Talk about Hong Huang's defense of the Dior poster

Hong Huang said that "Titanium" is very brutal and bloody. Anyway, that's what the film is about. What does Theo poster want to present? Of course, this fashion poster wants to convey beauty, but the audience does not recognize it, but it is disgusting, which is the difference between the two. The brutality of "Titanium" is recognized, as to whether it is humiliating, it is another matter, and the beauty of the Dior poster is not recognized, then it becomes a question of right and wrong, how can the two be equated.

In the past, "Red Sorghum" and other award-winning works abroad also had ugly remarks, but in any case, the content was quite objective, but the views were different. But what the Dior poster reflects is far from what the public thinks, and what insights are still to be discussed. In the Chinese tradition, He once used to be beautiful with freckles on his face, He once used to be beautiful with swollen squinting eyes, and He once used to be beautiful with strange alternatives. Hong Huang said that Chen Man magnified Asian and Chinese characteristics, I really don't know which discipline this is? Obviously, it is a beauty that the public does not recognize, but it is hardly advertised as beauty. Is this brutality or self-righteousness?

As for the French, what Koreans think about what they shoot is a matter of other people's affairs, and we can't control it. Different cultures have different understandings of humiliation, and a dignified central power certainly has its own standards of conduct and conduct. If we feel insulted, that is the truth, a sign of disrespect. To say how others are, that is not confident, to put it bluntly is to be cheap. If you are still stubborn and do what you want, it is selfishness.

Art needs to be exaggerated and abstract, but to go too far is to distort, to go to the opposite. No matter what the form of art, or seek truth, or seek beauty and goodness. If a work of art makes the audience sick and makes the audience not agree with the elements in it, then the appreciation of its professional angles such as what color it is is a kind of inversion.

In fact, there are techniques or forms of beauty in art that reflect ugliness, but if the effect is not achieved, it is self-defeating. The so-called works of art or performances similar to Dior posters make the public invisible to the original intention of art, perhaps it is the original intention of these people who are not there, so that strange things will appear to achieve their intentions.