Not long ago, I wrote an article about Mr. Yin Xiaoxiao, and the comments of some netizens are really not bright. It's ridiculous to throw out the idea that mistakes you've made shouldn't be remembered.
I am afraid that the values that these people uphold are based on whether there is a contradiction with someone, without any regard for artistic standards and cross-talk ability, as well as their function in the development and inheritance of qu art.
The author feels valuable, and it is meaningful to miss them, so he will continue to do this topic, so that more audiences can understand the history of crosstalk and understand the old predecessors of crosstalk, which is a worthwhile thing. The position of standing is in terms of the quality of the development of cross-talk, not the so-called moral level.
Don't say no laugh, don't laugh, don't laugh, talk about each other!
Liu Wenbu was a closed disciple of Mr. Yang Shaokui, and his disciple's stage name was crowned with the word "Wen", and there were eight characters in the lower row: Yuan, Heng, Li, Zhen, Xue, Xi, Jin, and Bu, Liu Wenbu was the youngest apprentice, although Yang Shaokui received eight more apprentices, but none of them were typeset.
The author's impression of Yang Shaokui is not deep, this is caused by the long age difference, the first understanding is that in the 100th anniversary of his birth, Wang Yuebo said a commentary "Words on Yang Shaokui", telling some of the deeds of the old master and the high wind and bright festival.
And Wang Yuebo also wrote a grudge in the cross-talk industry into the book during the performance, which caused the audience to ask about the east and the west. There are so many good people and good things in the cross-talk industry, why should we publicize these bad things?
Liu Wenbu was called "bad water" by the Tianjin audience, which is a bad word, but it is full of the audience's full of love. Lao Ye is the top actor of Tianjin Haha Laughing Crosstalk Art Troupe and one of the entrepreneurs of Tianjin Tea House.
He is very good at teasing, especially good at teasing, and the skills of traditional cross-talk are extremely deep. In particular, the two items of Taiping lyrics and double reeds are beyond the reach of ordinary people. When Liu Wenbu was 75 years old, he once had a face of a person, and seven actors were replaced behind him, acting seven times in a row, which was beyond the reach of ordinary people.
At the same time, he was the representative inheritor of the intangible cultural heritage Taiping lyrics before his death, and he suffered two lines of tears before his death, and the double reed Taiping was absolutely perfect.
In 1936, Liu Wenbu was born in a poor family, and he had a cousin, the famous cross-talk actor Guo Rongqi. Because the family is poor, the family once considered letting Liu Wenbu say cross-talk, but the artist's identity is too low, and Guo Rongqi can't bear to let his cousin enter this line;
Moreover, Guo Rongqi belongs to the Shouzi generation in the cross-talk industry, Liu Wenbu, who is 20 years younger than him, if he enters the cross-talk industry, the generation is difficult to determine, if according to the cross-talk habits, it is not allowed for a young child who will not be allowed to enter the ranks of the Shouzi generation.
Hunger made people break the rules, and when Liu Wenbu was 12 years old, he worshiped under Yang Shaokui and became the descendant of the literary generation.
During his apprenticeship, Liu Wenbu also had a past of seeing righteousness and courage. At that time, he was an apprentice at the Shengyuan Tea House, and there was a fried nut at the door of the tea house, and every day he set up a stove to fry the nuts to sell.
One day the stove poured down and the oil from the hot pot came out, blocking all the spectators in the house. The people in the garden were in a mess, and no one dared to rush out. At this time, Liu Wenbu took a flat burden, went up to poke the stove, and used debris and furnace ashes to extinguish the fire.
This not only saved the audience from the pain of skin and flesh, but also protected the property of the tea house, which is enough to see that it had courage and strategy when she was a child.
"Dirty mouth" is a special state of Liu Wenbu, and it has also become a label on him, and this grounded way has won everyone's love.
But Liu Wenbu himself said that he could make changes in a timely manner according to the changes in the stage. Liu Wenbu has also performed programs such as "Shanxi Jiaxin", "Dumb Theory", "Big Double Reed" and other programs on the big stage, which is extremely artistic, but it cannot be denied that the dirty mouth method has infinite charm in the small theater.
Before Liu Wenbu died, the last sentence he said was: Crosstalk actors are a traditional art, and they must lay a good foundation.
As for the contradictions and so-called scandals between him and Guo Degang, we do not need to invest too much experience and ideas, let alone smear an old artist who has left.