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Yan Shu | "Broken Line": "Laughter is born from two faces" The original women under the feudal society liked it

author:Appreciation of Song Ci Literature

Break the line

Yan Shu

When the swallow came to the new society, the pear blossom lagged behind Qingming.

Three or four points of green moss on the pool, one or two sounds of yellow oriole at the bottom of the leaf,

Day long fly light.

Qiao xiao dong neighbor female companion, picking mulberry trail to meet.

Doubt that last night's spring dream was good, it was originally to win the grass fight this morning,

Laughter is born from both faces.

This poem is a fragment of the spring life of the girls in the ancient boudoir. The lyricist uses the clever brush of sketching to unfold a picture of a lady in front of the reader, and the beautiful spring light is its background. The scenery is so vivid, the characters are so vivid, and the whole text is full of the joy of youth.

The words are written in the upper film, and the next film is written in the person. It begins with a couplet of sentences, writing scenes and pointing out the seasons. With swallows and pear blossoms, bring out the two festivals of Xinshe and Qingming. The shrine is the day of the god of the land, and there are two shrines, spring and autumn, and the new shrine is the spring shrine, which is the fifth day around the spring equinox. In ancient times, upper-class women did not work, but they usually had to do some needlework. Every social day, you can put down needlework and engage in play.

Yan Shu | "Broken Line": "Laughter is born from two faces" The original women under the feudal society liked it

The lyricist arranges the characters at this specific time, which already makes the reader feel the harmony of spring and the splendor of the spring scenery, as if in the warm spring light, seeing swallows flying and pear blossoms falling. The third and fourth sentences use duality to depict an extremely quiet garden. There is a small pond in the garden, and the edge of the pond is sparsely dotted with a few mosses.

In the dense woods, there are occasional yellow orioles chirping in the depths of the branches to break the silent air. The break (the closing sentence of the film) writes about the spring days, and in this quiet environment, it is particularly long. And in this long lonely day, everything seemed to be quiet, only some willows, floating in the air. This sets off the scenes written in the above sentences together, and there is the magic of "finishing touches" as mentioned by predecessors.

The next film writes about the characters, and the meaning of the first two sentences runs through the previous film. In such a beautiful spring, such a long day, such a lonely environment, how can young people endure it? So, I wanted to go to the neighbor's house in the east to find a female companion to play. It just so happened that on the path of picking flowers and plants while walking, the girl was also walking with a smile. "Qiao xiao" writes that the girl next to the east is smiling and squinting with a clever and mischievous look; "picking incense" implies that there is a love affair with the grass below.

Yan Shu | "Broken Line": "Laughter is born from two faces" The original women under the feudal society liked it

The next three sentences write two girls fighting grass. Fighting grass is a game played by ancient women, reflecting their knowledge and love of famous flowers and grasses. Doucao wins over the neighbor, filling the girl with joy. She suddenly remembered: No wonder she had such a good dream last night, it turned out to be a sign that today's grass fight was going to win! The more I thought about it, the happier I became, and a proud smile appeared on my face.

"Laughter is born from both faces", writing laughter very naturally and innocently. It was the unpretentious laugh of a young girl, a laugh that emanated from the depths of her heart. Just to win the fight grass, so happy, this is only a girl with pure feelings like crystal.

The activities of the characters in the next film are mainly fighting grass, but the author deliberately avoids the positive description of the fighting grass scene, and only writes about the activities and moods of the characters before and after the fighting grass, because the lyric poem is not a novel, let alone a book that guides how to play the game of fighting grass. There is no need to dwell on this. This poem is purely white, showing the pure heart of an ancient girl. The tone is lively and the style is simple, commensurate with the theme.

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