Ezhou South Building 丨 Ancient Poetry Appreciation

Ezhou South Building

[Song Dynasty] Fan Chengda

Who made the jade flute Mid-Autumn Festival? The Yellow Crane returns to meet the old tour.

Han Shu has the feeling of crossing the north, and Shu Jiang is speechless to hug the south building.

Candle day lights three more city, shake the moon flag wanli boat.

But laughing at the anglers of the perch township, the Wuchang fish is well submerged.

About the Author:

Fan Chengda (1126-1193), also known as Shihu Resident. Han Chinese, a native of Wu County, Pingjiang (present-day Suzhou, Jiangsu). Poet of the Southern Song Dynasty. Yuwen Mu. Starting from the Jiangxi school, he later studied the poetry of the Middle and Late Tang Dynasties, inherited the realist spirit of Bai Juyi, Wang Jian, Zhang Yuan, and other poets such as Xinlefu, and finally became a family of its own. The style is simple and simple, fresh and feminine. The poems have a wide range of themes, and works that reflect the content of rural social life have the highest achievements. Together with Yang Wanli, Lu You, and You Yuan, he was collectively known as the "Four Great Poets of Zhongxing" in the Southern Song Dynasty.

paraphrase:

Who plays the jade flute on the night of the Mid-Autumn Festival? When the yellow crane flies back, it will not recognize the old tourist land.

The cloud trees of Hanyang are still affectionately spread across the north bank of the Yangtze River, and the river silently surrounds the bottom of the South Building.

The night market is still lit up in the sky. The ships were lined up, and the flag stirred up the moonlight.

It's ridiculous that the fisherman in my perch village actually stayed here because the Wuchang fish was delicious!

Appreciation:

The poem brilliantly depicts the bustling cityscape of Wuchang. The first triptych of this poem writes about the South Tower and the river and the city that are seen on the night of the Mid-Autumn Festival; the tail link expresses the feeling of homesickness and retreat. This poem uses many allusions, but does not reveal, the momentum is also relatively strong, the language is clear, the style is gentle, and the artistic conception is detached.

"Who made the jade flute Mid-Autumn Festival?" The Yellow Crane returns to meet the old tour. "The period travels to the South Building in the Mid-Autumn Festival, and hears the sound of the song pipe. Borrow the poetry of Li Bai's "jade flute blowing in the Yellow Crane Tower, plum blossoms falling in May in Jiangcheng". One sentence is realistic from the auditory sense, and the second sentence is written by the visual fiction. The ancients wrote the flute and often threw the word "get" to show the skillful skills, vigorous interest and melodious changes of the flute player. The word "lane" writes out the flute player's slow blowing leisurely, while blowing while appreciating, and the mood of the tourist is in tune with the mood of the tourist. Not to say how beautiful the flute sound is, but to say that even the "gone forever" Yellow Crane is attracted by the flute back to the place where the old days have traveled, the use of this setting technique is better than the direct speaking effect, and with nothing, with virtual realism, with virtual lining, increased the interest of the poem. This co-writing tone is ethereal.

"Han Shu has the feelings to cross the north, and the Shu River is speechless to hug the south building." Write the South Building shape wins. The south building is across the river from Hanyang, and the west and north are embraced by the Yangtze River. The sentence "Han Shu" is derived from Tang CuiHao's "Yellow Crane Tower" poem "Qingchuan Calendar Hanyang Tree"; "sentient", which aggravates the emotional color; "Hengbei Zhu", which is appropriate to the situation. The "Shu River" sentence, that is, the so-called "Min River descends from the southwest to the east of the county". "Speechless" in addition to aggravating the emotional color, but also render the night quiet. The word "horizontal" and the word "hug" are tempered and powerful.

"Candlelight lights up the city of Three, shake the moon and flag of the boat." Write about the night view of the city of Ezhou and the river. At that time, Ezhou's commerce was developed and the market was prosperous, and the Wu Chuanlu said: "There are tens of thousands of homes along the river, and the noise is very prosperous, the columns are like trees, the wine stove columns are particularly magnificent, and the outer counties have not seen their comparison." Gaichuan, Guangdong, Jing, Xiang, Huai, Zhejiang trade relocation meeting, the goods are not sold, and do not ask how much, overnight, its grandeur is so. "Ezhou is also a military stronghold in the middle reaches of the Yangtze River, with officials and merchant ships gathering, so it is like this two sentences." "Lights" is seen in the night tour, the word "moon" points out the Mid-Autumn Festival; "Three More Cities", saying that the night market is until the depths; the boat comes to "Ten Thousand Miles", and how high the "Flag" is inserted, the river surface is noisy and extraordinary; "Candle Day" writes the prosperity of the lights, and the word "shake" writes the moon and the river, and the momentum is extremely majestic.

"But laughing at the anglers of the perch township, the Wuchang fish is good and drowned." Self-deprecating lingering on the scenery of Ezhou, not returning home early. On the triptych narrative, writing scenes, this link turns into lyricism, and the tone of the pen should be connected to win with elegance and humor. Perch Township, referring to the author's hometown of Suzhou, refers to the hometown of fish and rice, and secretly uses Zhang Han's classic of perch in Luoyang Siwu; "angler", referring to the hermit, is used as a self-metaphor; "Wuchang fish is good", using the proverb of "rather drink Jianye water than Eat Wuchang fish" during the Three Kingdoms period. This union contains the heart of the hidden, and at the same time the words of the "Water Tune Song Head" are written: "I want to be cold-eyed, I should laugh back to the frost sideburns, and empty sable fur." Drunken asked Toad Rabbit, willing to go to Cangzhou? "The words are the same.

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