This year is undoubtedly a year of domestic variety show blowout.
From the beginning of the year when "Drama New Life" 9.2 started the year, the middle of the year", "Talk Show Spit Conference" dominated the hot search, Ma Dong with a group of comedy backbone followed by the "Annual Comedy Competition", plus "Goodbye Lover" A series of high-scoring love roundups...
i Variety Ecstasy: I really can't finish watching
However, the best of the year in Shuxin's heart is still planned to be awarded to the "Dance Millennium", which began broadcasting in early November.
Dance Millennium is taken from the "Chinese Five Thousand Years" harmonic stem (birthday style dislike jpg.), listening to the name, you know that it is a traditional dance performance program.
Jointly produced by Xiaodun Station and Henan Satellite TV, 13 top dance troupes such as Beijing Dance Academy, China Opera and Dance Theater, and Yang Liping Beijing Modern Dance Company participated in the performance.
Henan Satellite TV previously relied on "Roselle Water Endowment" and "Tang Palace Night Banquet" to completely remove the label of "middle-aged and elderly channel".
The "Wonderful Tour" series has become a small long holiday ritual, and the Mid-Autumn Festival actually makes Wen Mei in the same frame, making up for everyone's difficulty.
Henan Satellite TV, which relies on the "Pear Garden Spring" to stand on the stage, can always believe in Henan Satellite TV by playing with the national style, and creating a piece of traditional cultural IP.
Therefore, station B is indeed very right to find Henan Satellite TV to do traditional dance, and "Dance Millennium" is really different from most of the variety shows that usually rely on PK and arguments to support the watch.
Each episode is 50 minutes long, for a total of 8 episodes. Five recommended dancers, including Qiao Zhenyu, Zhang Xiaolong and Xu Minghao, threaded the needle and threaded each issue, stringing together four different styles of dance performances.
The first stop of the crowd crossed to the Han Dynasty Court, introduced various dances, and filled in the "Twelve Winds Dance Chronicle" exclusive to this era.
The contestants are the center of the most attention in the performance, and the similar "This is Street Dance" and "The Voice of China" have done enough dramatic conflicts in the detachment and post-performance speeches.
But "Dance Millennium" completely conceals the presence of dancers, focusing only on the characters and the dance itself.
Each dance is presented with a complete story, similar to a short play, and the climax is wrapped in dance, realizing the fusion of classical beauty and history.
The most impressive of the first two issues is "Fire" written and directed by Yang Liping, and "Heroic Bone Umbrella Shadow" with the texture of martial arts movies.
"Fire" is the first dance of Zhen Mi, played by Hua Xiaoyi, telling the story of the inheritance of fire by the ancient Lingren clan.
Xin Yuan and his mother went to find the source of the fire, and when they took away the burning branches, their mother was unfortunately crushed by the collapsed trunk and could not move. Xin Yuan had to return to the village alone with the fire to save the clan and pass on the torch.
When Xin Yuan is heating up in front of the hard-won fire source, the camera changes, and Yang Wu transforms into a fire god and dances enthusiastically.
The fingers are agile, like the momentum of a flame, and the dance posture is sometimes agile and brisk, sometimes open and close, igniting the fire and burning violently.
The blessing of CG technology makes fire and people completely integrated, showing the dedication of countless people behind the passing on of the torch.
A group of dances that test the basic skills very well, never forget, the best in the first period.
The dance performance in "Dance Millennium" has left the stage.
Where there is a technical flow, there is a flow of ideas.
Second only to "Fire", "Heroic Bone Umbrella Shadow" and "Yue Nu LingFeng", combine sets, costumes and performances very well.
The first swordsman of the jianghu lost his sword at the beginning of the game, and gradually found that he had the heart of retreat during the struggle with the masked woman.
During the fight, the swordsman's sword was seized by the woman, and a masked woman's red oil umbrella was added to her hand.
The swordsman looked at the woman's name engraved on the handle of the umbrella and said to her, "When I am done, I will go to you to return the sword to the umbrella."
This pair of dialogue, this ink film texture, the dance drama version of "East Evil West Poison"?
Subsequently, before the swordsman returned to hiding, he dealt with the unfinished grievances of the jianghu and the process of mental transformation, in terms of dance.
Holding the red umbrella of his beloved, accompanied by a flaccid drum beat, he danced freely in the water.
High saturation black and red color, the swordsman's every action is stepped on the drum, the dynamic is full, and the change of light and shadow is film-level.
The first half of the action is thick and powerful, meaning that the swordsman has the upper hand in the fight, suddenly, the music slows down, the red light spreads, he slowly kneels, his face is unwilling and hesitant.
Is it a failure in the test, or a dilemma? The dance does not point to the end of the swordsman's jianghu.
All his stories are stuck in the dashing of this umbrella turn.
The film version of the lens language, just ten minutes of solo dance, as if I have seen most of the swordsman's life.
In another dance in the next issue, the plot of "The Shadow of the Bone" has a follow-up.
"Yue Nu Ling Feng" uses the perspective of a masked woman to pick up the story of a swordsman.
She had been waiting for the swordsman in the valley to return the umbrella, dance the sword and raise the sword, for ten years, but she had not waited for her sweetheart to come to the appointment.
The family sent someone to force the marriage, and she did not follow.
The real scene of the Maling River Grand Canyon was filmed, and Ling Feng danced with a sword in the valley.
This sword flower is really too beautiful, soft as a supplement.
Come like thunder to collect anger
It is like the clear light of the river and the sea
After a dance, the red oil umbrella slowly floated along the stream. Euphemism told Ling Feng that she might never see the owner of the sword again.
Only then did I understand the last scene of "The Shadow of the Bone".
The snow was stained red, and the sword guests were in the rivers and lakes, involuntarily.
Isn't this the most popular BE aesthetic in costume recently, River David don't engage in the party, hurry up and go to the drama!
In addition to the three solo dances of Shu Anli, there are also many group dances in it that are also exquisite.
The North Dance's "Qin King's Soldiers" injected soul into the Qin figurines two thousand years ago.
The first issue of the pan inspired "Xianghe Song", appearing like a fairy under the mortal.
With the foot drumming, rigid and soft, highlighting the atmosphere of festival serenity and joy.
There is also the double dance between Shangguan Wan'er and Princess Taiping, which echoes the enmity and hatred of Wanping in history.
Even in the fourth period, the program team opened their minds, allowing the Tang Dynasty's dance officials to imagine the future and implant scenes of the illusory future.
The engineer transforms into a mural King Kong and dances the Dunhuang dance at the oxygen base station. Religious mythology collides with cyberpunk, and the imagination is boundless and impressive.
"Five thousand years up and down, and a dream with the king."
Amplify the charm of ancient culture, but not only repeat it, but re-express it in a new dramatic context. This is the most valuable place of "Dance Millennium", which does not reduce the artistry of traditional dance, but it can be easily accepted by people who are not familiar with dance.
Shu will have this feeling after watching every episode of the show: he did not remember any actors, but he was impressed by each story.
This show is said to be a variety show, more like the documentary variety show that emphasizes visual enjoyment, there is no competitive confrontation and emotional tearing of the network synthesis, and it is impossible to see the explosive topics that are often hung on the hot search, and even the actors will not appear in the shots outside the performance.
There is no topic and there is no heat, so far the number of ratings on this small paste variety show Douban has not exceeded 5,000.
There may be fewer and fewer people who are willing to be patient to feel the tradition and appreciate beauty. The bloody tearing of the sexes is always more eye-catching than a dance without dialogue.
But Uncle still hopes that there are more variety shows like "Dance Millennium", and more.
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