■ Lai Shaoqi Wants to wear a three-foot sword and play a picture provided by Lai Shaoqi Art Museum alone
■ Li Xiangqun Lacquer Book "Heart Edge"
■ Li Xiangqun famous calligraphy critic
In the middle of the Qing Dynasty, there was no shortage of people who were good at writing, and famous people came out from generation to generation, and the lishu of Deng Shiru, Yi Bingshou, and Jin Nong went hand in hand.
Jin Nong, the character Dongxin, is famous for his calligraphy and painting, and is the first of the "Eight Monsters of Yangzhou". Ziyun: "Since the "Five Fengshi Carvings", under the Han and Tang Dynasties, the eight points of the han and Tang dynasties have been separated, and the heart has been chased by the hand, and the private claim has obtained its divine bones, and Li Chao has not reduced a word and a hundred gold." In the early years of his book, he took the steles of "Shi Chen" and "Yi Ying", and later took the steles of "Wufeng Stone Carving", "Huashan", "Pan Colonel" and "Xia Cheng", which gradually deepened, and its style was simple and elegant, and its personality was distinct.
In his later years, Dong Xin studied lacquer books, and on the basis of the achievements of the Han Monument, he forged a new idea, integrated into the pen love and ink interest of "Cuan Baozi Stele", "Tianfa Shenli Stele", brochure, etc., knotting and using the pen to slender and open, horizontal and thick vertical as the main tone, with a strong contrast between the thickness and thinness of the pen, the flanking edge is like a brush, the steep and strong square, the beginning of the pen to see the square flat, clumsy in the allusive; Its self-made ink, ink thick like lacquer, these are contrary to the traditional lishu horizontal and vertical shape mode, the pursuit of a kind of authentic and ultimate beauty, the lacquer book, Zhenxun naïve, imposing, personality style appears more intense, and the contemporary Lishu everyone distanced.
Zheng Banqiao gave Dong Xin shiyun: "Random hair into words, deep mountains chiseled out of poetry; There is no need to talk about bone marrow, who can learn its skin. "Dong Xin is a deeply learned artist, and his calligraphy has the charm of a philologist, the interest of a painter, the method of a calligrapher, and his lofty style. If a scholar does not have extensive knowledge and profound artistic attainment, it is rare to find his god. It can be seen that the winter heart lacquer book is not easy to learn.
In the past, there are few successful people who have studied Jinnong, and Mr. Lai Shaoqi of modern and contemporary times is one of the famous ones, who in his later years devoted himself to learning the Winter Heart Lacquer Book, which has both form and spirit, and has his own interest, and has learning experience and insights. He prefaced himself in the Jin Li: "Yu Xing shu xue Lan Ting, zheng shu xue jin nong." After ascending Mount Taishan, he was shaken by the Northern Qi people's list of books, and Tuo 'people will win the day' return. Travel to Xiangdao, get the 'Good King Monument', and become a book of habits. Jinling cattle first out of the royal tomb bricks unearthed, the first letter of the Eastern Jin Dynasty also has affiliation, several suspected lacquer books, this jinnong is difficult to reverse the material? Books are the voices of the heart, the traces of evolution, and can be seen in their books and received news. He examined the Dongxin Lacquer Book, which originated from the fact that the Eastern Jin Dynasty Jinling Cattle first came out of the royal tomb bricks, and the Winter Heart was difficult to predict.
Lingnan Lishu has a deep tradition. Lingnan is located in a corner, although it is a vein of central plains culture, before the Ming and Qing dynasties, due to inconvenient transportation, there was not much contact with the central plains literati. By the middle of the Qing Dynasty, Weng Fanggang, Yi Bingshou, Ruan Yuan and others traveled to Lingnan, introducing advanced culture into Lingnan, opening up the atmosphere of Jinshi examination and research, and promoting the development of Lishu. Chen Gongyin, Li Jian, Zhang Jinfang, Xie Lansheng, Huang Danshu, Huang Qiqin, Lü Pei, Pan Shaojing, Peng Tailai, Liu Huadong, Ming Binglin, Huang Jianxiao, Liang Qichao, Lin Zhimian, Hu Hanmin, Wu Zifu, Mo Minfu, He Shaojia and others are all famous scholars.
I grew up in Lingnan and cultivated it. In the past ten years, I have taken the steles of "Xi Shan", "Heng Fang", "Fan Min", "Lu Jun", "Huashan", "Pan Xueguan", "Xia Cheng", "Yi Ying", and "Gao Ge" almost every day as my character lessons, faithful to the original stele, and pursuing the form and radiance. We now see the version of the Han Stele Moya, because of the long age, some of the inscriptions are long, the words are not clear, it is difficult to recognize, and it brings certain difficulties to the practitioners. Moreover, the words of these tablets, after all, the strokes are engraved, and it is difficult to grasp the expression with a brush, and the pursuit is still the meaning of gold and stone. The Qing people's seal calligraphy, both in theory and practice, the achievements can surpass the previous generation. Deng Shiru, Yi Bingshou, Jin Nong, Wu Changshuo and others, especially on the basis of the Han Li knife carving strokes, more reflected the writing effect of the brush, enriched the calligraphy and ink skills of the Lishu, and provided reference for later learning.
My living habits, usually in the idle and bored time, taste tea, read poetry books, check information, write small articles, near the inscription, like a state of busy idleness. On the eve of the Spring Festival this year, I was planning to return to my hometown to visit my relatives and friends, but the sudden epidemic responded to the government's call to terminate the trip and read and write at home. One day, when I was reading the Winter Heart Poster, I suddenly had the urge to absorb its meaning. Therefore, I found out that Lai Shaoqi's works were compared with Jin Nongzuo, Lai Lao only learned his early Fangzheng yilu, and I chose the big characters of "Lacquer Book" in the later years of Dongxin, taking the hall and the couplet as the object of the law, and created a batch of works. I have always believed that the study of Lishu is fundamentally in the Han Seal Lishu, and the attitude toward the study of Qing Ren Lishu is to learn its calligraphy, knots, and penmanship, and the key lies in the penmanship and meaning, rather than learning to be like it. Xi Jinnong's lacquer book aims to pursue its bone marrow and attitude, to deepen and enrich the connotation of my creation of seal works.