"The Biography of the Painter" ~ 209th article
<h1 class="pgc-h-arrow-right" data-track="2" > Lu Shidao was the backbone of the Wumen school, and he and his son and daughter were famous for their poetry and painting at that time! </h1>
Text/Lu Xiuhui
Lu Shidao (10 October 1510 – 1573), courtesy name Zichuan, was a native of Changzhou,Suzhou (present-day Suzhou, Jiangsu).
The Records of the Seventeenth Year of Jiajing Jinshi Dengke recorded under the name of Lu Shidao, "Zi Zi Chuan, Line 1, 29th year, born on the eighth day of the first month of September." "Lu Shidao became a jinshi in the seventeenth year of Jiajing (1538) at the age of twenty-nine, and his birth year was the eighth day of the first month of September in the fifth year of Zhengde (1510), and he died in the seventh to september of the first year of the Wanli Calendar (July 29 to October 14, 1573), the year 64. After Lu Shidao's death, Wang Shizhen had the "Seven Sons of Sorrow" five ancient poems to cherish, this poem is now in the "Four Manuscripts of the Shanren of Yizhou" volume 15, preface and poem Yun:
In the early winter of Longqing Nongshen, Liang Libu Sibo envoy visited Cao Huannanhai. Next year, the Wanli calendar will be changed to June, Yu Zhichu, through Wumen. Dr. Wen Shou cheng funeral returned to Yan, Yu xiang hanged, and passed on the death of He Hanlin Yuen Long between the clouds. Searching for Lu Shaoqing's biography, he could not see it because of his illness. Xu Taifu sent Yu Zhangmen back, Wang Maocaijun to Fengqiao, and Shen Shanren arrived at Jinshan Naibei. Not long after, after receiving the letter of the family, Jun Zaibei died the next day, looking for Ma Xian's deputy to come with Yuan Fu and Zi Chuan. Yu qianling domain, also arrived in Jiujiang, met Zhang Shengfu as Enbo obituary. Senator Feng came with a Dao Zhen obituary. Cover the fourth month and six people died in the first time, and lived for seven years. Seven husbands, all of them are graceful. After the first and Yu You are good, but not half a year old and lost it. Can make the deceased unrelated after that. In the middle of the boat, every thought and the sigh of the son Huan Yizhong were formed into a chapter to be a mourning ear.
Wen Weng believes in the truth, and he is inseparable from the truth.
Xu Laochu Gengjie, late bear long public opinion.
Although the concealment is mutually obstructive, the punishment is still acceptable.
Yuen Long is a hero, and the sound and wine are suitable.
Dancing liang gongzi, raising friends and not forgetting to decorate.
Zi Chuan Qingyun Zi, Du Men Shi explores.
How to be in heaven, the disease makes the heart easy.
Shen Sheng Mu Luotuo, the prince gong opened.
This Cao Fu etymology, and many good wine virtues.
The year's life is tilted towards the past, and the hope becomes a relic.
The theory of the Middle Of Theory, the Pity Mountain Yang Flute.
God follows the form, and life is not a golden stone.
The deceased does not need to be ashamed, and the survivor is instantaneous.
Ann can make no sorrow, and what good is it to be long sad.
Lu Shidao, a scholar in the seventeenth year of Jiajing (1538), was the head of the Ministry of Works, and was transferred to the Ministry of Rites. The Ming Dynasty was in its prosperous year, and the Shangshu who was in charge of the ceremonial department was Yan Song. At that time, the Yangzhou government and Zhifengfang wanted to emulate Zhang Xuan and Gui Cai to ascend to the throne, and Shangshu asked jianmingtang to honor Emperor Shizong's father as the emperor's temple number, and to serve God. Libu Shangshu Yan Song aided Song Ruzhi and believed that it was appropriate to match Emperor Wen with merit, and it was appropriate to dedicate himself to the emperor with his relatives. Sejong asked the cabinet minister Xia Yan, and Xia Yan did not dare to be right. Sejong said, "Isn't it too much for the Emperor to be called a sect?" Yan Song listened to Emperor Shun's wishes and used "Father Yan with heaven, allowing Zhou Dao." "The word is flattering. Hubu Shilang Tang Said Forcefully, believing that Ming Tang should be entrusted with Emperor Taizong. Enraged, Sejong sent Tang Ji to be tortured in prison.
More than ten years later, the matter of the great ceremony still plagued the Jiajing era, and Zhu Houxi reigned for forty-five years and never forgave the political enemies in the great ceremony. In the thirty-five years since Yang Shen was degraded, he was pardoned six times, and Zhu Houxi did not pardon him. Although fengfang's request to build a ming hall was adopted, it was not used because of Zhu Houxi's revenge in the "great ceremony" incident. The monarchs of the Ming Dynasty were not kind to the ministers, and when Zhu Yuanzhang was killed, he killed and killed Jiangnan Shilin, causing people and gods to resent; when Ming Chengzu, he killed and killed, and destroyed the Ten Clans of Fang Xiaoru. Tie Hyun's thirty-five-year-old wife Yang Shi and his four-year-old daughter were also enslaved, reduced to lehu, assigned to the official brothels of the time as prostitutes, and gang raped by more than twenty Han Dynasties every day; Myeongsejong persecuted hundreds of officials in the "Great Ceremony" incident for the sake of his deceased father's name, and did not forgive life and death, and did not live or die; Zhu Yijun, the emperor of Myeongshin, did not go to the court and did not work for the first twenty years. The Ming dynasty kings were so vicious toward their subjects that they also began not to talk about martial arts.
Soon after Lu Shidao became an official, he resigned from his hometown as his mother and elder. Fourteen years of mastering Wen Zhengming, wen Zhengming, the four masterpieces of Wen Zhengming's poems, texts, books, and paintings, can be conveyed in turn. His landscape is light and distant like Ni Yunlin, and the exquisite one does not reduce Zhao Mengfu. In calligraphy, xiao kai and ancient seals are all obtained from the Yan Lu Gong Ma Gu Altar Method, and fu zhi with color is the crown of a contemporary calligrapher. Lu Shidao has always accompanied Wen Zhengming, shi Wenzhengming is in his old age, the fine works are stacked, Wen Zhengming is an old man of art, not a person who boasts of gold, and Wen Zhengming is still writing Xiao Kai in the year of his death at the age of eighty-nine. Lu Shidao was also very angry, and did a lot of things that Wen Zhengming did not do, he was only 27 years old and had already won the jinshi, and Wen Zhengming did not even pass the township examination when he was 27 years old. Lu Shidao said in the poem "On August 16, tongwen Taishi Zhugong ascended the suburb of TaiZhiping Temple, Zhuxia waited for the moon to travel on the spring bridge at night" and said:
The best landscape in the west of Lucheng City, the situation is beautiful in autumn and the breeze is beautiful.
The Baihu cruise ship is stable in the house, and the Jinfan Yao seat is empty and bright.
Huangshan West turns to ancient Hengtang, above the deep disk of Wuwu Cloud.
The flying bridge crosses the mouth of the stone lake, and the shadows are next to the mirror.
The sunset puts the wine on the outskirts of the table, and the peak-colored lake light returns to each other.
The rivers and mountains remember the Map, and the Ridge ridges open obstacles.
White clouds cover Ziwei Village, and the lake light flows into yaozhu.
Xi Fei hid the Pavilion of the Vatican King, and the pine path passed through the gate of the mountain temple.
The mountain monks do not return to the bell and the bamboo hall is illuminated.
Shuying shook low and cold, and the jade people smiled and leaned on Lang Jiubi.
Poor sunset love, empty forest perching birds urge people to return.
Lan Zhou did not understand the night and sat down to wait for the yuanjing to rise to the night.
Hu bed drunken drama Golden Ao back, leaning on the bar wine frequently.
Bo Yunhao spat out each other's breath and sat and watched the Eastern Heavens still be ignorant.
The light of the whiskers shot into the Void Palace, and the jade disk flew out of the canghai east.
Jin Bo Yi Yi Yi Qiandian, colorful clouds and double rainbows.
At all times, the Atmosphere of the Qing Han Dynasty is slight, and the hidden ice wheel is misty.
Concealing the wandering is not fully exposed, Jin takes the clear light to return to the road.
Painting the Crane Flying Over the Broad Cold, looking down at the Blue Wave Leaping Silver Pill.
Hundred flowers on the edge of the flower day, flowers in the pavilion Ming Zhu column.
At this time, the cup is full of rows, and the song suppresses the clouds and wine like rain.
Yu Gongchang's whistle was not shallow, and Ruan Zhi Shen wanted to dance wildly.
Mo Shuo dew wet purple fur, moonlight often accompanies the Qinghan boat.
Jun did not see Xu Men's eyes on the outskirts of Tai Yuan,
Why not clear Xiao Bing candle tour.
Art focuses on inheritance, but more on originality. Lu Shidao respected the Wen clan and "passed on" the Wen clan's method, and "its style is also slightly similar", which played an important role in promoting the Wen style and the "Wumen Shu School". Lu Shidao was limited to the fa in the aspect of "never learning the books of the present people", did not do enough, and was even more far-fetched in terms of "directly tracing back to the source", he completely relied on Wen's family, so that his art could not reach the first-class level of the "Wumen School", which was his biggest shortcoming in art. He himself was strict and serious in heart, and adhered to the Confucian neutral aesthetic style, so it was difficult to truly let go of himself. Therefore, adhering to Wen Zhengming's consistently peaceful and gentle, dignified and serious calligraphy style. Its pen can turn agitation into calm, there is no sword-rattling atmosphere, the line is like a letter, every word and every stroke is clearly bone-strong, there is no slightest scruples, but there is rarely a pen of temperament. Lu Shidao said in the poem "Late Over The Cure for Peace":
Xiuzhu Tibetan Jingshe, Xianglin around the city.
Nine peaks in the window, five lakes outside the door.
The green trees are cool and the clouds are combined, and the Danfeng sunset is illuminated.
The Gion Mountain is too quiet, and it is easy to feel the sound of autumn.
Lu Shidao's representative painting "Qiao Ke Cuilin Tu", vertical axis, silk, color, length 174.8 cm, width 98.2 cm. Collection of Shanghai Museum. This picture should be the work of Lu Shidao's later years, this picture of the peaks is green, the peaks above the picture are lined up, the mountains are steep and majestic, the winding paths are quiet, the small bridges flowing water, the clouds cover the fog, the wild fun, the clouds and smoke, the weather is thousands, and the charm is clear. There is a spacious hall house, built by the mountains and waters, front and back of the Joko Cuilin, pine and cypress coiled. In the pavilion, some people sat upright on the basis of their cases, and some people stood solemnly, each with a look. The whole picture is neat with a pen, the color is seiko, and the style is light and beautiful. This painting is a beautiful "small green" landscape technique, the mountain stone outlines both thickness and thinness, and the top of the mountain is filled with dense layers of ideas. The whole picture is neat with a pen, the color is exquisite, the style is light and beautiful, and the charm is clear.
Perhaps after Wen Zhengming's death, or before and after Wen Zhengming's death, Lu Shidao returned as an official, tired of being an official to Shangbao Shaoqing. Lu Shidao's life is also perfect, young and promising, and his career is masterful. He can also meet famous teachers and get his true biography, and push literati painting to a new height on the basis of Wen's four masterpieces. Lu Shidao's lack of innovation, lack of publicity, and arrogance are his greatest characteristics.
Lu Shidao has a son and a daughter, and he is also very famous. His son, Lu Shiren, is a gentleman with a fatherly style and does not lose Wen Zhengming's will. He used this specialty of his own to write a large number of pseudo-compositions of Zhengming and his father Lu Shidao calligraphy and paintings. He once left a poem on Li Shida's famous painting "Three Camels". In the poem, he uses the technique of contrast to expose the world from the side. From his inscription poem, we can see that the appearance of hunchback is caused by vertebral lesions, which is a physiological phenomenon, not without proud bones. In general, the hunchback man's mind is still very pure, and it is indeed much nobler than those who are able-bodied but cartilaginous. Between this praise and depreciation, it was a good flogging of the bad habit of the late Ming Dynasty scholars abandoning discipline in order to pursue fame and profit. Poetry Cloud:
For the sake of pity and sickness,
A laugh before the wind Bo Shiyin.
Mo Dao this weng has no proud bones,
Plain heart is clearer than others.
Lu Shidao's daughter Lu Qingzi , married zhao Miguang , who is also famous for her poetry. Lu Qingzi worked in the word Zhang Hanmo, drifted for a while, and together with Xu Yuan, he was called "Wumen Erjia", and wrote "Kao Pan Collection", "Yun Wo Ge Manuscript", and "Xuan Zhi Collection". Lu Qingzi once wrote the preface to the Ming Dynasty female poet Xiang Lanzhen's "YongxueZhai Testament": "Cooking wine and pulp in my generation is a duty, and it is also a duty to consolidate its duties. Sick and abstaining from doing nothing, then follow the flow of ancient women, and the legacy is left as poetry; poetry is not the profession of a big husband, but I have a lot of things in my generation. She spat out the woman's voice. From her "Three Pieces of Stuffed Songs", we can see her poetic heart, Shiyun:
One
The cold geese flew high and won the autumn, and xiangyun did not move to know.
The yellow sand is broken for thousands of miles, and the sun and the soul are crying.
Two
QiangDi's voice of grief has not been returned, and the moon has a night of sideburns.
Mo in the boudoir reminisced in the air, and the horses came and went.
Three
The blue sky is like water and moon like frost, and there is no cloud for thousands of miles.
In the middle of the night, the people fell into tears, and the sound of the goose was long.
Lu Xiuhui has a poem "Zan Luzi Biography", shiyun:
The school of painting has been opened for generations,
Wu Men dreamed into the splendid pile.
All the best boy,
The official returned.
From the teacher to know the thick and light,
Light and shadow still come and go.
People call the four absolutely worthy,
Bow down to the poem Beckoning Qiong Cup.
Laughing and laughing in sorrow,
Gongming packed up the rafters.
Trance desire to speak together,
Cui Yan who cut is still bright.
More joy for children to enter the path,
Moist new birds without a whisper.
Long winds breaking through,
Don't bear sir.