At the end of the first season of the animation "Defective Products: Banishment to the Starry Sky", this animation work with a score of only 5.9 points in the small broken station was jokingly called "the real defective product" by netizens, because many shortcomings were exposed in the entire animation.
First of all, I haven't seen the original, just for animation. As for me, who has watched all 16 episodes, this animation has given me a feeling of disappointment and embarrassment.
For a good animation, the final presentation in front of the audience has no more than two emphases, the first is production, and the second is the plot.
If your production technology is limited or you are constrained by insufficient funds to achieve high-quality production, then you will work the plot.
By shaping the human settings and highlighting the feelings to make the work more interesting, so that the audience can resonate in the process of watching, whether it is infected by the human settings or moved by the feelings, it has been successful for the animation, and there is no doubt that it will be a good animation.
However, this focus does not work for Shuangwen, because the plot of Shuangwen is relatively simple, simply a cool word, and the key lies in how to make the audience feel the existence of shuang elements.
Because the audience prefers to watch large scenes in the Shuangwen plot, the animation will be supplemented by a large number of cool special effects in the production process, as well as the rendering of scenes that cause a certain impact visually, so as to increase the visual experience we bring when watching the animation.
To sum up, no matter what kind of animation, it is inseparable from these two points of emphasis, but it is somewhat unrealistic to want to have these two points at the same time.
Generally, both points are available, either theatrical animation films, or the strong funds and strong technology, so as to create the most perfect animation works.
However, for the animation defective banished to the starry sky, unfortunately, these two points do not seem to account for. As a science fiction animation work, my expectations for animated science fiction elements far exceeded my expectations for the plot, but after the broadcast, it was disappointing to find.
Whether it is a mech or Zhan Lu, as well as the battleship spaceship and technology products that appear in the animation, they all reveal a kind of poverty from the inside out.
In particular, Zhan Lu, as one of the top ten famous swords, performs no differently from ordinary robots in all aspects, and does not meet The setting of Zhan Lu in the animation and the expectations of science fiction elements in my heart.
Since the scene is not grand enough, it can only be hoped that the follow-up plot can make up for it, but after all 16 episodes, this plot is really difficult to say.
What I see most in the whole animation is not the delicate display of the plot and the precise shaping of the human setting, but the brotherhood of the two protagonists who are crazy all the time.
Every time we face a crisis, what we see is not a lively battle scene and a calm and wise person, but Lu Bixing's generous statement and Lin Jingheng's handsome style.
What is even more embarrassing is that the animation does not inject feelings into the plot, but all instills it into Lu Bixing and Lin Jingheng.
For the plot of these two people, it is described as for your safety, I can disregard life, and likewise, for your safety I can also disregard life and death, which sounds so touching, how deep brotherhood, but in fact, the animation presents not only the slightest touch, but more embarrassment.
Can't animation put the pattern a little longer, can't it sublimate the theme? The two protagonists shoulder a heavy and long-term mission, and the road ahead is full of unknown difficulties and obstacles, not only you in my eyes, only me in your eyes.
Finally, the modeling of the character is not very satisfied, overall, the upper body is still OK, the face details are still delicate, but the lower body, especially the two legs of the two protagonists, this is the real leg essence, the straight and slender two legs really can not look directly.
Also, it is still Zhan Lu, who is also not good enough for Zhan Lu's shape, and the facial details show a lack of realism, although it is a robot, but it is inevitably too robot in the human form.
Therefore, for the animation of defective banishment of the starry sky, the production is not good, and many of the problems exposed are really undeserved, and the overall feeling of the animation is too anxious, so that many details are handled hastily and full of perfunctory feelings.
Here, I hope that the animation can learn a lesson, if there is a second season, please accept and take some suggestions given by the audience in the first season as much as possible, and really work hard to complete this work, after all, such a good IP should not have this ending.