2024年中歐書畫名家國際藝術線上交流展——張鈞
張鈞，字譽贍，李震字佳音。1988皆畢業于濟南書法藝術學校。同年入晉元
齋拜魏啟後先生為師， 聆聽魏老系統講授中國書畫。
在晉元齋，魏老教誨自《褚遂良大字陰符經》學習寫字的手法，洗刷世俗手法；學鐘繇《戎路表》同時學《鐵山刻石》；學《松江本急就章》同時學宋克《書譜》；學二王遺墨同時參看漢簡，體會毛筆在紙上運作的美的規律，而不是裝二王的樣子，更不是畫出漢簡的樣子。因為王羲之都不肯重複自己，就更不需要别人去重複王羲之，而是通過學習王羲之的手法與美的規律來發揮自己的個性。這樣就能走出一條新路。
師承魏老期間，魏老特殊的教學方法令人耳目一新。例如：學習書法的八字真言是：“安靜、從容、高尚、智慧”；臨帖不在寫了多少遍，沒有學到手法就沒用；寫公文的人“不逾矩”他沒“欲”了，沒随心所欲了、沒心了、沒有精神、沒有靈魂了；比着隸書寫真書，體會由隸變真的鐘王情趣。更令人振奮的是看魏老揮毫，那是紙上芭蕾，不裝、不畫、不拖泥帶水、不重複勞動，魏老旗幟鮮明的指出明清以來用濃墨寫《九成宮》的都不成功。魏老不僅是藝術家更是思想家，遇到這樣的明師是三生有幸。
2005 年，經魏老授權張鈞創辦了魏啟後書畫數字展覽館，并出版《魏啟後談藝錄》，至 2015 年共出版了 10 期，受到廣大書法愛好者的好評。
佳音随魏老學習臨摹黃子久、倪瓒、八大山人，以氣韻生動得魏老賞識。如佳音畫鴛鴦魏老題款：“李震小姐寫墨鴛鴦，手法輕盈虛靈之極，展對之際如臨輕歌漫舞、和風襲人，欣賞之餘漫題數語以志欽佩。”
2013 年第十屆中國藝術節期間，舉辦了“鳳皇于飛”書畫展，其作品分别被山東省博物館、收藏山東大廈美術館。2014 年張鈞作品随山東省省長出訪台灣及東盟諸國。2015 年參加北京首屆國際文化産業投資洽談會，榮獲“優秀書畫精品獎”。出版第十期《魏啟後談藝錄》。7 月 29 日入選中央電視台主辦的“世界藝術之旅-2015 意大利米蘭世博會書畫藝術展”。11 月榮獲由孔子基金會舉辦的“2015 中國孔子國際書畫藝術展”一等獎。2016 年榮獲濟南市“十佳藝術品經營機關”。
Mr. Zhang Jun(courtesy name: Yushan) and Ms. Li Zhen (courtesy name: Jiayin)
were both graduated from Jinan Calligraphy College in 1988. They formally
acknowledged Mr. Wei Qihou who is famous among the artists in Shandong
province as their tutor studying calligraphy and painting from him at Jinyuanzhai
after their graduation.
At Jinyuanzhai, they were first taught Chinese calligraphy skills from Mr. Chu
Suiliang's Dazi Yinfu Jing by Mr. Wei to get rid of vulgar calligraphy style ; they
were taught Mr. Zhong Yao's Ronglu Biao and Tieshankeshi simultaneously, and
then Songjiangbenjijiuzhang and Mr. Song Ke's Shupu at the same time; they were
taught to write Mr. Wang Xizhi and Mr. Wang Xianzhi's(two great calligraphers
in ancient China) calligraphy refering to Hanjian to feel the beauty laws of writing
brush walking on the paper, but not to copy them. We have no reason to copy Mr.
Wang Xizhi's writing because Mr. Wang Xizhi will never ever repeat himself. The
purpose of leaming Mr. Wang Xizhi's calligraphy skills and beauty laws is to
show our own individualities.,which will lead to a new path.
During the learning period from Mr. Wei, his teaching methods made everything
new and fresh to us. Here are the examples of his special teaching methods: four- word epigram for leaming calligraphy is quiet, calm, noble, and wise; getting skill
matters quantity; follow your heart and intuition when writing; write Zhenshu(one
of calligraphic fonts)while referring to Lishu(one of calligraphic fonts) to feel the
transformation from Lishu to Zhenshu. More exciting thing was seeing Mr. Wei's
doing calligraphy that was like seeing pure and perfect ballet without any
affectation. Mr. Wei explicitly pointed out that Jiuchenggong written in dark ink
had not been successful since Ming and Qing Dynasties . Mr. Wei is not only anartist but also an ideologist. We considered ourselves most fortunate to have such
a great tutor like Mr. Wei.
In 2005, authorized by Mr. Wei Qihou,Yushan set up online museum of his
calligraphy and painting and published Mr. Wei Qihou on Art which has been
published ten times until 2015, which were well received by calligraphy's lovers
Ms. Jiayin's painting got Mr. Wei's high appreciation during the period of study at
Jinyuanzhai. Mr. Wei once said:" her Chinese lovebirds in ink is light and
ethereal, their flying sight like beautiful ladies singing merrily and dancing
gracefully."
In 2013, during the Tenth Chinese Art Festival, Yushan and Jiayin held an
exhibition named "Flying Wing to Wing of Two Artists" whose paintings and
calligraphies were respectively collected by Shandong Museum and Shandong
Gallery. In 2014, Zhang Jun's calligraphies were taken along when Governor of
Shandong Province visited Taiwan and ASEAN.