Zhang Fengyi, zi Bo Qi, trumpet Lingxu, don't sign Mr. Lingxu, Leng Ran resident. A native of Ming Changzhou (present-day Wu County, Jiangsu).
One of Zhang Fengyi's "Orchid Pavilion Preface"
With his brother Xianyi and Yanyi, all three have literary names, the Wu people say: there are four emperors in the front and three in the back.
Zhang Fengyi's "Orchid Pavilion Preface" No. 2
Wing Chinese New Year's Eve eight in the middle, although there are officials, but the career path is bumpy, so they are desperate.
Zhang Fengyi's "Orchid Pavilion Preface" No. 3
After Zhang Fengyi deposed the official, Du Men did not come out, sold words for self-sufficiency, and was ashamed to make friends with the powerful with poetry and ink.
Zhang Fengyi's "Orchid Pavilion Preface" No. 4
Shen Wan's recent affairs are remnants: "Zhang Xiaolian is a man of literary character, a lonely man, and a disgrace to poetry and make friends with nobles."
Zhang Fengyi's "Orchid Pavilion Preface" No. 5
The gate of the list said: 'There is a lack of paper and pencil in this house, and whoever has a face full of books with a fan will have a silver dollar; The eight sentences of the book are divided into three points; the special Shou shi Shou Wen, each axis is like a thousand. 'Man strives for it. Since Gengchen has not changed for thirty years. ”
Zhang Fengyi's "Orchid Pavilion Preface" No. 6
Qian Qianyi's collection of poems reads: "Bo Qi and Yu Congzu Chunchi Fujun were raised together in Jiajing Jiazi, Yu Weak Crown and the Second and Third Teenagers, the wine bowl rushed into his family, the wine was burned, the wine was burned, the guest was the host, the wine was burned, the hand was interrogated, and his words were as kind as he was." The advanced wind current is still still quite impressive. ”
Zhang Fengyi's "Orchid Pavilion Preface" No. 7
Zhang Fengyi was able to write poems and work on the pipa, and once performed the Gaoming pipa with his son. He wrote the preface to Shi Nai'an's "Tale of Shui Hao", and before Chinese intellectuals wrote the preface to fictional novels, he was also quite critical of various versions of the Tale of Shui Hao.
Zhang Fengyi's "Orchid Pavilion Preface" No. 8
Zhang Fengyi is a good book. Wang Shizhen's "Yiyuan Jieyan" Yun: "Zhang Gongsheng Xiaokai proposed "Cao E", elegant and elegant, slightly hurtful and reserved", "Bo Qi Pingsheng came to the second king the most, retired into a tomb, although the heavenly fun is small and the rules are calm." ”
Zhang Fengyi is a maniac and is good at composing music. The operas he has written include the legendary "Red Breeze Chronicle", "Zhu Fa Ji", "Stealing Symbol Record", "Irrigation Garden Record", "Shu Shu Ji", "Tiger Fu Ji" (the above six kinds, the title "Yang Chun Collection") and according to Fu Xihua's "Complete Catalogue of Legends of the Ming Dynasty", there are still three kinds of "Pingbo Record", "Lu Yi Record", and "Yuyan Record", all of which have no biographies.
The poems include the eight volumes of the "Collection of Chu Shi Tang", as well as the "Dream Occupation Class Examination", "The Famous Artists of Hainei Painting Ability", "Annotated Notes on Selected Texts", "Four Books and Sentences", "Ruilan Pavilion Jingxing", "Qinghe Anecdotes", "Self-defined Chronology", "Collection of Poetry Pipes of the National Dynasty", etc.; and "Knocking on the Moon Xuan Lyric Manuscript", which has long been scattered. He wrote the foreword to Water Margin.
After reading these, Xiaobian found that Zhang Fengyi would really have a lot of composition, composers, plays and poetry, and calligraphy is only one of them, but unfortunately, he is ashamed to make friends with poetry and ink, and there are very few works left for posterity in his life.
Zhang Fengyi inscribed "Li Sixun Monument", xingshu
Zhang Fengyi inscribed Zhou Tianqiu's "Peach Blossom Book house calligraphy volume", xingshu
Zhang Fengyi's book "Five Words and Poems" uses ink lightly, smooth and clear, and has the demeanor of a Jin person
Zhang Fengyi's "Lanting Poems" by Zhang Fengyi and Liu Gongquan, Xingshu, collected by the Palace Museum in Beijing
Every time I look at the calligraphy written by the ancients, I am quite emotional, although I do not understand the art, the distinction between fine and elegant and miscellaneous five products. At the same time, there are also many masters who can comment on these calligraphies every time. However, xiaobian knows that there is no artistic cell, and it is difficult to understand the meaning of what his masters say, and here I hope to forgive.
After all, in terms of five products, "sophisticated" is less, "elegant and miscellaneous" is more, people are the same, and there are countless ordinary people like Xiaobian. If you feel that "the Tao is different," then you can "not conspire with each other."