Nine continents, billions of stars.
When I first saw the poster of "The Ancient God King", I thought it was a hardcore male work.
Can my eldest male frequency finally produce a cool drama? Finally do not have to "trouble" the screenwriter - hard to upgrade the flow of the text, changed to "roll cp" female to serial?
It turns out I was wrong, the poster does have a bit of a "Lord of the Rings" flavor, the drama well... Or half in the middle and half in the West, relying on the "little flower idiots" to support the flow of costumes (pure spit, mo raise the bar), but there is nothing bad, the show can be eaten.
Sheng Yilun had to rely on human design to rationalize the acting skills of facial paralysis, and everyone understood.
But Prince Wen... But the acting is very engaged, the face is also advanced, and it looks comfortable.
It's just her "nine days of the first beauty" Mo Qiancheng's setting... I always feel that the director is deliberately making several actresses with different characteristics "compete for glory". In the same drama, Bai Qiuxue, played by Tang Jingmei, and Ruo Huan, played by Wu Peirou, both have their own strengths and weaknesses, and they also have their own fans.
In this way, the agile Mo Qiancheng and the cold-faced Qin Wentian are put together, but they have a complementary sense of CP, which can be called ingenious. A bit of course Huang Rong with guo jing taste. This combination can be described as a tireless sight.
The protagonist cp sensed it, and the supporting role girl group would certainly not lose: the battle had the smoothness of the battle, and the fighting yan had the fang fei of the fight.
The title of "first beauty" of Mo Qiancheng is controversial on the Internet.
I think about it, it's not that Wang Ziwen is not beautiful enough, but that the supporting actresses are too beautiful. Of course, the popularity of Qu Xiaoxiu in "Ode to Joy" is the biggest guarantee for her to sit firmly in the female first.
In the end, it is an excellent actor who has been trained by big screen works such as "Tangshan Earthquake", "1942", "The Pursuer", etc., although he first played the costume fantasy (alas, how to say how awkward this genre is), he is still very dedicated, and the performance is a big cut.
Putting aside the props, this is related to the budget and the beauty of the finger, see the wisdom of the opinion. But the makeup of several of the actresses is actually passed, at least so that the position of the heroine Mo Qiancheng's "first beauty" is not very stable - controversial is interesting.
First of all, Bai Qiuxue, played by Tang Jingmei, although it is the standard of the face-made "Son-in-law Terrier", but the flattering + fairy appearance really makes this role look a lot better, and it is better than the three tails of "Qingyunzhi".
The stills that flow out show that blowing electric fans is also so good-looking, ha. Can you see that it is Cui Caiping in "Glory of Datang"?
The previous episodes constantly render the solid beauty of bai qiuxue, but it can highlight the beauty of Mo Qiancheng's agility.
It can be said that the director still made a certain move within a narrow framework.
Then there is my personal favorite Wu Peirou, this time she plays Ruo Huan, a literary and martial arts, quite sassy role. It was amazing to play.
The main appearance of Ruo Huan's dark clothes not only distinguishes her from other fairy and fluttering female characters, but also has three points of heroism, but also more effectively compensates for the weakness of Wu Peirou's long face plate, and the overall shape is unforgettable.
At the same time, Ruo Huan also has the presentation of a very daughter's home, giving people a sense of drama of "reincarnation", which echoes the "three lives and three lives" to be presented later. It can be said that this role is the most beloved one of the creative team besides the female number one.
Well, I stand with her too. Ha ha.
Speaking of which, since the debut of young actor Chen Mengyao, he has been escorting the costume Xuan fantasy, from "Mang Huang Ji" to "Taikoo God King". This time, bai qing, she plays, the later scenes will become heavier and heavier, can it usher in a breakthrough?
Chen Mengyao in "The Age of Mang"
Friends who have read the original novel should know that Bai Qing's cultivation achievements in the finale are the highest among all female characters.
In other words, Bai Qing's growth arc is also worth pondering, and see how Chen Mengyao interprets the growth arc of this role.
In addition, Lin Cheng, who is known as a master of ancient costumes, lin Cheng, who has passed through "Ruyi Zhuan", "Fengshen Yanyi" and "Wolf Highness", also participated in "Taikoo God King", playing the protagonist Qin Wentian's righteous sister Qin Yao.
Qin Yao comes from the Particle World of the Qingxuan Immortal Domain, with a mysterious identity, and the play has not yet unfolded. But Lin Cheng's distinctive posture can already be appreciated. From Zhenshu in "Ruyi Zhuan" to qin yao, the strong female role this time, the transformation is really promising.
After talking about the hundred flowers of the female character, I will mention the bones of those dramas that are either constantly surprised or have not been seen for many years.
Zhang Yao is still changeable, and Mo Hurt, who plays this time, is known as "everyone's master", beautiful and introverted, and has a strong temperament.
The long-lost Huang Zheng plays the regent Yi Heng, which can be described as ambitious and is one of the main villains in the play. Speaking of which, Huang Zheng can also be regarded as a professional of fantasy bosses, and it seems that he is a strong villain in "Journey to the West 3" and "Mang Huang Ji".
Golden Horse Film Emperor Xie Junhao, this is the right brand "youth"! The wine sword immortal in "The Legend of the Paladin Sword" at that time caused countless teenagers to want to find a fairy sword; this time he played Jiuhua Ren Qianxing, which can be called boldness and the city government, impeccable stability.
Jinggangshan has not been seen for a long time! His axe-splitting knife-like tough facial contours are just right for Mo Tianlin, the father of the heroine Mo Qiancheng.
Finally, there is huang Haibing, a costumed male god who can't move, from the "New Book of Swords and Enmity", "Wulin Foreign History", "Sui and Tang Heroes Biography" all the way, once a strange prince, today's "righteous father" Qin Chuan, how a "praise" word.
Because of these characters, "Taikoo God King" is also worth watching.