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Yan Shu | "Tasha Xing": "When a sad dream and wine wake up", with scenery freehand, a model of words

author:Appreciation of Song Ci Literature

Tread on the sand line

Yan Shu

The trail is red, the outskirts are green, and the tall trees are shady.

The spring wind did not forbid yanghua, and the people were swept away in a chaotic manner.

Green leaves hide warblers, vermilion curtains across swallows, and the incense of the furnace quietly turns to gossamer.

When A sad dream woke up, the slanting sun shone deep into the courtyard.

At the beginning of the poem, a beautiful and light picture unfolds: the countryside is green and grassy; not long ago, on the red days, the path that was once paved with bright and colorful petals is now less fragrant. From the scenery in front of you, you can realize that it is the time when the twilight of spring is just after the beginning of summer.

Everything around is so silent. Looking back, I saw that in the distant green and lush trees, a corner of the tall building was still faintly visible, but the travelers walking in the wild of this trail were red and green, but they were getting farther and farther away from it.

Yan Shu | "Tasha Xing": "When a sad dream and wine wake up", with scenery freehand, a model of words

The first three sentences of this song seem to be "no self", but they are actually "there is me", and the next two sentences, the character image gradually becomes clear.

"The spring breeze does not forbid the Yang flowers, and the people are swept away in a chaotic manner." Obviously, it is similar to the meaning of the author's "Tasha Xing" "Weeping Yang only relieves the spring wind, and He Zeng has to live with pedestrians". Here, the author uses a very euphemistic pen, he said; the spring wind does not know how to restrain Yang Hua, so that Yang Hua is indulgent, willful, and pounces on the faces of pedestrians like a drizzle. But in fact, it is also said that Yang Hua is ruthless and does not understand things. Poplar flowers flutter, suggesting that spring has passed. Therefore, these two sentences seem to be written in the scene, but they are actually romantic, because it is through the traveler's eyes and the sight of the god, that the traveler's heart is twisted and turned. On the surface, there is not a word of sorrow, not a word of complaint, but a kind of mysterious detachment, but through the spring breeze to send out a sound.

The realm and characters of the next film are different, "green leaves hide warblers, zhu curtains across the swallow", which is a picture that seems to be "moving" and really "quiet". In contrast to Fangcai's "trail is red and thin, and the countryside is green everywhere", it is from the big scene to the small scene, from the countryside to the courtyard. The lush green leaf warbler is hidden in it, which cannot be seen, but it is known that there is a "warbler", because "the warbler is slippery in the middle of the warbler", and the warbler is gently spread outside. Because there is a "vermilion curtain" separated, the swallow cannot fly into the room, but it can be heard. The warbler and swallow flying is the image of movement, but at the moment it is like "the birdsong mountain is more quiet", which sets off the quiet of people.

Yan Shu | "Tasha Xing": "When a sad dream and wine wake up", with scenery freehand, a model of words

"The incense of the incense is quietly turning from gossamer", further writing about the loneliness and sorrow of the people in the "high platform", the boring life of the people: the spices lit in the incense burner, the smoke, slowly rising, like a fluttering gossamer, from this suffocating atmosphere of silence, the people's miserable mood is set off, and the loneliness that cannot be discharged is more and more revealed.

Thinking of drinking because of sorrow, the so-called borrowing wine to dispel sorrow, this is a common thing. Getting drunk after drinking alcohol is also extremely natural. However, "the wine enters the intestines and turns into tears of acacia", so "the wine has not woken up, and the sorrow has returned first". Therefore, the most frightening and most difficult to dispel is when the dream is broken and drunk like now, not to mention the slanting sun, shining in this hollow deep mansion compound!

"Oblique sun", pointing out the time: one implies that this "sad and drunk" person has been thinking and depressed all day; the other says that the traveler who travels far away should also go a long way as the sun sets. Semantics are pun intended.

Yan Shu | "Tasha Xing": "When a sad dream and wine wake up", with scenery freehand, a model of words

Except for the sentence "when a sad dream is drunk", all the words are written scenes; euphemistic and meticulous, and the scene is allegorical, reaching the level of not revealing traces. "The spring wind does not forbid the yang flowers, and the mud and chaos flutter on the faces of people", causing it to be "stirring up spring sorrow like willow silk"! "The incense is quietly turning from gossamer to gossamer", the writing is so delicate, which is a profound reflection of the empty life. "The slanting sun shines deeply in the courtyard", the magic is that it seems to be a scene, but a thousand kinds of idleness are faintly visible.

This song is gentle and delicate, lingering and subtle, and rarely uses a straight-writing technique. This kind of "leisurely and elegant and affectionate thinking" style of words, showing men and women thinking of each other, is often looming, repeatedly entangled, clear and elegant, and does not break through in one word. It does not pursue the carving of gold, nor does it have a strong grease powder.

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