Liu Junjie Xu Jian
Liu Junjie is a cross-talk artist in Tianjin, he is a descendant of Chang's cross-talk, a disciple of Mr. Su Wenmao, who was transferred to the Tianjin Qu Art Troupe in the 1980s, catching up with the last glory period of the Tianjin Qu Art Troupe. He is good at creation and has cultural heritage, and has twice appeared on the stage of the CCTV Spring Festival Gala. For a long time, he has served as the director of the Song and Speaking Department of the Northern Qu School, and has cultivated a large number of cross-talk talents for Tianjin and the whole country. Li Liangjie, the hot rock drum musician at the moment, is also a disciple of Liu Junjie. Liu Junjie has partnered with Su Wenmao, Xie Tianshun, Zhao Yan, Tang Jiezhong, Wang Hong and other people, and these big names are willing to give him praise, which shows that Liu Junjie is not bad.
Liu Junjie was born in 1950 in The Small Station in the Southern Suburbs of Tianjin. His mother liked Peking Opera, his brother Liu Juncheng could play the piano and drums, and Liu Junjie loved to sing Allegro. In 1965, Su Wenmao went to the southern suburbs of the small station theater to perform, backstage came a child, very good-looking, someone told Su Wenmao, said that this child lived in the theater, like to sing Allegro. Liu Junjie sang a passage for Su Wenmao, and Mr. Su said: "Sing well, come back to the city, I will introduce you to Li Runjie." ”
At the age of 16, Liu Junjie joined the army to the Air Politics Cultural and Labor Corps, and after four years, he returned to the southern suburbs of Tianjin and worked in the canteen of the motor factory. In 1970, Su Wenmao was sent to the North Gate Brigade of the North Gate Commune in the southern suburbs, and Liu Junjie met Su Wenmao again. Mr. Su helped Liu Junjie write the cross-talk "The Record of Digging a Well", and rode a bicycle to the small station every day to guide Liu Junjie to rehearse. This work won an award at the Tianjin Amateur Literary and Art Show.
Young is Liu Junjie
Liu Junjie in his youth
A cultural and labor troupe was set up in the southern suburbs, Liu Junjie began to partner with Su Wenmao to say cross-talk, Liu Junjie teased, Su Wenmao praised, and the grandfather and son performed works such as "Defending Xisha", "Digging Treasure", "Good Secretary" and so on. During this time, Su Wenmao accepted Liu Junjie as an apprentice.
In 1980, Liu Junjie was transferred to the Tianjin Qu Art Troupe, and when he first came, he had no partner, Yang Shaohua and Ma Zhiming were partnered, and Liu Junjie and Yang Shaohua were also working together when they were fine. However, the two did not really perform together. After Ma Zhiming separated from Yang Shaohua, he partnered with Xie Tianshun. Later, Ma Zhiming and Xie Tianshun cracked the cave, and Liu Junjie partnered with Xie Tianshun for a period of time, leaving several works.
In 1995, Liu Junjie appeared on the stage of the CCTV Spring Festival Gala, he created and spoke with Zhao Yan in a cross-talk "Looking for Faults", satirizing some people in the society who developed the problem of loving to pick faults, picking up chopsticks to eat meat, putting down their rice bowls and scolding their mothers. This phenomenon, for some netizens in today's Internet age, still has warning significance, just to pick faults for others, will not progress, the correct way is to absorb the strengths of others.
Liu Junjie
Liu Junjie Yang Shaohua and so on
In 2001, Liu Junjie once again appeared on the stage of the Spring Festival Gala, and created and spoke with Tang Jiezhong to "Drama Fans". Liu Junjie also has a cross-talk "Learn to Sing Sha Jiabang", which is also performed in cooperation with Tang Jiezhong and others. In the program, there is a moment of Peking Opera, a moment of Yue Opera, a moment of Lu Opera, and a moment of gags. Liu Junjie is good at singing and is also good at learning various dialects, but he does not show off, but cleverly integrates these things into the modern language environment and shakes the baggage.
In the past few years, Tianjin Traffic Station often broadcast "Joke Basket Telling Jokes", which is Created and performed by Liu Junjie, who always pays attention to collecting humorous information in his life, and friends often use cold jokes to amuse people at gatherings. When Tianjin people mention "joke baskets", they think of Liu Junjie.
Su Wenmao is a disciple of Chang Baokun, the representative figure of Chang's cross-talk, whether he is an artist or a person, he has more requirements for himself and less for others. His biggest influence on Liu Junjie was to let the apprentice understand how to behave and how to do things. Su Wenmao is well-liked in the circle, and Liu Junjie is also determined to be like a master. Master and apprentice got along for forty or fifty years, and Su Wenmao appeared most often before his sickbed in his later years was Liu Junjie.
Liu Junjie Yang Shaohua
Su Wenmao's artistic style is "literary but not tepid", and the jokes are vulgar and intriguing. Liu Junjie has also learned the essence of Su Wenmao's performance, ethics do not say, satirize the disabled do not say, vulgar words do not say, if you want to have works that can be retained and passed on, you must abide by the bottom line, help people solve puzzles, and teach people to move forward.
Liu Junjie is good at creating. In order to be able to write a good paragraph, he read famous works, collected a large number of wild history miscellaneous news, and believed that in addition to the jokes in the paragraphs, there should also be knowledge, so that people can gain something after laughing. He created a passage of "Talking about Tianjin Wei", first using a large section of Tianjin dialect as a "pad speech", then using historical knowledge to transition, and finally a one-stop pass. Among them, there are both folk customs and intellectual interests, not rigid and rigid, nor pretentious, and integrates the cultural flavor into the crosstalk. Su Wenmao's stand-up comedy "Kissing" and "Fulfilling Dreams" are all works of Liu Junjie.
The originator of cross-talk is not afraid that Zhu Shaowen is a talent, Zhang Shouchen and Dai Shaofu are known as "cultural cross-talk", and Su Wenmao is a master of wen, which are Liu Junjie's most respected role models. He thinks that it is not difficult to say cross-talk, you can learn a few paragraphs without a teacher, you can listen to it in the garden, you can go on stage to say it, but when it comes to a certain extent, someone must point it out, when everyone's level is similar, it is the background and culture. Therefore, the cultural level of cross-talk actors is very important.
Liu Junjie Xie Tianshun
Talking about the history and culture in traditional cross-talk, Liu Junjie once said, for example, the program "Fenhewan", first understand which dynasty this story is produced in, then analyze the relationship between the two characters in the story, and then see how Peking Opera, Hebei Zizi, and the commentary "Fenhewan" are performed, and then learn to study how different actors, such as Su Wenmao, Ma Zhiming, and Wei Wenliang's "Fenhewan" are performed. There is not much content in this, and it is by no means a matter of saying, just doing.
In 1999, Liu Junjie taught at the Northern Quyi School and served as the director of the Ode Department. During the period when the Northern Ququ School and the China Academy of Opera cooperated to run a college class, Liu Junjie participated in a set of tutorials, which still continued the past oral teaching method, teaching according to their aptitudes and cultivating students' personality.
Liu Junjie's disciples include Feng Yang, Xu Jian and more than a dozen well-known cross-talk actors. At that time, Li Boxiang, Wei Wenliang, Liu Junjie and other veteran artists held a counter-string program "The Evening of Laughter" at the China Grand Theatre, with cross-talk actors singing and commenting, Peking opera actors saying cross-talk, and Xu Jian and Li Liangjie sang the rock drum "Tianjin Doll" together. After the performance, Xu Jian told Li Liangjie: "Master likes your works very much. Li Liangjie thus became acquainted with Mr. Liu Junjie, who admired Mr. Liu very much and worshiped Mr. Liu as his teacher. Although he has not yet "put it to know", but Liu Junjie told Li Liangjie a lot of artistic creation techniques, all of which cannot be found in books and cannot be heard in other places, and Li Liangjie has learned a lot of things in the subtle way, and feels that the creation is becoming more and more comfortable, and Liu Junjie's art also has a wider inheritance. (Text: He Yuxin)
Liu Junjie's sketches
Liu Junjie Zhang Yao