Cheng Yi was an important printer of the Ming Dynasty, and he also had considerable achievements in painting and calligraphy. But for his personal image, we have not been able to make a simple confirmation. For example, he should be a relic, after living in Nanjing for a long time, after witnessing the death of the Ming Dynasty, he moved to Yangzhou, did not cooperate with the officials and gentry, but instead befriended Zhu Jian and Wanshouqi, and then taught under Chen Jiru to study classics. Moreover, judging from his personal chivalry and integrity, he should still be a restless and self-guarding person, and at that time he had close contacts with Chen Zilong, Huang Daozhou, and other people who embraced the great cause of resisting the Qing Dynasty, which could roughly see his personal ambitions and his "plots and misdeeds". Zodiac Zhou and Chen Zilong both finally raised the banner of resistance against the Qing Dynasty and sacrificed their lives for it, so wasn't Yan Zhicheng also one of the backbones? I think. In the seal carving circle at that time, there were very few people with such a heroic spirit. Most of the seal carvers are addicted to the pedantry of the old paper pile, and they are not very concerned about politics. Therefore, Cheng Muqian is obviously a special case.
For example, seal engravers are mostly complacent about the iron pen. And this path does contain six combinations, and its pleasure is endless. Cheng Yi was still a standard scholar. Rich in collection, long in the study of gold and stone research, the poetic style takes the subtle and subtle, while the painting is good at dry brush landscapes, Danqing famous hands, allowing pushing and not vain. This rich collection, exquisite research, coupled with poetry and painting, is enough to make him a seal engraver with multiple colors. For example, proficiency in examination ensured that he was a scholar-and at that time, scholars generally did not ask about seal carving: for example, good painting showed that he was an artist--and the seal engraving community at that time did not regard seal engraving as art, at least in theory, lacked such a clear declaration and recognition. Until now, the older generation of seal engravers are still arguing over the conceptual similarities and differences between "seal carving" and "golden stone", that is, the line between art and scholarship is sometimes not as simple as people think. Another example is that he also has a unique poetic style. Chinese literati must be good at poetry, and those who cannot write poetry are simply not worthy to be literati, and Cheng Wei deserves this.
With such accumulation, nature stands out from the crowd. Therefore, most of the people who ruled the history of Printing believed that after the first generation of Indians Wen Peng, He Zhen, and Su Xuan, the second generation of Indians took Wang Guan and Zhu Jian as the leaders, and the emergence of Cheng Yi. The second generation of printers and the first generation of printers did not have a direct relationship in style. For example, Wang Guan's attack on the Han seal and Zhu Jian's use of a cutting knife were all unprecedented before, and although Cheng Wei's printing style could not be concealed in one word, his white stylistic styles were diverse, and there were successful works such as imitation copper seals such as "The Seal of Zheng Zhen", and even Wang Guan, a Han seal expert, could not hope: there was also a stable and solid work such as "Xu Xuling's Seal", and its line skills were enough to impress future generations of printers.
Xu Xulingyin
As for Zhu Wenyin, the asana changes are more, and the use of the golden seal has almost become a major feature of Cheng Wei's seal carving. In the eyes of Wang and Zhu, who were trying to find Han law, this was obviously a novel asana. For example, "Bamboo Hedge Hut" and "Shaozhuang Three Good Music Rhythm Book Wine" were all very famous masterpieces at that time.
Bamboo hedge hut
Complex provenances and actions constitute a complex process. At the same time, it also constitutes the complexity of the style engraved by Cheng Yi. Strictly speaking, because of the use of large seals, the application of small seals in terms of text is much more difficult than the norms, so there may also be some questionable words in Cheng Yi's seal engraving, which seems to be not standardized enough in the use of seals. But this is the situation, and it is not enough to defile its fullness. Due to his many contacts with "rebellion", Cheng Yi's poem "Xiao Ran Yin's Remains" was banned by the Qing court, but his prints were well preserved.
Young Zhuang three good music rhythm book wine