In the Qing Dynasty, the famous calligrapher post "Guifu Shu Hundred Households Jiang Jun Tomb Table" was expanded, also known as "Gui Fu Tan Xi Jingshe Record Hundred Households Jiang Jun Tomb Table".
Gui Fu (1936-1805 AD), the character WeiGu, the word Donghui, the number Of Yanmen, the nickname Xiaoran Mountain Outer History, the late name of Lao Moss, the First Well, and the self-engraved Seal of the Well of The Restoration. A native of Qufu, Shandong, Qianlong entered the State Zijian in the thirty-third year (1768) to supplement the teachings of Changshan County (now part of Zouping). He once worked with his friend Zhou Yongnian in Jinan Wulongtan to establish the Tanxi Jingshe and the Library Garden, which collected 10,000 volumes. Gui Fu has been reading books since he was a child, immersed in the study of primary schools, and is proficient in the sound meaning of "Shuowen". He once said, "The teacher does not understand the scriptures, it is not enough to be useful, and the precepts are not clear, and they are not enough to understand the scriptures." "He was an outstanding scholar of the Qing Dynasty, a famous philologist, a calligrapher, and a seal engraver.
In the Qing Dynasty, the "epigraphy" arose, the style of writing returned to Pu, and in the history of books, it was a great success, and the "epigraphy" of the "steleology" actually began with the revival of the seal. As far as the Lishu is concerned, Zheng Lan immersed himself in Han tablets for more than thirty years in the early Qing Dynasty, taking the methods of "Cao Quan" and "Shi Chen", although he was "arrogant and provocative", and there was a sinking majestic shore of the Han people, but there was no pretense in the charming, flowing, and strange places, which opened up a convenient door for future generations to take the Han monument. Shi Wang Shimin, Zhu Yizun, Fu Shan, etc. can also be subordinate, but either lost in restraint, or lost in strangeness, Zheng Lancheng is a generation of people, and has a great influence on later generations of Jinnong, Gao Fenghan, Zheng Banqiao, etc., so the master of Pu Xue, Yan Ruoxuan, once regarded it as a "saint". Since Qianjia, with the deepening of visits to monuments, bibliographies, and research, a number of people who are good at Lishu have emerged, such as Ding Jing, Huang Yi, Gui fu, Deng Shiru, Yi Bingshou, etc. Yi Bingshou, who "collected the great achievements of Lishu", has made particularly great contributions and can be called a generation of great masters. In the late Qing Dynasty, He Shaoji and Zhao Zhiqian, who were in charge of the book, were both exquisite in all their bodies and could be integrated, and He Shi introduced cursive pen yiren Lishu, indulgent and super-mai, and its "divine dragon change" was incomprehensible; Zhao Shi used the method of the northern stele to integrate into the Lishu, exaggerating the pen and closing the pen wave, the Xu characters fluttered and flew, and the perverted multi-sided. At the end of the Qing Dynasty, Hao Changshuo's Lishu won with momentum, thick and solid, full of breath, non-seal, non-subordinate, but also sealed, full of ancient meaning.
