Spring River Flower Moon Night

Spring River Flower Moon Night

Don Zhang Ruoxu

The tide of the Spring River is connected to the sea level, and the bright moon on the sea is born together

With the waves of thousands of miles, where the spring river has no moon!

The river flows around Fangdian, and the moonlit flowers are like thunderbolts

The frost in the air did not feel flying, and the white sand on the ting could not be seen

Jiang Tian was free of fibrous dust, and the lonely moon wheel was in the sky

Who first saw the moon on the riverbank? When did Jiang Yue shine at the beginning of the year?

Life is infinite from generation to generation, and Jiang Yue is only similar every year

I don't know who Jiang Yue treats, but I see the Yangtze River sending water

The white clouds went to a leisurely place, and qingfeng pu was overwhelmed with sorrow

Who's flat boat tonight? Where is Acacia Mingyue Building?

Poor upstairs moon wandering, should be illuminated away from the people makeup mirror table

The jade curtain could not be rolled up, and the anvil was whisked back

At this time, they do not hear each other, and they are willing to shine month by month

The long flying of the wild geese is not enough, and the ichthyosaurs dive into the water

Last night's idle pond dream fell flowers, poor spring half did not return home

The river flows in the spring, and the river pool falls and the moon slopes to the west

The oblique moon sinks into the sea fog, and the jieshi Xiaoxiang infinite road

I don't know how many people returned by the moon, and the falling moon shook the river tree

Appreciation:

"Spring River Flower Moon Night" is the old title of lefu's "Qing Shang Qu Wu Shengge", this tune was created by Chen Hou lord, and its style is gorgeous and soft. Zhang Ruoxuan turned decay into magic and wrote immortal works of eternity. The whole poem is written closely following the five words of spring, river, flower, moon and night, and the focus falls on the word "moon". Starts with the month and ends with the month. The pictorial meaning, poetry and the perception of the mysteries of the universe and the philosophy of life are integrated, creating a poetic environment in which the scenes are blended and exquisite. The poet first paints a beautiful and clear picture in beautiful language: on a moonlit night with a gentle spring breeze, the poet stands alone by the river and sees the gushing river running to the sky, and at the place where the water and sky meet, a bright moon appears in the tide. The river is filled with a wave of light, and the bright moonlight shines like a sparkling snowdrop on the flower-filled forest. There seemed to be silver-white frost flowing in the air, and the very white sand and stone mixed with the silver moonlight could not be distinguished, and the river and sky were one color, and there was no trace of variegated color. Seeing such a beautiful view, I can't help but trigger the poet's thinking about the universe. I don't know who was the first person to see the moonlight by this river, nor did I know which year the bright moon on this river shone on people's bodies for the first time. Life is short, and human beings reproduce from generation to generation, only the moon is still as clean and gentle as before. The poet feels that the moon is also alive, and that it appears every night every year, is it not waiting for anyone?

In the poem, it is not difficult to see that the two images of "river" and "moon" are repeatedly expanded and deepened. The complex imagery of the Spring River, the River Stream, the River Sky, the Riverside, the River Water, the River Pond, and the River Tree, and the complex light and color of the bright moon, the lonely moon, the river moon, the first moon, the falling moon, the moon tower, the moon flower, and the moon, and through the ingenious combination with spring, night, flowers, and people, constitute a picture of the night moon of the Spring River with strong colors and feelings. There is a strong cosmic consciousness running through the poem, expanding the realm from both time and space. Tracing the origin of the universe in time, thus triggering the feeling that life is limited and the universe is infinite; Spatially using imagination to conjure up the physical distance between the poet and the beauty, hoping that he can follow the moonlight back to the beauty. In this way, the depth of poetic thought is greatly enriched, and the space for emotional expression is expanded. Wen Yiduo commented: "A deeper, more contoured, more tranquil realm!" In the face of the miraculous eternity, the author has only consternation, no longing, no sadness. Indeed, this kind of temperament, this kind of life consciousness and cosmic consciousness can only be produced by Sheng Tang. The poet ushered in a national cultural peak with a poem "Spring River Flower Moon Night", which is a milestone that future generations can never surpass.