Happy birthday -
Ode to the Wisdom of the Golden Age Zhu Jie Forever Passed On - I would like to congratulate Mr. Zhou Huijun on the eighty-second birthday of Mr. Zhou Huijun with the grand release of "Zhou Huijun on Art and Literature Synthesis"
▲Recent photo of Mr. Zhou Huijun (Photography on December 5, 2021)
Today is the eighty-second birthday of Mr. Zhou Huijun,
At this time of year,
We'll have one for you
Heartfelt gifts,
Flowers, cakes are essential.
On this special day of this year,
We collected and sorted it out
All your conversations in the past years,
The compilation published "Zhou Huijun on Art and Literature",
For this festive day
Add more brilliance.
Splendid article adds color,
Wishing for a long and long life!
We only use this book,
Congratulations on your birthday and good health!
▲ Mr. Zhou Huijun is 82 years old
Birthday cake and flowers
▲ "Zhou Huijun On Art and Literature" was grandly released
Write to the Teacher
2021
12.06
Li Jing
Happy birthday
Dear teacher, unconsciously ushered in your birthday, the days increased, and the people extended the spring and autumn.
The year before, you were hospitalized for two weeks for shingles, and last year, you were hospitalized for three months with pressure sores. This year, you are very angry, and you don't even have a headache and brain fever. I know that you are trying to fulfill the 100-year-old covenant you made with me, and you remember that we pulled the hook.
"Companionship is the longest confession of affection", yes. But people usually think that I am taking care of and accompanying you, and only I know that you are doing your best to support me. Every day you make me grateful and moved. Although you are no longer familiar with the world, the soul roams in its own world. But your gaze at me was as soft as ever. Sometimes the babysitter feeds you and I take the bowl and feed you, and you can always give me face and finish the meal bite by bite. Whenever this happens, I burst into tears: it is clear that you have emotions and memories, and you see that my eyes are clear, completely devoid of the dazedness and confusion that is characteristic of Alzheimer's disease!
day and night
PEI BAN
accompany
Teacher Oh, you are a calligraphy symbol of the times! You are forever Zhou Huijun! Your "fans" are all over the country, they think about you, learn your words, collect bits and pieces about you, narrate the cause with your Hanmo, they have formed a society because of you, named "Zhou Yishe", their love for you, admiration for your fist heart is touching! I'm going to tell you, oh no! I have already told you: this year, we are going to complete a collection of your calligraphy theories before your birthday. Now, the "Zhou Huijun On Art and Literature Synthesis", which condenses your iron powder Jianming, Hengyan and Qianjia culture's peers and friends' love, has finally been published as scheduled! This is a great gift from everyone to give you your 82nd birthday! Please accept this deep friendship!
Shoubi Namsan
But the covenant is with us in this life
Although the pain is devastating
Tick
Dear teacher, let the time pass in a hurry, and you are always in the right sunshine. At this moment, I seem to see your look back and smile, just like that year, that day, that moment!
May the time be shallow and the years be safe. Teacher, I sincerely wish you a happy birthday and Shoubi Nanshan!
Xin Ugly Winter Day Li Jing
▲Zheng Zhenhua, vice president of Zhou Huijun Calligraphy Research Institute
Mr. He Zhou Huijun birthday flowers
"Zhou Huijun on Art and Literature"
preface
When Mr. Zhou Huijun is mentioned in the calligraphy world, there are probably few people who do not know. She has been known in the book world for decades with her unique "Zhou Style" book style, and there are many buyers in the sea. The number of books published is huge, and in recent times there has been no one who has surpassed it. Her calligraphy has a highly recognizable facial feature that is easy to see at a glance. A few years ago, the "Zhou Huijun Congyi 60th Anniversary Exhibition" was held, allowing the world to more comprehensively and systematically appreciate the style of Zhou's calligraphy in different periods, which caused quite a stir for a while. This "sensation" is really not sought by Mr. Wang. There has always been no shortage of people who are famous, and it is natural; those who destroy it are already happy to hear it to Mr. Yu. Gain and loss in the heart, mr. pinch the dead, this is a kind of mind, a kind of mentality, a kind of wisdom. The gentleman did not speak much, or even had many times when he did not say anything, but the gentlemanly and calm, calm and calm elderly style was easy to know for all those who followed him. If you get closer to Mr. Chen, you will be impressed by the inner world and artistic insights of such an unspeakable contemporary calligrapher.
Systematic theoretical research based on logical speculation ability and strict integration of writing is undoubtedly an indispensable part of the development of calligraphy today. However, returning to calligraphy itself may be a truly effective means of calligraphy development, and all opinions and cultivations must ultimately be based on actual presentation. A calligraphy theorist who spits out lotus flowers and writes is not necessarily an excellent calligraphy practitioner; but a calligrapher with outstanding achievements must have a firm artistic concept and artistic persistence. Although the exposition of the theory may not be a long exposition and a wide quotation, the kind of self-satisfied words that come from practical experience are actually the most practical. Mr. Zhou Huijun is not a calligraphy theorist, but his words and speeches based on the heartfelt intentions of practice have extraordinary depth of knowledge. These words and statements, either published in the form of articles in newspapers and periodicals, or in the form of tutorials in books, or in the form of lectures and interviews, or in the form of commentaries on the calligraphy of others, reveal insights, in a variety of forms. These words and remarks have a significance that cannot be underestimated for entering the world of Mr. Zhou's calligraphy. "Zhou Huijun on Art and Literature" is a valuable book that can reflect the different forms of essays that can reflect Mr. Zhou's scholarly thoughts, and is compiled into different categories.
Published in the sixth series of Calligraphy Studies in July 1981, the book is published in the sixth series of "Calligraphy Research", which starts from reality and makes a concise and reasonable statement of the general common sense problems of calligraphy, especially the comparative explanation of the three aspects of "center forward", "flanker" and "partial front", which is insightful and particularly insightful. The pen classifies "flankers" as "centers" who "belong to that 'infrequent' situation" and read it as enlightening. When discussing the difference between "flanking" and "partial front", Mr. Li said that "the former is to force through the front end, the latter is to force the pen root", using rational language to break the momentary perception in the process of practice, which is amazing. Without real effort, it is difficult to say such an opinion. Mr. Zhou has always insisted on using the pen as the core of calligraphy, and the root of this core is the pen for the center. For decades, she has been practicing this view of calligraphy, and her words and deeds have reached the height of her calligraphy today. In the different art forums mentioned in the book, it is not difficult for us to find the adherence to this concept. As for how to copy, how to absorb the nutrition of ancient and modern famous monuments, and how to form their own unique aesthetic and creative faces, they are all discussed, and it will be helpful to read.
A calligrapher with a sense of historical responsibility must have a broader vision and a sense of inclination. During his tenure at the helm of the Shanghai Book Circle, Mr. Zhou devoted himself to the development of Haipai calligraphy, and spared no effort for the revitalization of Haipai calligraphy in order to track the footsteps of the sages of The Haipai, base himself on himself, and contemplate the development of the new generation of Haipai calligraphy. This book contains a series of speeches, exhibition prefaces, interviews, etc., from which you can glimpse his high style and insight.
Not to talk in a vain way, to act in a down-to-earth manner, to have something to say, and to show it when examined is the background that a convincing art of talking should have. The simple and natural text characteristics contained in "Zhou Huijun on Art and Literature" itself can probably make readers happy and gain something.
Xin ugly early winter Zhang Hengyan remembered
Catalogue of "Zhou Huijun on Art and Literature"