Ten Days of Famous Artists: Ma Zhiming and Crosstalk Norms

In the discussion of "Ma Sanli and the Literary Nature of Xiangsheng", it is impossible not to mention the enterprising spirit of Ma Zhiming ("Shao Ma Ye") in the inheritance and development of his and Huang folk performances of a number of fine works with strong literature, distinct artistic characteristics, and vivid characters. From this, when we can find the artistic norms of traditional cross-talk and the image appeal of modern programs, the persuasiveness of thought, the power of implication, the burst of force, and the artistic tension. Ma Zhiming's masterpieces of Ma Pai, such as "Open Porridge Factory", "Selling Five Instruments", "White Affairs Society", and "Kwa Residence", all have a more easy expression of seeing people and advancing with the times, so that old, middle and young listeners can understand the literary requirements of cross-talk with humor and Ma's unique humor talent and language use in the joy and pleasure.

　　The ideological progression and character portrayal in "Disputes - Police Station Observations" more powerfully confirm that the solemn and harmonious emphasis is placed on the same, and the joys and sorrows of different characters are truly reproduced, which is the premise of interpreting literature and improving the performing arts with cross-talk norms. Before each cross-talk, Ma Zhiming carefully conducted desk analysis, found out the characters, events, language, and action essentials, repeatedly exchanged tones, gestures, eyes and stunt arrangements, in order to start from the content and absorb the nutrients of life from the characters, so that today's audiences of different classes and ages sound more attractive, cohesive and affinity.

　　In order to promote the brilliance of traditional art and the creation of personality, Ma Zhiming also has a clever treatment of Ma's famous works "Article Society", "Restaurant Theory", "Tethered Doll", etc., such as the depot and "rubber pulling" in "Article Society", he quotes "Camel Xiangzi" and "Renhe Depot" to evoke the audience's association, playing a role in winning more with less, full of interest, real and eye-catching when simulating, reflecting the real sense of life in exaggeration, giving the audience the enlightenment of "learning from the past and knowing the new". In "Tethered Dolls", B's family affairs are used to spread folk customs, and the audience is happy to be in the truth.

　　In terms of cross-talk normative teachers, Ma's art originated from Amen in the three schools of Zhu (Shaowen), A (Yantao) and Shen (Chunhe) that flourished in Beijing in 1860, and his disciples Enxu and Chun Changlong passed to Ma Delu, who had cooperated with Li Dexi (a million fans) to become popular throughout Beijing and Tianjin, and his sons Guiyuan and Sanli learned art with their fathers since childhood. From 1930 onwards, Ma Delu presided over the "Lianxing Cross-Talk Conference" and accepted Gao Guiqing, Guo Rongqi, and Yin Shoushan as apprentices. The eldest son, Gui Yuan, worships wanmei as a teacher, and the third son, Gui Fu (i.e., Sanli), worships Zhou Deshan as a teacher, both of whom are good at acting in Wen, Guankou, and Zimu, and create humorous literary personality programs in performance practice.

　　Advocating standardization with teachers should cherish Ma Zhiming's artistic creation and teaching practice. In order to ensure that later scholars strive to inherit programs such as "The Great Bodyguard", "Open Porridge Factory", "Kwa Residence" and other programs, and create literary programs such as "New Hundred Family Names", "To the Spring League", and "Xijiang Yue", so that they can advance with the times. After Mr. Ma Guiyuan's death in 1942, his son Jingbo studied art with his third uncle, studied art at the "Shengyuan Xiangsheng Base Camp", belonged to the Jilin Radio Qu Art Troupe in 1958, and later taught at the Jilin Qu School, and made outstanding achievements in the inheritance. At present, Ma Zhiming's disciples Lu Fulai and Yu Hao have made new contributions. Ban Degui's disciple Fan Zhenyu received zhao Jinsheng's performances of "White Affairs Society", "Fenhe Bay", "Careful Calculation", etc., which are quite Ma style, all in the text but not plague, elegant but not humorous.