Yang Mi with a bee waist and hips, Zhang Ziyi who is "rustic", on the night of Cannes, the aesthetic gap between actresses came out

Paste coffee entertainment

2024-05-26 21:35Published in Liaoning

Copywriting | Iron iron

Edit | Yellow cat

This year's Cannes Film Festival is too lively.

Many celebrities and artists have walked on the red carpet with their works, and some celebrities have appeared as sponsor spokespersons, as well as Internet celebrities who have gained popularity, and the Cannes red carpet is becoming more and more like a vegetable market.

However, for filmmakers, the Cannes red carpet remains a sacred place.

No, the crew of "Sauce Garden Lane" is here.

Director Chen Kexin and some actors of the crew walked on the red carpet and the world premiere of the film, and this night, the aesthetic gap between the actresses came out.

Yang Mi and Zhang Ziyi are more beautiful in the same frame

Maybe the actors communicated the styling in advance, and all the actors present were wearing black suits, with bow ties and suits, and there was a different aura when they stood together.

And the actresses have put a lot of thought into their styling, each with their own style.

Let's look at Zhang Ziyi first.

For the first look, Zhang Ziyi chose a purple and black dress.

The purple lining made of duct tape is very ingenious, and the irregular edge design and smooth texture form a wonderful contrast with the black tulle, which is not obtrusive and has a low-key luxury feeling.

The slightly rustic coiled hair adds a bit of luxury to Zhang Ziyi's perfect skull, and the embellishment of jewelry adds to the luxury.

The dark makeup created with the costumes not only magnifies the advantages of Zhang Ziyi's facial features, but also fits the tone of the movie very well, and it is very dazzling when she appears.

At the premiere ceremony, Zhang Ziyi was wearing a new Chinese-style cheongsam, and the red pattern alleviated the dullness caused by a large area of dark colors, which was playful and dignified.

As soon as she wears sunglasses, the whole person exudes a powerful aura, she is simply the heroine of Shuangwen who came out of the novel, and when she chats with friends, her words and deeds reveal an elegant charm.

At the press conference, Zhang Ziyi's dress was even more relaxed.

A simple black short-sleeved skirt with a white skirt, a silver long chain and a sun straw hat is undoubtedly the finishing touch to the whole look, which is simple and layered, without losing the sense of atmosphere.

What's even more enviable is that Zhang Ziyi, who is now 45 years old, is in too good shape.

Even if there are some fine lines on the face, it does not affect the appearance at all, but has a mature charm after years of precipitation.

Sure enough, after leaving a bad man, a woman who concentrates on her career is the most beautiful.

After reading Zhang Ziyi, let's take a look at Yang Mi.

This time, I was busy enough for Da Mi Mi, and it didn't take long to come to Cannes, and I changed four sets of looks.

On the red carpet, when everyone else chose dark clothes, Yang Mi wore a light-colored diamond dress, don't care, "Sauce Garden Lane" has its own "Chunshan Learning".

But to tell the truth, Yang Mi's skirt reflects the advantages of her figure.

The skirt is close to the body, outlining the concave and convex curves, the bee waist and hips can also be shown in the camera, and the shoulders are just the right amount of skin exposure to show off the plump figure, which everyone knows well.

However, Yang Mi's face is not even as good as Zhang Ziyi, who is eight years older than her.

The two nasolabial folds are deep and long, and under the high-definition lens, the pores and depressions on the face have nowhere to hide, and they can be seen clearly, and the state is similar to that of ordinary people.

Especially as he gets older, Yang Mi's nostrils become larger, and the trend of receding his chin becomes more and more obvious.

At the premiere ceremony, Yang Mi was wearing a red dress, and those who didn't know thought she was the heroine of the film, Yang Mi, who has always had high emotional intelligence, couldn't tell the difference between the big and the small kings this time.

may have seen the comments of netizens, Yang Mi at the press conference was much more low-key.

Dressed in a pure white shirt dress, with a pair of ugly boots on her feet, the shoes are stacked together, looking very childish. The curly hair style is also a little messy, like the hair came without blow-drying.

For the last set of shapes, Yang Mi chose the new Chinese style that is more popular at the moment.

The button-down red top with black trousers, the sleeveless version shows off the slender arms, and the short version shows off the small waist, which can't be said to be unsightly, but when worn on her, there is no sense of atmosphere at all.

I think this is the gap between Zhang Ziyi and Yang Mi-

The work gives the actors confidence

Zhang Ziyi's every set of looks is very conservative, but she has her own aura when she appears, which makes people can't take their eyes off, and no matter how eye-catching Yang Mi's style is, she can't wear the original characteristics of her clothes.

In the final analysis, the difference between the two is the confidence brought by the work.

Zhang Ziyi is an internationally renowned actress, and she has won awards big and small, she no longer needs new works to prove herself, and even the organizers attach great importance to her return with new works this time.

When others walked the red carpet for more than ten minutes just to gain more media attention, and were kicked off the red carpet by the staff, Cannes cleared the venue for Zhang Ziyi, allowing her to walk on the red carpet alone and enjoy the eyes of the audience.

Moreover, Zhang Ziyi's state in front of the camera is very relaxed, as if she has returned to her own home.

When walking the red carpet with the rest of the crew, the background music on the scene was still the theme song of "Memoirs of a Geisha", and when the camera gave Zhang Ziyi a close-up, the lyrics happened to be "Dancing Queen".

Zhang Ziyi twisted her body with the song, her face was full of confident and generous smiles, and the female star in the novel who shined in the spotlight had a face.

In a top vanity fair like Cannes, Zhang Ziyi can have such a row, which is enough to prove that she has accumulated the "right to speak" through her works.

The work also brings Zhang Ziyi more confidence, no matter when, she is bright and generous.

On the other hand, Yang Mi on the side can only rely on the eyeballs of the model.

When Yang Mi walked the red carpet, many people questioned: What did she do?

Rub it openly.

The supporting roles in "Sauce Garden Lane" with bigger coffee positions and more scenes than her did not go, only she appeared in Cannes in an incompatible dress.

In terms of works, Yang Mi's latest movie "There is No Thing That Can't Be Solved by a Hot Pot" has both pulled his hips at the box office and word of mouth, and "Harbin 1944" and "Fox Demon Little Red Lady" have countless bad reviews.

All of this caused Yang Mi to cringe on the red carpet, his eyes were timid, and the smile he squeezed out was extremely embarrassing.

When others greeted the media, she stood motionless, like a hostess.

It seems that Yang Mi also knows how many pounds and taels he has, and he will show his timidity when he arrives in the big scene.

Epilogue:

Zhang Ziyi and Yang Mi appeared in the same frame, and the gap between powerful actors and traffic actors is too obvious.

Zhang Ziyi, who is concentrating on her career, is still beautiful, and the whole person shines with the light of the big heroine, no matter where she goes, she is very free and calm, and her inner temperament is not comparable to that of a traffic flower.

At the age of 37, Zhang Ziyi has already won the queen awards of major mainstream awards in China, and has become a judge in the international film industry, becoming a judge of international awards such as Cannes and Oscars.

And the 37-year-old Yang Mi, who has to bring the teacher into the group to guide the performance during filming, has been mixed in the ancient puppet persuasion, and the transformation has ended in failure.

There is still a wall between the actor and the actor.

So, who do you think is in better shape at Cannes?

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Personal opinion, for reference only