In 2009, 8 years after "Huan Zhu Gege", Lin Xinru acted in a costume drama again, that is, Yu Zheng's "Beauty Heart Plan".
At that time, there were still votes on the Internet for who to choose to play the role of "Dou Yifang". In addition to domestic women, South Korea's Song Huiqiao and Lee Young-ae were also listed.
"Beauty of the Heart" is a huge investment in costume dramas in that period of time, and even before the start of filming, there were additional 10 million investments from the capital side, and the role modeling alone cost millions.
It can be said that "Beauty Trick" made Yu Zheng finally famous, opened the era of "big heroine" drama, and made Lin Xinru popular again after "Huan Zhu Gege".
In the second year of the broadcast of "Beauty in the Heart", Zheng Xiaolong took Sun Li, Cai Shaofen, Chen Jianbin and other actors to shoot another costume drama in the suburbs of Beijing. Perhaps at that time, from the director to the actor, no one expected that the drama could become as popular as that, so that the careers of Sun Li, Cai Shaofen and Chen Jianbin would embark on another peak.
That drama is the big female protagonist palace fighting drama that has been broadcast and broadcast - "The Biography of Zhen Huan".
Yang Mi, whose acting skills have been exaggerated to the present because of a supporting role in "Beauty and The Heart", has long become the top stream 8 years later. In 2017, the Xian Xia drama "Three Lives and Three Worlds and Ten Miles of Peach Blossoms" once again stabilized Yang Mi's position as a top actress.
"Beauty Of Hearts", "The Biography of Zhen Huan", and "Three Lives and Three Worlds and Ten Miles of Peach Blossoms", although the themes are different, they are all "big heroine" stories.
The voice of the role of Dou Yifang in "Beauty And The Heart" is Lin Xinru personally designated to Ji Guanlin to match. Previously, she had already played Xiao Qiao in "Chibi" for Lin Chiling, Zhao Min in "Yitian Slaughtering Dragon" for An Yixuan, and Wei Qiuhe in "The Great Porcelain Merchant" for Yi Nengjing, and had a good reputation in the Taiwanese actor circle.
Therefore, Lin Xinru found Ji Guanlin through the producer of "Beauty Plan". In the play, the age span of Dou Yifang's role ranges from 18 years old to 68 years old, from a young girl to a twilight, and Ji Guanlin adds icing on the cake to the role created by Lin Xinru through voice changes.
In "Three Lives and Three Worlds and Ten Miles of Peach Blossoms", Yang Mi was voiced, and he was accompanied by three characters at the same time: Bai Qian, Su Su, and Si Yin. Although it is a different generation of the same person, due to the difference in the personality of the characters, there are also differences in dubbing.
Giving Sun Li a zhen huan is because this character has a lot of emotional ups and downs in the play, but at that time, Sun Li was pregnant and was not suitable for personal voice acting.
Miraculously, the timbre of Ji Guanlin's matching is very similar to Sun Li himself, so that for a long time, the audience thought it was Sun Li's own voice.
How important is good dubbing for the shaping of the actor's character?
For good performances, it is the icing on the cake; for poor performances, it is the only way to "remedy".
In fact, it is difficult to describe it in words, but if you have seen the contrast, the difference between good and bad is instantly known.
So, how exactly do voice actors voice characters? What is their work status? What are some interesting dubbing techniques?
The variety show "I Am a Special Voice" focused on dubbing actors for the first time. Bian Jiang and Wu Lei, who contracted the dubbing of the domestic drama male number one, and Li Chengru, the "old drama bone" who contracted the hot search for nearly half a year, were resident guests, and 33 young voice actors finally selected 5 voice actors representing the style of the new era through pure voice competition.
In this process, a number of Chinese drama dubbing masters have been flying guests, cooperating with the contestants in the repertoire, and also giving them dubbing guidance in the process. Maybe you don't know their names, but you've definitely seen the plays they dubbed.
Ji Guanlin, one of the flying guests in the third issue, is 40 years old, but with the voice of a still girl, he recreates the "Tsubaki" role of "Big Fish and Begonias" on the spot, conquering the audience.
In her collaboration with young voice actors, she revealed the working methods and techniques of voice actors throughout the process.
Different characters, according to what criteria do they choose voice actors?
From the audience's point of view, we may only judge simply from the age and identity of the characters, such as Sun Li's girlhood in "The Biography of Zhen Huan", we should find a voice that sounds very girly to match.
But if this is the case, is it not until Zhen Huan is old, should she find a voice that sounds old to match?
In fact, this is only a shallow standard.
Ji Guanlin said: Voice actors and characters, there is a process of gradual approach.
Matching timbre and character is just a basic criterion. But the actor's own understanding of the role is more important.
Voice actors like Feng Gui and Li Lanling encountered such a problem when faced with the choice of who exactly matched the brother and younger brother of "Town Soul Street".
Everyone thinks that there is no problem with the role of the wind sleeve with the younger brother, but for the wind sleeve himself, he is very worried, because he is not very confident in that role, so in the end he still chose his brother.
When choosing who to match the "catalpa" in "Big Fish and Begonias", the deeper understanding and excavation of the character is more important.
Tsubaki and Catalpa in "Big Fish and Begonias" are both young boys and girls, but for the role of Catalpa, especially in the later stages, he sacrificed his life to protect Tsubaki, which more reflects the sense of security that Catalpa brings to Tsubaki.
Koi was ultimately selected as the matchmaker, and it was precisely his analysis and understanding of the role that was the most accurate. After accurately understanding, he can use his skills to adjust his voice and present this understanding accurately.
With more than 300 dramas, how to achieve different voices from the same person?
Ji Guanlin is known as the "female number one of the national drama dubbing", precisely because the female number one of the popular TV series in the past decade is almost all voiced by her.
But in fact, since she entered the dubbing industry in 2005, she has played more than 300 dramas and at least more than 300 roles.
Perhaps, in different plays, because the characters are very different, it is not so difficult to present this difference with sound.
But what she's more of a god is that she has different characters in the same play at the same time.
For example, in Deng Chao's version of "Yitian Slaughtering Dragon", she is accompanied by Zhao Min of An Yixuan and Zhou Zhiruo of Liu Jing, if she does not look at the cast list, she cannot hear these two completely different roles, and behind the scenes is the same person.
How exactly?
First of all, voice actors should also be the same as performing actors, just like Zhang Ziyi said, there must be a firm sense of faith. If you don't believe in the role you match, there is no sense of belief, then the effect of matching, not only do you not believe, the audience can easily hear it.
Secondly, having accumulated a wealth of experience from years of sound performance, they know what methods can be used to achieve the desired sound state.
You can't use your throat to make a sound, so that not only is the larynx tired, but the sound that comes out is not good. So how do you use your abdomen to pronounce it? Another voice master, Lu Yanting, taught everyone to do flat braces.
And when assigning animated characters, sometimes the sound needs a little special effect, what to do? She taught everyone again, shaking her shoulders and saying at the same time.
Through limb movements, to drive the change of sound, and often even have unexpected effects.
Therefore, we think that the voice of the voice actor has changed a lot, but in fact, behind it is the summary of years of experience.
Voice actors perform more difficultly than actors who perform in front of the screen. In the studio, relying only on imagination and sound, they create a very visual role for the audience from the auditory sense.
Once upon a time, they had been hiding behind the scenes. But the variety show "I Am a Special Voice" made them come to the front of the stage.
Their level of business is not inferior to that of actors, or even better than some actors, but the flowers and applause that come from the roles are rarely given to them.
But walking to the front of the stage is only short, because their artistic value is hidden behind the scenes. But just as Ji Guanlin has worked hard over the years, their exposure only wants more people to pay attention to this group.
If you can bring a little good change to the industry because of this, it will be even better!
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