At the age of eighty, the Northern Song Dynasty poet Zhang Xian, still like a running leopard, tore apart Miaoling's concubines " Liu Meng " and " Plum Bloom " . After the strong wind blows, it will fall red and full of green branches. Zhang Xian, who is old and strong, recorded the minutes and seconds of the spirit in a brilliant manner:
I am now eighty and eighteen, and Qing is red and my white hair.
With Qing Upside Down Ben Tonggeng, only a flower armor in the middle.
As a descendant of Zhang Xian, Su Shi believes that Zhang Xian is a "old and not ashamed", and at the age of eighty, he has not run out of oil, and spares no effort to take the bad young girl as the main theme of life. So A poem was returned: Eighteen brides and eighty langs, pale hair against red makeup. Mandarin ducks are lined up in double nights, and a tree of pear blossoms presses begonias. Since then, "a tree of pear blossoms pressed begonias" has become synonymous with "old sheep eating tender grass" and "old husband and young wife". The pear blossom symbolizes the white-haired Zhang Xian, and the begonia symbolizes the beautiful concubine miaoling with a red face. On the Internet, "a tree of pear blossoms pressed begonias" has also been interpreted as a "male upper and female down" lovemaking posture, and Su Shi has thus won the title of "the first paragraph hand" in the Northern Song Dynasty literary circle.
"A tree of pear blossoms pressed begonias", born from the Yuan Shu poem "A pear blossom pressed elephant bed". In the Ming Dynasty, Jiang Yikui's "Yaoshan Tangwaiji", and later "Beihua Monthly", "Jilu Tea House", etc. all have similar passages such as "a tree of pear blossoms pressing begonias", but the protagonist and the verses are slightly different, but they do not clearly record that the author is Su Test, but only record a certain Weng / Chen / Xu and the like. Just like the authenticity of Liu Yongfeng's words, "a tree of pear blossoms pressing begonias" is related to Su Shi and has been rumored in the folk, especially since the 1980s.
Zhang Xian has always been a topic figure, but Su Shi did not write "a tree of pear blossoms pressing begonias" to ridicule Zhang Xian's "old sheep eating tender grass". However, Su Shi's peace poem "Zhang Ziye's Eighty-Five Years of Shangwen Buying Concubines to Write Poems about Ancient Ling" can indeed prove that Zhang Xian's eighty-five-year-old concubines were still buying concubines. Zhang Xian's original poem left only a fragment of the jaw link--"Sorrow like a widow knows the night forever, lazy with butterflies for spring busy", which was included in Ye Mengde's "Poetry of the Stone Forest". It is associated with Su Shi's poem and the poem - the poet is old and the warbler is there, the prince returns to Yan Yan busy, and the rhyme foot corresponds completely. Zhang Xian,85-year-old BMW is not old, it is indeed a temperament, and even more so, his descendants have choreographed the love story between him and the bhikshunis according to his "Order of a Bunch of Flowers".
When is it too old to be poor? Nothing seems to be affectionate. Detachment from sorrow is leading to a thousand chaos, more east and stranger, flying silk. The trail is fading, the dust is constant, where to recognize the traces.
The water of the double mandarin pond is dissolved in the swamp, and the north and south are small and crossed. After dusk, the ladder painting cabinet is still, and the moon curtain is tilted. Shen hates to think carefully, it is not as good as peach apricot, and it is better to marry the East Wind.
—— Zhang Xian, "One From the Flower Order"
Cheng Yuan's "Lonely Goose" lyrics humorously ridicule the scene where Zhang Xian and a bhikshuni steal the forbidden fruit. In this poem, "When is it for me, the small ladder hengge, try about after dusk", obviously using Zhang Xian's "One From the Flower Order" "Ladder Absolute Painting Pavilion After Dusk, and still, oblique moon curtain".
The sideburns are lingering, remembering the day, and the heart is fragrant. Who teaches easy to fly chickens, but loses the spring wind first. Heavenly Common Era also, the pipe man is gaunt, releasing flowers and branches thin.
A few nights and the moon came to meet, ask what is going on, Spring Mountain Dou. Only the deep courtyard should lock Chan Juan, but when it is delicate. When for me, the small ladder crossed the pavilion, try about after dusk.
——Cheng Yao, "Lonely Goose, Youni's Comeback from Man, Drama Uses Zhang Ziye to Give This"
Yang Xiang's "Ancient and Modern Words" also records that Zhang Xian's lover was a bhikshuni, and the two often went to the painting cabinet and secretly met. This record can also clearly see the shadow of Zhang Xian's "Order of a Cluster of Flowers" "After dusk, the ladder is still the shadow of the oblique moon curtain". Since the beginning of the "Book of Poetry, Zhou Nan, Peach Dream", peach blossoms have been a metaphor for ordinary people's women getting married, and peach blossom knots are metaphors for many children and many blessings.
Later, with the allusion of Liu Chen and Ruan Zhao's Taoyuan Encounter Immortals, the word "peach blossom luck" was left for future generations. The Tang Dynasty poet Cui Hu left many allusions for future generations such as "peach blossom face", "peach blossom smile", "human face peach blossom", and posterity will miss the regret of beautiful love, also known as "human face peach blossom".
Peach blossoms are related to love, according to the records of Cheng Yuan and Yang Xiang, "not as good as peach apricots, just like marrying the East Wind" This sentence has a different flavor, Zhang Xian must be lamenting that her lover is a bhikshuni, she must abide by the precepts and rules, not as good as ordinary people's women, can marry their favorite partner. Personally, I think that although Zhang Xian, an 85-year-old and still married a concubine, is "old and not ashamed", everything is possible in terms of love affairs.
However, the records of Cheng Yuan and Yang Xiang are obviously based on a romantic love made up by Zhang Xian's "After dusk in the Pavilion of the Ladder, it is still a romantic love that is still made up by the oblique moon curtain". In fact, these two sentences are not Zhang Xian's first creation, born from the melancholy prince Li Shangyin's "Gift", "Upstairs at dusk desire to rest, jade ladder across the moon like a hook".
"Jade ladder crosses the moon like a hook", and the crescent moon is like an eyebrow bend, which reminds us of the beautiful woman under the moon who stands tall and beautiful on the jade tower. The beauty and the lilac and banana barberry constitute a kind of tranquil beauty that is idyllic and gentle, and at the same time, under the hazy and poignant reflection of the moonlight, there is an irrevocable light worry and melancholy. Zhang Xian was indeed mercurial, but why did posterity have to arrange for Su Shi to ridicule Zhang Xian, and even fabricated the bridge section of "a tree of pear blossoms pressing begonias"? In addition to Su Shi writing a poem to Zhang Xian to prove that he was 85 years old and still bought a concubine, what other reasons were there?
Su Shi used a humorous tone to ridicule his friend's wife and concubine. For example, Wang Gong was degraded to Lingnan, there were concubines Yuwen Rounu who followed each other, Wang Gong and Rounu returned, but Su Shi ridiculed Rounu, why did the miserable wind and rain in Lingnan not leave any traces of time on her face? With the courage of "laughing at the world", Rou Nu retorted to Su Shi and replied to him that as long as she and Wang Gong knew each other and snuggled up to each other, every day in her life was the tomorrow of his destiny, which was the secret of her eternal youth.
Often envious of the world's Jade Lang, Heaven should beg and point crispy lady. As far as the song is sung, the wind rises, and the snow flies and the sea becomes cool.
Wanli returned with fewer faces, smiling, and smiling with lingmei fragrance. I asked whether Lingnan should be good, but I said: This peace of mind is my hometown.
- Su Shi, "Fixing the Storm"
Su Shi not only ridiculed his friend Wang Gong's concubine, but also wrote poems to ridicule his friend Chen Jichang's wife, if there is no Su Shi's poem, it is recorded that Chen Jichang is afraid of his wife and is afraid of, and future generations will only remember that he is a super handsome man. The word "Hedong lion roar" has become synonymous with a jealous wife. "Hate to kill the lion of Hedong, shock back to the gulls under the sea", from the late Song dynasty lyricist Jiang Jie, jiang jie this word was written after a friend divorced his wife, it can be seen that Su Shi's "Hedong lion roar" has a profound impact on future generations of lyricists.
The Residents of Longqiu were also pitiful, talking about the fact that there were sleepless nights.
Overhearing the roar of the lion in Hedong, the staff fell into the palm of his hand in a daze.
From the above examples, it can be seen that Su Shi is good at capturing the daily life with a keen eye, and his "huge pen like rafters" with a humorous and humorous tone will inadvertently subvert your image completely. In addition, Su Shi also wrote such a vociferous verse as "A moment of spring supper is worth a thousand gold", in fact, the original meaning of Su Shi's poem is not as filthy as we think.
After the 1980s, Su Shi ridiculed Zhang Xian, a topic figure in the Northern Song Dynasty, and came into being a poem called "A Tree of Pear Blossoms Pressing Begonias", which is purely false. Zhang Xian's pen has written words such as "things in the heart, tears in the eyes, and people in the heart", which has produced a "Qiong Yao fever" since the 1980s. The name of Qiong Yao's novel "A Thousand Knots in the Heart" comes from his words "The heart is like a double silk mesh, and there are thousands of knots", which may also be an important reason for the hype of Zhang Xian. In addition, Zhang Xian himself is a topic figure, so it is reasonable that later generations have compiled the poem "A tree of pear blossoms pressing begonias", which comes from Su Shi's pen.