Quentin, a Hollywood genius, was once asked: Which film school did you attend?
Quentin replied: "No, I went straight to the movie."
So, watching his movie, like listening to the music of another unschooled synthesizer master, Fan Gillis, goes straight to your sensory stimulation.
Hot-blooded, spicy, and painful, with a lot less of a college routine.
For example, the soundtrack creator he invited for "Kill Bill" is the representative of hip-hop music - the soul of the Wudang school, RZA.
The Wu-Dang Clan Wudang Sect, an old hip-hop band from New York, usa, can be said to have flourished in the hip-hop music industry. Many of the band members come from Staten Island, a small island off Brooklyn. At that time, many of the band's friends were engaged in street business that was not on the table, and their biggest entertainment every day was to go to the video hall to watch B-grade films for $5 a day, such as the popular Hong Kong martial arts films at that time: "Double Horse Serial", "Drunken Fist", "Shaolin Thirty-Six Rooms", "Shaolin and Wudang".
Therefore, when they were ready to reform and take the road of music in 1993, they set the name of the band as: Wudang Sect.
Interestingly, in ancient China, a unique martial art that is now difficult to find, instead found Zhiyin in New York, usa, thousands of miles away.
And the Wudang school's hip-hop music has been so successful that it has become a cultural phenomenon, and their image representation is the bright yellow W.
RZA was the mastermind and leader of the 8-player (and later 10-player) band. As the original soundtrack author of "Kill Bill", he created a soundtrack that connects the whole film to the theme without being conventional. Especially at the end of the film, Uma Thurman and Ishii Miren's 88-man gangster blood battle at the Aobaya Hotel, a song of Crane-White Lightning, let people hear the blood. With the blood-soaked human body and the stumps on the ground, people are stunned to see.
With the film's soundtrack, RZA was nominated for Best Original Music at the 57th British Academy Film Awards in 2004.
Quentin borrowed the yellow tracksuit that Uma Thurman was wearing and greeted Bruce Lee
Chiaki Kuriyama was only 19 years old at the time
Not only that, Quentin also used a large number of songs and music from different periods to match the plot in this film, including:
The confusing and terrifying whistle soundtrack of the film master Bernard Herman in the '60s film Devil's Angel
Zamfir's "The Lonely Shepherd" played by a flute
Lily Chou-Chou's Healing Wounds
Japanese song "Flower of Cruelty"
The soundtrack of the film's master, Ennio Morricone, in Death On Horseback
And, as the film's signature, ishii Mirene gang enters the background music of Aobaya.
This BGM is the soundtrack of the japanese rock veteran Intai Budai in "The New Inhuman Battlefield", which was used by Quentin here, becoming the iconic melody of "kill bill", "battle without honour or humanity".
Quentin, the master of the doctrine, finally fulfilled his long-standing wish with a mixed and just right soundtrack, a rich film color, a fusion of things, and his signature violent aesthetic - to create a perfect kung fu movie, to pay tribute to his heart of the 70s.