Compared with other types of poetry, landscape idylls can bring people the most beautiful enjoyment in their hearts, so that people's hearts can get rid of worldly troubles and be liberated.
I believe that all the officials, like the poetry alley, have unique feelings for the landscape pastoral poetry and the landscape pastoral poets. For example, from the earliest Xie Lingyun and Tao Yuanming, to the later Wang Wei, Meng Haoran and so on.
In the Song Dynasty on the mainland, there was also a very famous pastoral poet, who integrated the pastoral idyllic poetry of the mainland with the "Tian Jia poem" of the Tang Dynasty, which expanded the scope of expression of the pastoral poem and made great contributions to the development of the pastoral poem.
I believe that at this point, everyone has already thought of the name of this poet, he is Fan Chengda of the Song Dynasty. Then what Shi Xiang wants to share with you in this issue is an idyllic poem by Fan Chengda; this poem is beautiful and picturesque, and the four sentences are classics. It reveals a relaxed and idyllic atmosphere in lively nature, which makes people feel clear after reading.
Four hours of pastoral miscellaneous excitement · its twenty-five
Song Fan Chengda
Plum golden apricot fat, wheat blossom snow white cauliflower thin.
The sun-long hedge fell without anyone, but the dragonflies and butterflies flew.
Fan Chengda is one of the "Four Great Poets of ZTE", and he has a high status in the mainland poetry circle compared with Yang Wanli.
This poem also belongs to the life picture of "reading tirelessly", and every time you taste it, it will make people feel heartbroken. With concise brushstrokes, the author describes the beautiful scene of the early summer in the countryside, whether from the use of language or from the construction of the picture, which reflects the author's highest level.
This poem was written in early summer, and from the first sentence we can feel the taste of "early summer": plums are golden apricot fat; summer is coming, the most perceptive temperament is a plant belonging to nature, so the author first focuses the lens on the plums and apricots on the branches. Golden plums and fattening apricots hang from the branches, a picture that not only has the vitality of life, but also contains the joy of harvest. Among them, the author uses the two adjectives of color "golden" and "fat" to highlight the characteristics of objects, which shows their cute and pleasant side very vividly and realistically.
In addition, this picture also achieves a "taste" effect with its visual effects, and I believe that when everyone sees this description, they can't help but think of the seductive taste of plums and apricots.
Reading this sentence, people are reminded of Yang Wanli's sentence "plums leave sour soft teeth and teeth". Both are written about early summer scenes, and in the close-up of plums, Fan Chengda emphasizes color, and Yang Wanli emphasizes taste; although the angles are different, the effects achieved have commonalities. Personally, I think that they really do not have the distinction of "good times", they are all refinements of life, and they are all excellent sentences.
In the second sentence of the poem, the author describes the crops: the wheat flowers are white and the cauliflower is sparse; large areas of snow-white buckwheat flowers are in full bloom, and most of the cauliflowers at this time have failed, and only a small part of the sparse flowers are in bloom. From the perspective of spatial orientation, the previous sentence focuses on the capture of the high place, while this sentence focuses on the depiction of the low place; from the perspective of expression and writing ideas, the previous sentence and this sentence are from the common point, that is, the emphasis is on the characteristic description of the right object to highlight the characteristics of the season.
This sentence matches white with yellow, white is the main color, yellow is embellished, forming a pleasant picture of color, and the spatial range is also pulled away, so that the reader can feel the aesthetic picture at the same time, but also enjoy the sense of uninhibited in the field of vision.
"The sun-long hedge has fallen without anyone, but the dragonflies and butterflies fly." In the summer, the daytime days will gradually become longer, so from this perspective, the author has narrowed the lens and cut out another picture in the corner of the countryside. As the days go by, the fence is deserted, and the surrounding area is peaceful and quiet; the author's purpose in outlining this picture is obvious, that is, to highlight the "quietness", to reflect the harmony and tranquility of pastoral life, and also to shape the atmosphere, closely echoing the content of the first two sentences.
However, the first two sentences are purely static descriptions, while the last two sentences cover both static descriptions and dynamic descriptions, so that the combination of the two reflects the comfort and blandness of pastoral life, expressing the author's inner indifference and love for this simple life.
But if you want to talk about the "static" state effect, the last two sentences are more static than the first two sentences. Why? Because the author deliberately uses "day length" and "no one" to emphasize, the picture has been deleted, leaving more blank space; moreover, he has deliberately added the two objects of "dragonfly butterfly" to render the tranquility of the environment. Although it is a dynamic description, it also brings a lot of vitality and interest to the picture, but it also highlights the taste of "quiet beauty" with the help of dynamic effects, which is a typical expression of "moving and lining static" in poetry writing.
Fan Chengda's poem, throughout the text, is a copy of the objects in the natural world, first a rich collocation of colors, and then a clever ignition of the dynamic aspect, a quiet and comfortable, fun pastoral picture is naturally presented. Let the reader not only experience the poetic artistic beauty, but also realize the simple and real beauty of life, which belongs to the best works in the idyllic poetry.
The flowers in the hundred miles are like the sea, and the breeze blows through the hearts of the people; dear officials, do you prefer this poem of Fan Chengda, or do you like it very much? Let's share your specific views.