turn a blind eye and listen to it, bleed without losing the feelings of the long wind / Live at the foot of the peaceful mountain, the poor are carefree and rich, and the fire does not damage the goose feather style

Advancing with the times to recognize the truth of the world, thinking of danger and striving to be strong / Seeking truth from facts to transform the actual destiny, cultivating morality and the world

Reading thousands of books, investigating the time of heaven and man, through the changes of ancient and modern times / walking thousands of miles, the principle of poor heaven and earth, and becoming a family

Tang Guoming, male, Han ethnicity, currently living in Changsha, half-way philosopher, goose feather poet, dream of the Red Chamber, free ancient poet, bright moon breeze in the middle of the person, member of Hunan Writers Association.

Since his publication, he has published several articles in literature, red studies, and mathematics in Zhong Shan, Poetry Journal, and other books and periodicals at home and abroad.

In 2012, he published Zweig's more than 100,000-word non-fiction novel "The Biography of Magellan" and the more than 10,000-word short story "I Am Magellan" in Hemingway's "The Old Man and the Sea". The novel was first drafted in 2008, published in 2012, and now published in 2021 for almost 10 years. From 2008 to 2021, it has been continuously revised, and there are now more than 15,000 words left, which can be said to be Tang Guoming's first novel work with halfwayism.

Since 2013, its inkblot "Goose Feather Post" can be exchanged for 3,000 yuan.

In 2016, he published the famous work "Archaeological Restoration of Cao Wen after the Eighty Times of the Dream of the Red Chamber: The 81st to 100th Time", which was included in the Red Chamber Of Red Chamber In 2017 and included it in the Red Chamber Journal's 2014-2016 Red Studies Bibliography.

In 2018, his autobiographical work "Such an Argument for Goldbach Conjecture 1+1 and 3x+1" won awards at the Shanghai Writers Association and East China Normal University.

In 2019, he published the half-way literary poetry collection "Goose Feather Poems" by Internet celebrities so far.

Since 2013, his dream-chasing deeds of pioneering archaeological restoration of Cao Wenhongxue, pioneering goose feather poetry, and demonstrating Goldbach's conjecture 1+1 and 3x+1 conjecture to obtain the "Halfway Philosophy" have been successively adopted by Hunan Satellite TV, Zhejiang Satellite TV, Beijing Satellite TV, Guizhou Satellite TV, Liaoning Satellite TV, Hubei Satellite TV, Anhui Satellite TV, Southern Satellite TV and other TELEVISION stations through TV programs such as "China Dream Show", "Wonderful Chinese Characters", "Favorite is China", "There is something to say"... It has been fully displayed and reported, and has been reported by countless newspapers and network media in the United States and at home and abroad so far.

In 2017, he demonstrated the world mathematical problem "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, and discovered the universal law formula from "3x+1", and came up with the "halfway" philosophy by arguing "1+1" and "3x+1": you are always on another unknown halfway, you are always placed in an unknown "zero township"...

In April 2018, he completed the "Tang Guoming Archaeological Restoration of Cao Xueqin's Hundred Returns to the Dream of the Red Chamber".

In April 2019, the bimonthly magazine "Taihu" in Wuxi, Jiangsu Province, published Tang Guoming's half-way literary exploration of "goose feather novel" original pioneering work "Soldiers Sticking to the Fortress of the Great Wall".

What is Tang Guoming's "goose feather novel", as the writer Tang Guoming himself said-

The goose feather novel is to absorb the poetic and unbroken creative technique, just like the goose feathers are separated from the swan, flying around in the wind, and the goose feathers are still the goose feathers on the swan.

In June 2020, he completed the halfwayist literary exploration novel "Goose Feather Novel" "Zero Township".

On October 29 and October 30, 2020, Tang Guoming became a hot search for two consecutive days because of the Weibo news topic #Men Live in 20 Years and Want to Restore the Dream of the Red Chamber for two consecutive days, becoming a popular figure in the Internet "hundreds of millions of traffic".

From October 9, 2021 to October 15, 2021, Tang Guoming was on the internet for the news topic #Men's Snail Rental House 21 Years Of Restoration of Dream of the Red Mansions#.

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Summary of Tang Guoming's mathematical and "halfway philosophical theory" achievements in the process of arguing goldbach's conjecture "1+1" and the world mathematical problem "3x+1":

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1、“1+1”：

No matter how large a prime number is, except for primes 2 and 5, its single digits are always 1, 3, 7, 9; no matter how large and even, its single digits are always 0, 2, 4, 6, 8, and "any even number divided by 2" plus subtracts the same positive integer can give two prime numbers equal to this even number; and the two unequal prime numbers are distributed in the interval between the "even number divided by 2" and equal to the difference between the numbers. This theory holds in the known interval of even prime numbers, and in the face of endless unknowns we can only agree with this theory in the advance of the number of intervals and an interval number, so the Goldbach conjecture, that is, the general formula of "1+1" is:

t﹦[（t÷2）﹣q]＋[（t÷2）＋q]

(When the even number t>2, q is the difference between two prime numbers and "this even number divided by 2"; except for the prime numbers 2 and 5, the range of single digits of the prime number can only be cycled in 1, 3, 7, and 9. ）

2, "3x + 1" and the law of universal flux, universal always on the way formula:

With an odd number of single digits that are 1, 3, 5, 7, 9, multiplied by 3 plus 1, it will be incremented to an even number whose single digits are 0, 2, 4, 6, 8, and we call this operation rule that increments from odd numbers to even numbers "odd change", and then use 2 consecutive integers to divide the even numbers into odd numbers, and we call this operation rule that decreases from even numbers to odd numbers "even"... Any positive integer greater than zero, through a continuous such "odd-even" operation, such as the infinity of infinite numbers is always in the "3x+1" conjecture through the "odd change" and "even" principle to reach 4, 2, 1 on the way...

The nth power of 2 is the final line of all "3x+1" conjectures " odd " and " even " coefficients " that reach the 4 , 2 , and 1 streams , and the starting line of the return to the infinite data universe from 4 , 2 , and 1. On this n-power line of 2, there are innumerable shunt points from the 4th, 2th, and 1st returns to the convergence point of the 4th, 2th, and 1th streams, but these points are on the number points of the 2-power combination of 4+6n. Therefore, following the "3x+1" conjecture "odd change" and "even change" rule through the convergence point of 2 n power combination 4 +6 n numbers, the return flow can be divided out of the odd number x combined with 1 + 2n or combined 2 + 3n number group, and following these number groups backflow, the backflow will reach the endless number flow of 4, 2, and 1 through "3x +1", "odd change" and "even change". It describes the endless odd even numbers that follow the "odd" and "even" running rules to finally reach the result of 4, 2, and 1. It is the universe that is inactive from disorder to order from beginning to end, and then from end to beginning, so that it exists in the universe and creates the best and most appropriate expression of the poetic generation and demise and extinction of all things in the universe, so the formula of this law of universal flux is:

...... 2x ↔ x ↔ 3x＋1 ↔ （3x＋1）÷2 ↔ ...... 2 to the nth power ↔ ... ↔ 4、2、1......

namely

...... 2+4n ↔ 1+2n ↔ 4+6n ↔ 2+3n...... ↔ 2的n次方 ↔ ...... ↔ 4、2、1......

- This is how everything in the universe is so poetically generated and died in the form of bands, dying and generating. This is the law of universal flux and the formula that all things always change on the way. According to the principle of "3x+1" conjecture "odd change" and "even change", the birth of everything in the universe should be a band and a band similar to the "3x +1" conjecture "strange change" and "even change" process, with the change size of n data and constantly arranged and generated.

The endless odd even numbers it describes follow the "odd change" and "even change" running rules and finally arrive at 4, 2, 1 The result is the best and most appropriate expression of the universe "everything is always on the way", and it is also the best expression of the world as an infinite whole, and it is also the best expression of the "3x +1" conjecture "odd change increasing" and "even change decreasing" principle in the future, and after entering the 4, 2, and 1 cycles of orderly operation in the form of big data, a kind of human dream "God", beyond the insight of every human being, and even includes all wisdom and omnipotence." The superego "will be born out of this world in the form of mathematical information. Moreover, the world's things are "even when" decreases back to "odd time", and returns to "odd time" will increase back to "even time", and world things are so following the "3x+1" conjecture "odd change increasing" and "even change decreasing" principle in the best description of all conservation and balance. At the same time, this formula also philosophically explains the cyclical and orderly operation of the world life system, just like the 4, 2, 1 forms of cyclical orderly operation, which are evolved from countless unknowns following the "3x+1" conjecture "odd change increasing" and "even decreasing" principles to meet us - that is to say, it is the best mathematical form of the solution that philosophers have been asking about "why the world has become so".

In any case, everything is always always on the way to 4, 2, and 1 through the "odd change" and "even change" principle, and everything in a certain moment and a certain historical period is only in its "strange change" and "even change" data flow, or in combination with 2 + 4n or 1 + 2 n or 4 + 6n or 2 + 3n or 2 + 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 or 2 in the 2 or 2 of the data separation point of other operating forms, always in an unknown halfway, always placed in an unknown "zero township"...

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3. "Halfway" philosophy (Tang Guoming follows his principle of "knowing your reason and force, looking at his reason and force, combining the reason and force of all families, knowing and doing, and getting my reason and force", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, the "halfway philosophy")

Under the premise that n is an integer, the n power divided by 2 is the smallest and the nth power of 2 is the greatest, Tang Guoming follows his principle of "knowing your reason, seeing his reason, conforming to the principle of all families, knowing and doing, and getting my reason", and because of the inspiration of the "Goldbach conjecture 1+1" and the world mathematical problem "3x+1" conjecture, the "halfway philosophy" is obtained:

1 is halfway through 2 – everything is always in the middle of the way, everything is always on the way, and when you reach "1+n", you are in the halfway of "2+2n". That is, when you arrive at 1, you are halfway to 2, when you arrive at 2, you are in the middle of 4 or when you reach 1, you want to reach 2; when you arrive at 2, you want to reach 4. But you arrive at 1 at this moment, you arrive at 2 at this moment, you arrive at 4 at this moment; in the face of the infinity of the future, you are neither in the past nor in the present, nor in the future, but only on the way, only in this moment; you are either eternally existing in the infinitesimal flow of space-time on the power of 1 divided by 2 and spinning in circles for survival in the infinitesimally free way to the power of n, or you are in the space-time of the greatest and infinitest energy on the nth power of 2, and you will be infinitely eternal. You will always be in the middle of another unknown, and you will always be placed in an unknown "zero town".

We are neither in the past nor in the present, nor in the future, we are only on the way, in the present, we are all on the way. Our lives are not elsewhere, we are just living on our way. We are all halfway products. There is no far away, the far you reach, but it is a far away halfway above.