Recently, a cultural reality show "Like the Old Man Comes", jointly created by Jiangsu Satellite TV and a video platform, is being broadcast.
The guest invited in the first program is Jiang Kun, chairman of the Qu Artists Association and a famous cross-talk performance artist.
Under normal circumstances, Jiang Kun rarely participates in reality SHOWs, this time the situation is not the same, as soon as he heard that it is beneficial to publicize the correct music values and promote the cross-talk culture, Teacher Jiang Kun gladly accepted the invitation.
In the program, Jiang Kun introduced the history of the development of the art of cross-talk to the host, how to develop cross-talk in an orderly and healthy manner, etc.
Jiang Kun, who has reached the age of 71, also personally performed a stand-up comedy created by himself on stage, making the audience under the stage happy.
The fact that he can still insist on creating and performing on stage is enough to see Jiang Kun's love for the art of qu and the love of the art of cross-talk.
Jiang Kun once again talked about the "anti-three customs" argument in the show, and he quoted a sentence from the grandfather of cross-talk, Dongfang Shuo, called "good drama and abuse but not abuse", which means that he likes to tell jokes to please others but never insults people.
Jiang Kun has always advocated that cross-talk should be based on respect for others, saying that healthy and elegant cross-talk must have a certain connotation in the work, which can trigger people's thinking and make the audience laugh and cry, cry and laugh.
When the host asked Jiang Kun how to see xiangsheng return to the small theater from the dayarian hall such as radio and television over the years, Jiang Kun gave his own opinion.
When talking about related topics, Jiang Kun specifically mentioned the hip-hop bag shop founded by Gao Xiaopan, Li Jindou's Beijing Weekend Cross-Talk Club, and Guo Degang's Deyun Society.
In the program, Jiang Kun talked about the innovation and inheritance of cross-talk art, and gave a high evaluation to small theaters including Deyun Society.
Affirmed the role of these small theaters in the creation of music and artistic inheritance.
When people mention Jiang Kun and Guo Degang, they basically talk about the grudge between the two, and rarely consider the problem from the perspective of cross-talk inheritance and development.
Jiang Kun himself took the initiative to mention the Deyun Society, which was even more surprising.
Frankly speaking, the art of cross-talk can come back to life thanks to the persistence of one person, he is Guo Degang, the class leader of the Deyun Society.
It was Guo Degang who saved crosstalk, and it was Deyun Society that popularized crosstalk among young audiences. But from this point of view, so cross-talk practitioners should thank him, just like the two-person actor should thank Zhao Benshan.
In Guo Degang's words, he originally just wanted to be a dog, and he was forced to become a dragon.
At first, Guo Degang only wanted to find an errand in the system, but because he was too good, he could not be tolerated in the circle.
After that, Guo Degang established the Deyun Society, and just as it was gradually developing and growing, the mainstream team launched an anti-three-vulgar initiative, which led to the near-closure of the Deyun Society.
After many years, "anti-three customs" has been mentioned again, but now Guo Degang has long lost the hostility of that year.
After the Qu Association issued an anti-three-customs initiative, Guo Degang himself took the lead in forwarding relevant reports and expressed his support for the "anti-three customs".
I thought that Guo Degang's support for anti-three customs was already an incredible thing, but I didn't expect to see Jiang Kun's praise and support for deyun society in the program recently.
I think that if cross-talk art wants to develop more healthily and orderly, it is inseparable from a healthy and harmonious quyi market.
If the two sides can turn the dry into a jade, it is naturally the best.
As Mr. Shi Shengjie said when he participated in "Tribute to the Classics" before his death, don't divide into "mainstream" and "non-mainstream", everyone must strive to be a first-class actor, which is conducive to the development of cross-talk art and the development of the qu art market.