In the 1959 Huangmei opera film "Female Pony", the artistic level can be called a ride in the opera film, and the female pony played by Yan Fengying has approached the realm of charm between a smile and a smile.
"Female Pony" is a highly legendary costume drama - it is said that Feng Suzhen, the daughter of Xiangyang Daotai in Hubei Province, risked her life to save her husband, experienced various twists and turns, and finally got her wish and achieved a happy marriage story.
This drama is a representative work of Yan Fengying, which is widely circulated, and some of the classic singing segments are popular throughout the country. The audience was most impressed by Feng Suzhen because she was wise and courageous and got what she wanted, and Yan Fengying herself, loved by the people, really reached the point where flowers were brocade and the fire was cooking oil.
The plot is twisty and attractive - the people's daughter Feng Suzhen has been with Li Zhaoting since childhood, after the li family fell, Li Zhaoting surrendered to the Feng mansion, and the parents-in-law suspected poverty and loved the rich, forcing her to quit marriage - the beginning of this paragraph is quite like the plot of the movie "Chasing Fish".
Yan Fengying's lady's appearance is charming, even if it is black and white, it can be seen to be very delicate - this piece is so good that people always feel that they were watching a color film.
Yan Fengying is much more handsome than when he was in "Tianxian Matching" in 56 years, and his costumes, makeup and even lyrics are much more exquisite than that of "Tianxian Matching".
At the beginning of Li Lang's visit, Feng Suzhen changed from "sitting alone in the west window" to singing "Let that and the red flowers bloom", the mood was suddenly cheerful, and sure enough, the mood was good.
Yan Fengying's expression was very in place, and the thousands of worries when she was complaining, and the look when she wanted to see and worried about the difference between men and women, all showed a wonderful picture.
Yan Fengying really deserves the term "Looking Better Than Pan An" after pretending to be a man – her eyes are sharp and she is full of heroism. Because of the comedic setting, the character is vivid and funny, in fact, she is a delicate and cute girl.
The background is ancient, but Feng Suzhen has a very independent and brave view of love.
Feng Suzhen took the name of Li Zhaoting in Beijing and actually took the exam.
Her first arrival at the Zhuangyuan Mansion's singing section "Who Expected the Emperor's List of Champions", the famous section "Leaving home to save Li Lang..." is the highlight of the whole play, which can be regarded as a highlight moment.
I also like this paragraph the most.
Zhongyuan wearing a red robe / hat insert palace flowers is good ah so fresh /
I have also been to the Qionglin Banquet / I have also played in front of the Royal Street /
Everyone praised me Pan An/The original yarn hat cover Chan Juan
The above are the lyrics.
Yan Fengying's appearance when she was a "female pony", the spring breeze when the hat was inserted into the palace flowers, the eyebrows were happy, and she was naughty and cunning. Although they wear men's clothes, what makes people feel is the light of the day when women break down barriers.
—— It turns out that in the world of men, I can also play around. I also experienced this feeling in Zhu Yingtai.
I don't want to be famous, and I don't want to be a high-ranking official. For the amorous Li Gongzi, the husband and wife love to spend a good moon round.
Obviously so happy, but unfortunately the destination can only be "love". The woman who can write such a splendid article also wants to be a bridesmaid with all her heart, which is really touching.
In this period, Yan Fengying's behavior daughter's mood is complete, and the eyes have both the cool atmosphere of women dressed as men, and the feminine and delicate cuteness of women.
The makeup and set of this play are good - the water sleeves are good, and the dance is gentle and powerful. From the current point of view, I also think that Yan Fengying's appearance and demeanor are really cute and really likable! The expression is so rich and delicate, the men's clothing is so beautiful and handsome, the performance singing voice needless to say, between a smile and a smile, the charm of the female pony has been nearly transformed.
Unexpectedly, the reality suddenly came- the prime minister suddenly visited.
In the words, we can find that Yan Fengying's small expression is too interesting - when showing weakness of heart, there will be a surprised expression on the face, which is a bit funny.
This lyric is meaningful:
Minister Liu Wenju: Congratulations on your young ambition to become famous in the world, the champion and the first who does not boast, now is a happy marriage day to do, this is really the icing on the cake. Long live the intention to recruit horses, and look at your literary talent and appearance. The golden branches and jade leaves are promised to be with you, and from then on you are in and out of the emperor's house.
Feng Suzhen's response: The student came from a humble background, how can he match the imperial family, hoping to ask the adult to restore the holy order, and choose another Talent Lang as a donkey. ”
The emperor's recruitment of a son-in-law is the same as today's magnate selection of a daughter-in-law, the same requirements for thousands of years.
But Ms. Feng said she was reluctant.
This is an insistence on ideals and values, commonly known as gold is not changed, jade is difficult to find.
However, as soon as the Holy Will was proclaimed, the joy and triumph of the Emperor Zhongzhong were completely reduced to the shock and panic when he was recruited as a donkey.
The Prime Minister is gone. Meet your brother next – opera films are always out of touch with the sense of stage, and the characters communicate with the audience, not each other.
But the advantages of opera performance are also here, if it is a movie, the emotions of the characters can be expressed through the micro-expressions of the actors or a few actions that flash by. But the opera can be broken up layer by layer, for example, in this paragraph, Feng Suzhen's anger when she met her brother at this time, through singing lyrics, she expressed the strange and kind feelings of joy and worry to the fullest.
"The dragon and phoenix flowers and candles are dazzling, and the cave is full of joy."
Her eyebrows are uncertain there, and she is full of joy to be a new person.
Her heart was terrified and trembling, and her heart was united there.
She pretended to read poetry there, and she looked at Lang Jun with affection in her veins.
A joy to a worry, red makeup a pair of how to get married? ”
There was no way for her brother to come, but Feng Suzhen still obediently entered the palace and held a wedding with the princess.
This cave scene is too interesting - Feng Suzhen is no longer calm and unhurried, she is facing the princess guilty, helpless, nervous to a little clumsy.
The climax of the whole play is concentrated in the second half of the section, and the psychological pressure is quite good. The brow of the cave flower candle night is locked, anxious, and the emotional ups and downs are layered, accurately conveying the inner contradictions and entanglements.
When the truth comes out and the princess is angry, Feng Suzhen will also be frightened and fall to the ground, six gods and no master.
"The name of the people's daughter is Feng Suzhen..." Like the previous paragraph "Leaving Home to Save Li Lang", it has become a textbook classic.
I feel that the female pony tells the princess about sisterhood is very cattle - that is really a quotation of scriptures, tight seams, understanding of reason, moving with affection, layer by layer, and following the good temptation, risking death to move the princess. In the end, the class contradiction between the government and the people was successfully turned into a common family contradiction of the patriarchal oppression of women, and the strongest comrade-in-arms was successfully pulled together - the most impressive thing was the mutual understanding and rescue of the two women.
In this section of the Princess of the Cave House, Feng Suzhen portrayed by Yan Fengying is a brave and resourceful, not humble, both wise and delicate woman, she pointed out bluntly: Mistaken you are not me for life - you must know, it was 1959, can create such a folk woman image, really brave.
Marriage determines their life, and the supremacy of patriarchy determines their marriage, but fortunately, they have courage and wisdom, and do their best to try to reverse their fate.
Listening to the lord kill himself, Feng Suzhen's eyebrows turned, and the small expression was very in place.
Kill me, and you won't find Ruyi Langjun...
Feng Suzhen began to play rogue on the princess with righteous words - the princess could not, she was anxious to cry, and the psychological activities were performed very delicately.
Before telling the princess the best of both worlds, Feng Suzhen did not forget to lie: I am still on my knees!
The solution to this last drama can be described as a clever plan, turning the danger into a disaster: first trick the emperor into making a promise, and then the princess proposes to recognize Feng Suzhen as a righteous daughter - the ancient narrative involving royal exoneration seems to believe in the power of "story" to touch people's hearts.
A series of unbelievable stories, strung together, turned out to be very interesting. In this process, women's purity, righteousness, talent, and strategy have been highlighted one by one, and people are happy to see. Or is the love between women more pure.
The emperor is not faint and incompetent, but he is played as a pawn - the ups and downs of the plot are so rich, and the bizarre twists are reasonable.
At the end, Lord Liu acted as a matchmaker, and then recruited Feng Suzhen's brother as a donkey, and made up a four-person wedding, which was also old-fashioned and complete. The farce is resolved, and both are finally loved.
This ending makes people sincerely admire Feng Suzhen's talent and courage - of course, reality is always the death of the idealist, and then moved by the love between the two, which is also a story that cannot happen in any dynasty.