36-year-old Liu Yifei is playing "mother", but 37-year-old Yang Mi is still playing ancient puppets, what Sun Li said is really right

Nakshatra Movie Duck

2024-05-24 14:29Published in Liaoning

Copywriting|Luo Sheng

Editor|Meow Sansan

There should be no shortage of dramas in the national drama market in 2024, because new dramas are coming one after another.

At present, "Fox Demon Little Red Lady: Moon Red Chapter" has officially met with the audience.

But the texture of the show is too bad.

This filter is like a crazy superposition in front of the camera like no money, and the actor's facial features are about to be worn out, which is quite uncomfortable to look at.

The plot is also at the level of kindergarten, there is no special reversal, which shows the average director's ability.

Of course, with Yang Mi joining, the popularity is naturally small.

In addition to this, there is also a drama to be broadcast that has caught the attention of the audience.

That's "The Story of the Rose."

As soon as the new trailer was released, the number of broadcasts exploded.

Liu Yifei starred in the four male gods, and the lineup alone is very exciting, obviously going for the hit.

I can see that the 85 flowers are competing.

And Yang Mi and Liu Yifei's performances in these two new dramas are also very different, what happened?

01 Liu Yifei is playing a mother

"The Story of Rose" tells the story of Huang Yimei (played by Liu Yifei), who was born in a scholarly family, and continues to grow and find herself in the four relationships of her life.

This is an extremely novel drama, because there are very few domestic dramas that arrange several emotional lines for the heroine, and they all end with BE.

Among them, Peng Guanying plays the first love Zhuang Guodong, Lin Gengxin plays the ex-husband Fang Xiewen, Huo Jianhua plays the soulmate Pu Jiaming, and Lin Yi plays the little milk dog He Xi.

These four actors are too well chosen.

But the heroine is Liu Yifei!

Even if it's the end of the breakup, it seems to be reasonable.

And Liu Yifei's state in this drama is once again amazing.

In every shot, she is like a pictorial, so beautiful that people are tired of words.

The filter of this drama is not heavy, and Liu Yifei's face has no traces of technology, this naturally beautiful bone face is too old.

But she is 36 years old after all, so the positioning of the show is not an idol drama, but an urban emotional drama, and it also has the background of a big heroine, and the sober speech of the heroine Huang Yimei in the plot is refreshing.

And no one thought that she would have a child in the play?

That's right, Liu Yifei has played a mother.

Watching her sweat and roaring on the hospital bed really vividly interprets the pain of giving birth.

There are also stills in which she is holding a little baby, her face is full of love, and her body exudes the brilliance of motherhood.

This is a completely different Liu Yifei from before.

Some netizens met her and Lin Gengxin who were filming in the hospital.

Liu Yifei was dressed plainly, holding the child anxiously looking for a doctor in the hospital corridor, and the panic in her eyes was too real.

Although she is still so beautiful, at this moment the audience will understand that she has brought to life the image of a mother.

In my opinion, the most surprising thing about Liu Yifei is that she is willing to let go of the burden of idols.

Because in the circle of middle-aged actresses, words such as "age", "mother", and "appearance" are taboo, and even some people want to stage a "sister-brother love" with Xiao Xianrou all day long, this is the gap.

02 Yang Mi pretended to be tender and overturned

Liu Yifei has played her mother, what about Yang Mi, who is also 85 flowers? People are still mixing in ancient puppet dramas.

In "The Fox Demon Little Red Lady: Moon Red Chapter", Yang Mi plays the heroine Tu Shan Honghong, and the beauty of the fox demon can be imagined.

But she is 37 years old, and her bone phase was poor when she was young, and she was supported by skin.

And now that the skin is getting older, this facial state can't keep up.

In order to make himself more pleasing to the eye in front of the camera, Yang Mi used filters and dermabrasion a lot, and even some lenses couldn't even see the human appearance, as if he had specially covered the lens with a layer of gauze.

But in fact, this way is tantamount to covering one's ears and stealing the bell, how can a person's age be covered by these things?

From her drooping eyelids and sunken cheeks, you can see the feeling of old-fashionedness, and this pair of eyes are not as full of aura as before.

I think it's the first time that many viewers have seen "blind" acting, right?

Yang Mi has been holding a shelf in the play, and she doesn't look directly at each other when she speaks, but half-squints, her eyes are empty, and she stares straight at a certain point, as if she was born invisible.

Even in the face of children, the heroine looks like this, as if others owe her eight million, not to mention the layering of the performance, it is no different from facial paralysis.

What's even more outrageous is that Yang Mi and Gong Jun, who is 6 years younger than him, staged an emotional line, but the two of them stood together without a sense of CP, and those who didn't know thought it was their aunt and nephew.

How old are you, and you don't count it in your heart?

The little matchmaker has become an old matchmaker, no wonder the audience complained.

In fact, Sun Li has a sentence that is very right-

"A person has grown to this stage, if you have to play a youthful state, a campus love drama, it is not convincing. Reluctantly acting, I feel sorry for the audience. ”

plays any role at any age, and is still immersed in the fantasy that she is a girl, but in the end she will only be ridiculed by the audience and her popularity will collapse.

In contrast, Liu Yifei, who is also 85 flowers, is much sober, and Zhao Liying also played the image of a deaf and dumb mother in "Article 20", and her acting skills are highly recognized.

On the other hand, Yang Mi has always said that he wants to "get out of his comfort zone", but going around and around, isn't this still in the ancient puppet circle?

And Yang Zi is not young anymore, obviously has good acting skills, no worse than 85 flowers, but he has never broken through himself, does not challenge other types of dramas, but continues to fight with ancient puppet dramas, consumes feathers little by little, and will regret it sooner or later.

I beg these actresses to have a snack, find their own suitable roles, and return these ancient puppet dramas to young people.

03 Conclusion

Unexpectedly, there is an obvious gap between 85 flowers now, and some people have been working hard to change the impression in the eyes of the audience, speaking with different types of works and characters, and refreshing the impression again and again.

And some people are reluctant to step out of their comfort zone, obviously dying of old age, or stick to the ancient puppet camp.

What's so allure here?

In fact, it is not difficult to guess that ancient puppets don't need too much acting skills, they only need to brush their faces in front of the camera, and the roles are all the same, and they probably don't need to think about it seriously.

Yang Mi shouldn't have brought an acting teacher into the group when filming this drama, right? I'm afraid that she herself doesn't take this drama as seriously as she does with "Harbin 1944".

But not making progress for a long time is a regression for actors.

I hope that the little flowers of internal entertainment will not learn like Yang Mi, but follow those powerful factions who are willing to change.

So what do you think about this?

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