Yuan Qianxuan Lanting Guan Gean Tu Collection of the National Palace Museum in Taipei
Qian Xuan Yanjiang to be crossed Figure Collection of the National Palace Museum in Taipei
Qian Xuan Return to Ci Tu Volume 31.1x 411.5 cm Collection of the Metropolitan Museum of Art
Qian Xuan Mountain Residence Chart Color on Paper The Palace Museum in Beijing
Qian Xuan Floating Jade Mountain Residence Map
Qian Xuan Secluded Scroll Color on Paper 29 .4 x 333 .9cm Collection of the Palace Museum, Beijing
Qian Xuan Qiu Jiang to be crossed Map Beijing Old Palace Museum
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Qian Xuan (1239-1301), courtesy name Shunju, was a native of Yutan, Wuxing (present-day Huzhou, Zhejiang). Song Jingding three years of township tribute to the soldiers. Gong poems, good calligraphy and painting. The painting is extremely mixed: the landscape is studied by Zhao Lingyong; the characters are studied by Li Gonglin; the flower and bird teachers are Zhao Chang; and the green landscape teacher Isaac Zhao Boju. The characters and paintings were praised at that time. Inheriting the literati painting theory of Su Shi and others, advocating morale theory, and advocating the painting of the Jia family. He advocated the "morale" in painting, and inscribed poems or words on the paintings, which sprouted the distinctive characteristics of literati paintings that closely integrated poetry, books and paintings. Qian Xuan and Zhao Mengfu are in the same hometown and share the fame. Together with Zhao Mengfu, Wang Zizhong, Mou Yinglong, Xiao Zizhong, Chen Tianyi, Chen Zhongxin, and Yao Shi, he was called "Wuxing Eight Jun".
Yuan Qianxuan Yang Guifei shangma figure Color on paper 29.5 x 117 cm Collection of the Freer Museum of Art, USA
The retro style of Yuan Dynasty painting has been fully expressed as early as the works of Qian Xuan, one of the "Wuxing Eight Juns" in the early Yuan Dynasty, which includes several aspects such as character costumes, composition characteristics, color setting and materials. This volume depicts Tang Xuanzong and the noble concubine Yang Yuhuan on horseback. Xuanzong rode on the night white, looking at the noble concubine from the side, and there were two maids next to the noble concubine to assist. There are fourteen people in the picture, all dressed in Tang costumes, the figures are full, the postures and movements are different, and the image portrayal is subtle and vivid. The lines of the clothing are neatly drawn, continuously turned, and the setbacks are powerful, all of which are gossamer drawings. Although the color is gorgeous and elegant, the painting figures do not have a background, which is also caused by the influence of Tang Dynasty painting.
Passing money to select the time miao liu calf picture Collection of the National Palace Museum in Taipei
Yuan Qianxuan Fu Drunken Figure Silk ink color 28×49.5 cm
Qian Xuan Lan Ting Ji Xian Picture Scroll
Yuan Qianxuan West Lake Fun Map
Qian Xuan Wash Elephant Picture Collection of the Metropolitan Museum of Art
Qian Xuan Character Story Diagram Colored Silk Hand Scroll
Passing money to select paintings of Xu Tong cooking tea in the National Palace Collection in Taipei
Qian Xuan, Keju, color on paper, 28.6 × 56.3 cm, Shanghai Museum Collection
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Qian Xuan Early Autumn Drawing 26.7 x 120.7 cm color on paper The Detroit Institute of Art in the United States
Qian Xuan Eight Flowers Picture Scroll Color on Paper 29.4 x333.9cm Collection of the Palace Museum, Beijing
Selected by money Bird Gardenia Roll Color on paper 29.2 x 78.3 cm Collection of the Freer Museum
Qian Xuan Pear Blossom Figure 95 x 31.7cm Collection of the Metropolitan Museum of Art, New York, USA
Qian Xuan Peach Branch Pine Tree Picture Scroll Color on Paper 26.3 x 44.3 cm Former Officials Museum of Taipei
Qing Anon. (Chuanqian Selection) Floral Grass Insect Picture Scroll Ink And Color on Silk 26×176.5 cm Collection of the Metropolitan Museum of Art
Qian Xuan Yan returned
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