She is a generation of dancers, she began to learn dance at the age of 6, at the age of nine she went to Shanghai alone for professional training, she appeared on the stage of the CCTV Spring Festival Gala twice in a row, she was called "special thing" by Yang Liping, and was also respected by Venus, who is known for her poisonous tongue.
She is still on stage at the age of 36, and she says that dance is her lover and her enemy. Tell the story of the craftsman, taste the ingenuity of the unique luck, spread the Chinese civilization, this issue of the Ziya Child Fun Craftsman Observation will take you to understand the soul dancer Zhu Jiejing and the story of dance.
In the spring evening of the Year of the Rat, many people are praising Tong Liya's hosting, Xiao Zhan's appearance and Jin Jing's funny, but people with a little artistic cell are admiring Zhu Jiejing's "Morning Light Song", which is led by Zhu Jiejing, the chief dancer of the Shanghai Song and Dance Troupe, which is the highlight of the Spring Festival Gala of the Year of the Rat.
The unpredictable lighting, melodious dance music, coupled with the graceful posture and movement of the dancers, flow the special charm of oriental women between a smile.
As the lead dancer of this dance, Zhu Jiejing wears a milky white cheongsam, with an elegant and graceful body, and a variety of postures, like a white lily with buds waiting to be released, bringing the audience an indescribable sense of beauty, who has seen this dance, people who have a little common sense of dance will feel the great artistic charm from this dance.
In 1985, Zhu Jiejing was born in Zhejiang, began to contact dance at the age of six, left her parents alone at the age of nine to go to the Shanghai dance school to learn dance professionally, and at the age of sixteen, after graduating from the dance academy, she went to work in the Shanghai Song and Dance Troupe.
She hardly has any diplomatic time, almost all of her energy is focused on dance, her daily work is strict training and performance, not in the performance, or in training, not in training or pondering the details of the dance, in short, she has never played in the rest time that should be there, but constantly demanding herself with stricter standards, summarizing the lessons of each performance, and carrying forward or correcting it in time.
She was almost extremely demanding of herself, and even the question of whether the angle of her hand at 45 degrees or 60 degrees was more beautiful would make her think about it for a long time.
It is precisely because of a long period of pondering, with a long period of correction and progress that her dance career step by step forward, for the beloved dance career, Zhu Jiejing did not get married, she feels that dance is her lover, her life hopes to be with her lover.
She had never thought about how she would live without dance in the future, so she always thought that dance was actually her own air, her own water, and she could not live without dance.
Plum blossom fragrance from the bitter cold, the sword blade from the grinding, with years of focus on the cause of dance, Zhu Jiejing's every action is very in place, Zhu Jiejing's every role is interpreted in particular, and it is precisely because of her own dedication and persistence, Zhu Jiejing's dance to bring the audience the beauty is real, are so impactful.
People in the dance field know Zhu Jiejing's dedication and persistence, and also understand The beauty of Zhu Jiejing, but for the majority of the audience, there are still very few people who know Zhu Jiejing, and Zhu Jiejing's moment of approaching the public began with "Dancing Forest Battle" in 2013, when Zhu Jiejing surprised four star mentors and many audiences with a solo dance "Waiting".
Yang Liping, who is known as the Peacock Princess, said bluntly after watching Zhu Jiejing's dance: "I think you are a special thing, really very perfect." ”
Venus, who has always been known for her poisonous tongue, said bluntly after watching Zhu Jiejing's dance: "I finally saw a female dancer, from the body to the mind to the state of integration is very accurate, is really using the body to speak." ”
After "Dancing in the Forest", Zhu Jiejing received a lot of attention, and many young people also began to like this soul dancer, but Zhu Jiejing did not take advantage of this opportunity to hype herself, but returned to the practice room, continued to precipitate herself, continued to polish her dance, and did what a dancer should do the most.
This time the silence was suddenly six years, six years later, she appeared on the stage of "This is Street Dance", bringing the audience the polished "Twilight Light", this finale dance at that time can be described as stunning the whole audience, at this time people once again saw her work after the silence, suddenly found that her dance skills after the retreat greatly increased, as if it was a phoenix after nirvana, once again let people marvel at her dance charm.
Today, Zhu Jiejing has twice appeared on the stage of the Spring Festival Gala, and on the stage, she is infinitely dazzling, but in private, she is a deformed toe caused by practice and the scars on her body. The success of every undertaking is the common result of persistence and perseverance, Zhu Jiejing insisted on her own stage, persevered, and finally ushered in her own highlight moment.
At the age of 30, Zhu Jiejing was selected as the heroine of the dance drama "Crested Ibis", and the reason why Tong Ruirui, the choreographer of this dance drama, chose Zhu Jiejing as the heroine was not only the external conditions of Zhu Jiejing, but also the more important thing was Zhu Jiejing's mature heart and increasingly strong stage tension.
In order to be able to play the crested ibis, Zhu Jiejing went to the hometown of the crested ibis to observe every movement of the crested ibis, how it drank water, how to eat, how to fly, how to communicate with her companions, etc. In order to be able to play this bird well, Zhu Jiejing was almost magical, she was thinking about every action of the crested ibis, and went to Japan, in front of the specimen of the last crested ibis Akin in Japan, she seemed to see the specimen moving, and said a passage to her that only she could understand.
As the saying goes, if you don't go crazy, you won't live. Perhaps it is precisely because of Zhu Jiejing's almost crazy pursuit of dance, Zhu Jiejing interprets every role entrusted to her hands to be magical, she is indeed not just speaking with her body, she is dancing with her heart, saying that she is a soul dancer deserved.
Later, the dance drama "Crested Ibis" achieved unprecedented success, and the success of the dance drama also made Zhu Jiejing begin to be known by the vast audience, and was sought after by many audiences, but in the face of the audience's pursuit, Zhu Jiejing was very low-key and very open-minded, she was not tired of fame, but continued her ascetic life.
In 2020, Zhu Jiejing brought the audience "The Eternal Electric Wave", in this dance drama, Zhu Jiejing played Lan Fen, Zhu Jiejing wore a qipao to dance with full charm, in this dance drama there is a section of Zhu Jiejing wearing a qipao, shaking the fan of the dance, there is no excessive complex dance movements, but it is those bits and pieces of life that have achieved the elegance and beauty of Lan Fen played by Zhu Jiejing.
Zhu Jiejing won the supporting role award of the 30th Shanghai Magnolia Drama Performing Arts Award for playing Lan Fen, talking about her own award, Zhu Jiejing believes that time is fair to anyone, the passage of time makes our bodies age, but time also gives everyone more things, 36-year-old Zhu Jiejing played by Lan Fen is definitely better than Lan Fen played by 26-year-old Zhu Jiejing.
Zhu Jiejing finally achieved her career and her dreams with her persistence, but even if she is now successful, Zhu Jiejing is still insisting on her monotonous and boring life.
Every morning at nine o'clock into the rehearsal hall, the morning is basically basic skills training and physical training, the afternoon is the rehearsal of the repertoire, and at 7:30 pm, it is necessary to perform on stage. Her daily life was arranged to be full, and she had little time to socialize and almost no time to do other things, but such a life made Zhu Jiejing feel as happy as ever.
Or that sentence, not crazy, not alive. As a leading figure in the dance industry, Zhu Jiejing has paid a lot, gained a lot, sacrificed a lot, and will certainly achieve a lot. What do you have to say about Zhu Jiejing's choice? Everyone is welcome to leave a message and discuss in the comment area.
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