爱新觉罗·金山，北京人，满族，正黄旗，忠獒堂主人。爱新觉罗努尔哈赤长子--褚英后裔，职业书画家，中国书法家协会会员，国家一级美术师，中国美术家协会会员，香港皇室书画院院长，北京市通州区美术家协会理事。皇家书画实力派代表之一。中日禅学文化学者，禅字宗师等。孔子美术馆签约画家。
金山幼居北京,置身身厚重土壤。80年代初,随改革开放浪潮东渡日本留学深造,在日本生活三十余载,虽百般艰辛,却从未放弃追求而搁置手中之笔;身居异域,却心系故土,2012年毅然放弃海外生活归国定居,全心投入艺术创作和研究;众知“纸上得来终觉浅,绝知此事要躬行”,金山专程到清华美院高研班深造,此种“不改初心,方得始终”之求知精神难能可贵。金山书法主攻行楷,对颜、柳、欧、赵诸帖皆有涉猎,猶重榜书创作与研究,其书行笔沉稳,使转自如,浑厚天成,端庄雄健,有皇家大气之风范;绘画主攻花鸟,兼写动物,以书入画,猶喜画獒,走写意一路,用笔酣暢淋漓,具有皇家气魄。
Aisin Gioro Jinshan, born in Beijing, Manchu, is the owner of the ZhongMastiff Hall in Zhenghuang Banner. Aisin Gioro Nurhaci's eldest son, a descendant of Chu Ying, is a professional calligrapher and painter, a member of the Chinese Calligraphers Association, a national first-class artist, a member of the Chinese Artists Association, the director of the Hong Kong Royal Academy of Calligraphy and Painting, and a director of the Tongzhou District Artists Association in Beijing. One of the representatives of the Royal School of Painting and Calligraphy. Chinese and Japanese Zen cultural scholars, masters of Zen characters, etc. A contracted painter at the Confucius Art Museum.
Jinshan Youju lives in Beijing, immersed in thick soil. In the early 1980s, following the wave of reform and opening up, I traveled to Japan to further my studies and lived there for more than 30 years. Although it was difficult, I never gave up pursuing and put aside my pen; Living in a foreign land, but with a deep attachment to their homeland, they resolutely gave up their overseas life and returned to their home country to settle down in 2012, devoting themselves wholeheartedly to artistic creation and research; It is widely known that "what is learned on paper is shallow, but if one knows this matter, they must practice it." Jinshan specially went to the senior research class of Tsinghua Academy of Fine Arts to further his studies. This spirit of seeking knowledge, which is "not changing one's original intention, can always be achieved", is commendable. Jinshan Calligraphy mainly focuses on running regular script, and has a deep understanding of various calligraphy styles such as Yan, Liu, Ou, and Zhao. It places particular emphasis on the creation and research of imperial edicts. Its writing style is steady, allowing for easy translation, rich and natural, dignified and vigorous, with a royal and grand demeanor; Painting focuses on flowers and birds, while also depicting animals. Drawing from books, I still enjoy painting Mastiffs. Walking along the path of freehand brushwork, I use my brush profusely, exuding a royal aura.
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