Yang Chaoyue posted a few tidbits of her shooting the other day, in which she was dressed in red Hanfu, her hair was blown messily by the wind, and under the sunny snowy mountains at an altitude of 4,000 meters, the sense of atmosphere was full and bursting.
I stared at this picture, and I couldn't get tired of it. Especially the one she held up the stream and sprinkled it into the sky, I had already made up the script of a prairie princess on the way to escape marriage.
Yang Chaoyue's photo photos have always been recognized as a high level, and casually pulling out one is the degree to which the whole network is imitating.
I remember when this set of white bows + dream bubbles photo was just released, it set off a storm. At that time, as soon as I opened the social platform, I could see the girls scrambling to find a photographer to take an appointment to surpass the same model.
The degree of good looks of her facial hardware is needless to say. Compared with the cuteness and agility of modern costumes, wearing ancient costumes seems to show the classical and exquisite side of her appearance.
In addition, a large part of the factor is due to the sense of atmosphere bonus.
Although the scene part of this group of pictures does not account for a high proportion of the composition, the clear and cold snowy mountains in the distance, the wet stream stones and the sunshine in the distance are all part of her Hanfu beauty.
As the only bright color in the picture, the red Hanfu sets off Yang's whiteness beyond the skin. Red originally has its own feminine and feminine bonus, and in the majestic scenery of the snowy mountain grassland, it will not look too vulgar.
At the same time, her demeanor and expression are also very relaxed, so that when people see the picture, they not only pay attention to the beauty of the face, but also the whole picture blesses the sense of story. It reminds me of a set of pictures ⬇️ by Zhou Xun in Confucius
The same is wearing a wide robe with large sleeves of solid color, simple Hanfu style, there is not too many complicated embroidery patterns, hair loosely tied up, everything is very casual; the same is the blue sky, grassland such a vast scene.
It's just that Yang Chaoyue's red-clad Hanfu brings a more bright feeling, and the biggest highlight of Zhou Xun's group of stills is the spirit.
The first sun hid behind the grass and trees, holding two rolls of bamboo in her hand, the hairstyle was not limited to neat and luxurious, so casually scattered, loosely pulled up at the back of the head, blown by the messy, more flexible and lively.
The second, using a lower perspective, captures the blue sky and white clouds behind her. The turquoise colors of the grass and the sky are clearly matched, and the sunlight also makes the blades of grass sparkle, coupled with the yellow-purple flowers in the close-up, the whole is full of vitality.
Not to mention Zhou Xun in the middle of the picture, the upturned calves and the thoughtful look when watching Zhu Jian, between every move, the little girl's delicate and lively aura was about to overflow the screen.
The beauty of the third album is more free and free. The stables on the prairie, the running maiden, as if the next moment she was going to ride her horse on the prairie.
In addition to Zhou Xun's style, the costume style that can seal the gods in my heart also has Tang Yan's style in the legend of the Immortal Sword. Zi Xuan debuted in this shot I have been memorizing in my mind for more than ten years...
The camera begins with chic shoes, and sure enough, the real beauty is different from head to toe.
Thin and white feet, wearing embroidered shoes with Miaojiang style, the straps and ankle chains on the ankles have first outlined a mysterious and feminine image. The camera turns again, it is Tang Yan's face draped in purple veils, just showing a look, which has already made people deeply attracted.
The success of Zixuan's styling is also closely related to the sense of atmosphere.
Purple has a mysterious and noble temperament, which is very suitable for the character of the descendants of Zi Xuan nuwa. In the play, her costumes are mostly soft, thin sandman fabrics, with a sense of elegance and laziness.
In addition to purple in color, it is purple rose red and pink, and the style adds MiaoJiang elements, and all the makeup and character temperament are very compatible.
The most memorable thing is Zi Xuan's forehead ornament, right? This is the first place in the costume jewelry that I dreamed of having when I was a child! In addition to adjusting the proportions of the face, the delicate forehead ornament can also focus the visual center on the eyebrows, which is more attractive.
Also able to seal the gods is Liu Yifei's Wang Yuyan. She was only sixteen years old at the time, tender enough to pinch out water.
Liu Yifei's appearance is very fine and classical, and the character makeup is also dominated by soft pink, highlighting the delicate cheeks while lining the eyebrows picturesquely, the so-called "human face peach blossoms reflect red" is such a face.
In this shot, the peach blossoms in the background bloom just right, naturally outlining a beautiful and bright spring scene, which also complements Wang Yuyan's delicate and innocent personality.
And Duan Yu's this one is really the yyds in the immortal couple. The valley stream, under the sunlight, suddenly makes people enter the beautiful situation of paradise.
Therefore, it is not difficult to find that unlike the "straight to" of modern clothing, the classical beauty is subtle and introverted, mostly in the details of the pile, and a good atmosphere can give the beauty more bonuses, leaving a stunning role.
Image source
Sina Weibo / Douban
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